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Always a Bride

  • 1940
  • Approved
  • 58 min
AVALIAÇÃO DA IMDb
5,3/10
231
SUA AVALIAÇÃO
George Reeves, John Eldredge, and Rosemary Lane in Always a Bride (1940)
ComédiaRomance

Adicionar um enredo no seu idiomaAlice's parents want her to marry wealthy Marshall, but she loves charming Michael. Michael promises to become mayor to prove himself worthy. He runs against incumbent Mayor Loomis in an und... Ler tudoAlice's parents want her to marry wealthy Marshall, but she loves charming Michael. Michael promises to become mayor to prove himself worthy. He runs against incumbent Mayor Loomis in an underdog political campaign to win Alice's hand.Alice's parents want her to marry wealthy Marshall, but she loves charming Michael. Michael promises to become mayor to prove himself worthy. He runs against incumbent Mayor Loomis in an underdog political campaign to win Alice's hand.

  • Direção
    • Noel M. Smith
  • Roteiristas
    • Robert E. Kent
    • Barry Conners
  • Artistas
    • Rosemary Lane
    • George Reeves
    • John Eldredge
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,3/10
    231
    SUA AVALIAÇÃO
    • Direção
      • Noel M. Smith
    • Roteiristas
      • Robert E. Kent
      • Barry Conners
    • Artistas
      • Rosemary Lane
      • George Reeves
      • John Eldredge
    • 9Avaliações de usuários
    • 1Avaliação da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos

    Elenco principal31

    Editar
    Rosemary Lane
    Rosemary Lane
    • Alice Bond
    George Reeves
    George Reeves
    • Michael Stevens
    John Eldredge
    John Eldredge
    • Marshall Winkler
    Virginia Brissac
    Virginia Brissac
    • Lucy Bond
    Francis Pierlot
    Francis Pierlot
    • Pete Bond
    Oscar O'Shea
    Oscar O'Shea
    • Dan Jarvis
    Ferris Taylor
    Ferris Taylor
    • Mayor Loomis
    Joe King
    Joe King
    • Franklyn
    • (as Joseph King)
    Phyllis Ruth
    Phyllis Ruth
    • Mary Ann Coleridge
    Lucia Carroll
    Lucia Carroll
    • Receptionist
    Jack Mower
    Jack Mower
    • Martin
    Tom Wilson
    Tom Wilson
    • Charlie
    Harrison Greene
    • Mr. Lucas
    • (cenas deletadas)
    Vera Lewis
    Vera Lewis
    • Second Old Maid
    • (cenas deletadas)
    Edwin Stanley
    Edwin Stanley
      Lottie Williams
      • First Old Maid
      • (cenas deletadas)
      George Campeau
      • Man Telling Mike the Boys at the Club Miss Him
      • (não creditado)
      Peggy Diggins
      Peggy Diggins
      • Mabel
      • (não creditado)
      • Direção
        • Noel M. Smith
      • Roteiristas
        • Robert E. Kent
        • Barry Conners
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários9

      5,3231
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      Avaliações em destaque

      7arabrab-somar

      Entertaining hour!

      The main reason I decided to see this movie was because George Reeves was in this movie. I had of course seen him in re-runs of Superman as a young child. I briefly saw him in Gone With the Wind. I think this movie has a clever dialog. I liked the fact that the relationship of the older couple was not the usual that is seen in many movies of this time where the woman is submissive and polite to the husband. They are a typical couple arguing. I liked the way the election campaign turned out and the last line of the movie is the best political sarcasm I have heard in a long time. It was much more than I expected, of course looking at George Reeves is a treat in itself and I could not pass up one of my childhood heroes.
      5SnoopyStyle

      fake niceness

      Alice Bond (Rosemary Lane) is expected to marry rich local Marshall Winkler (John Eldredge). Instead, she likes Michael Stevens (George Reeves), but he has no prospects. He turned down a tax appraiser job due to his dislike of Mayor Loomis.

      Wow! Michael annoyed me. Marshall is right about him. All that flattery and false happiness is really off-putting. There is a big difference between him and someone like Ned Flanders. Michael is faking it and it shows. The future Superman has his tall stature and good looks. At some point, the fake happiness does go completely overboard into ridiculousness and that's a little funny. As for Alice, I don't really like her. I'm not too invested in this coupling or this movie.
      6boblipton

      Lightweight

      Rosemary Lane has two suitors. John Eldredge is a successful businessman who can give her everything she wants. George Reeves is a lazy good-for-nothing with a smile and a good word for everyone. Naturally, Eldredge doesn't stand a chance. But Miss Lane's parents are adamant: Reeves must gt a job to support her. So he runs for mayor of their small city as the candidate of the phony reform party; everyone figures he won't stand a chance against the well-oiled machine.

      This pleasant lightweight comedy is based on a stage play by Barry Conners and has the air of something that had been hanging around since the 1920s. Fortunately it has a similarly lightweight director in Noel Smith, and the result is a fluffy bit of nonsense that looks like everyone else passed on the roles, and it still turned out amusing.
      8paluska

      A goofy, loopy Preston Sturges-Frank Capra-esquire Comedy

      I thoroughly enjoyed TV "Superman" George Reeves with Rosemary Lane as the girl he pursues and tries to "win over" from John Eldridge. George does play his out-of-work, contrarian, devil-may-care role "over the top," because that's JUST THE CHARACTER HE IS: a' la Cary Grant in Bringing Up Baby, Joel McCrea in Sullivan's Travel, etc. Imagine either of those two actors, Bob Cummings, Robert Young--any of these would have played the part the same. It's BOY meets GIRL, BOY loses GIRL and BOY wins GIRL back by being himself. Good supporting cast, too. With all the renewed interest in poor George via Hollywoodland, see this picture for yourself when it comes on Turner Classics again. You'll really enjoy it: the underdog, march-to-the-beat of his own drummer vs. the staid, safe world out there--who should a girl (and her parents) choose?Some clever dialogue about marriage, nifty mayoral race tactics and a love triangle to boot. GO SEE IT for yourself. It's NOT awful. It's pretty darn good, and only about an hour long!
      7ksf-2

      another shortie from N Smith and George Reeves

      Always a Bride is another Warner Brothers shortie from director Noel Smith and George Reeves! A lover's triangle where Alice (Rosemary Lane) is being courted by two gentlemen callers. Marshall ( John Eldredge) manages to get a ring on her finger JUST before his counterpart Mike (George Reeves... yes, that's television's Adventures of Superman). The film is a series of confrontations between the three of them; one scene is a private discussion between the two men, then another at a dance where EVERYONE chimes in. This doesn't have the fun, happy, upbeat undercurrent that we felt in Smith's Father is a Prince. There is more arguing and yelling in this one, but it's entertaining enough. Over the course of an hour, Alice finds out what the guys are really like, and must make her decision. Each one has their pros and cons. Like Mike (and my grandmother) said, "here's mud in your eye!"

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      Interesses relacionados

      Will Ferrell in O Âncora: A Lenda de Ron Burgundy (2004)
      Comédia
      Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
      Romance

      Enredo

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      Você sabia?

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      • Curiosidades
        The play upon which this film is based, titled "Applesauce", originally opened on Broadway in New York City at the Ambassador Theatre, 219 W. 49th Street on 28 September 1925 and ran for 90 performances. Always a Bride (1940) is based on the play Applesauce by Barry Conners.
      • Erros de gravação
        (at about 28 mins) Just before Mike sits down to talk with Marshall, he tosses his hat on the piano to the left of Alice's photo. In the very next edit, seconds later, his hat can be seen leaning against the photo, covering Alice's face.
      • Citações

        Michael 'Mike' Stevens: Don't misunderstand me, Marshall. All marriages are happy. It's the arguments that aren't so happy.

      • Conexões
        Referenced in Father Is a Prince (1940)
      • Trilhas sonoras
        Tammany
        (uncredited)

        Music by Gus Edwards

        Played by the band after the mayor's speech at the dance party

      Principais escolhas

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      Detalhes

      Editar
      • Data de lançamento
        • 2 de novembro de 1940 (Estados Unidos da América)
      • País de origem
        • Estados Unidos da América
      • Idioma
        • Inglês
      • Também conhecido como
        • And So She Was Married
      • Locações de filme
        • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Califórnia, EUA
      • Empresa de produção
        • Warner Bros.
      • Consulte mais créditos da empresa na IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        • 58 min
      • Cor
        • Black and White
      • Proporção
        • 1.37 : 1

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