Cavaleiros Intrépidos

This is one of those perfectly acceptable 30s B-movies that does exactly what it sets out to do with a refreshing degree of professionalism by all involved, but which is completely forgotten within a couple of days of viewing. Roy Rogers' fans might feel a little cheated by the fact that he doesn't sing much but it's something of a bonus for us viewers who prefer cowboys of the non-singing variety. The writers must have been struggling to find reasons to have Rogers singing in this one, and one of the few occasions when he does a little crooning is courtesy of a guitar he discovers in a deserted house in which he has been imprisoned by dastardly Arizona Jack's ragtag band of desperadoes – which is about as likely as finding an ice cube in a sauna when you think about it. Perhaps he leaves guitars dotted around the western countryside for just such an eventuality. Perhaps they're a source of energy like goblets of wine and stuff found in unlikely places in PC games. I don't know.

Anyway, the story is reasonably absorbing, although the bad guys might as well walk around with "Bad Guy" badges on their lapels. I mean, spotty tie, checked shirt and spivvy 'tache – what a giveaway! And all of a sudden Eddie Acuff as Roy's semi-comic sidekick starts riding around on his horse hollering "Hi Ho, Dinah" at every opportunity as if he fancies himself as the next Lone Ranger.

It's all pretty good, undemanding fun and, clocking in at less than an hour, it's well worth giving it a try.

It's the end of the Spanish American War and newly mustered out Rough Riders Roy Rogers, Raymond Hatton, and Eddie Acuff get a letter from none other than their former commanding officer and now Vice Presidential candidate Theodore Roosevelt recommending them for jobs as border patrolmen in Arizona. Of course with that kind of pull, you know they get hired.

Two of their assignments get juxtaposed in Rough Rider's Roundup. The first is to stop and detain a young woman played by Lynne Roberts, but the second is to find out just who is this bandit Arizona Jack who is operating on both sides of the border. When Eddie Acuff is killed by him, the mission gets real personal.

Roy sings a song and gets to even yodel in this one and of all the singing cowboys, Rogers was the best yodeler of the bunch. He even gets to clock someone who at the very beginning downgrades the Rough Riders and calls TR an Eastern poser when he tells the guys he's voting for a real westerner in William Jennings Bryan. That's not something you say to a Rough Rider.

Funny when that was going and when the guys are hired as border patrolmen without question on TR's word, I was thinking of another Republic picture, War Of The Wildcats where former Rough Rider John Wayne got an oil lease simply because of where he served in the Spanish American War. Rough Riders could do no wrong in those years.

For Roy's fans and other aficionados of the B western.

This action-packed Roy Rogers oater is filled with chases, fisticuffs, and shoot-outs with little music to slow it down. Roy does sing a couple of songs, one when serenading Dorothy Blair (Mary Hart) while she tells him all she knows about the situation, the other in the Catina near the beginning of the film. Roy was one of the best of the singing cowboys. He helped start the Sons of the Pioneers. The only other singing cowboy that could out sing Roy was Tex Ritter. Not everyone knows that Roy was one of the best yodelers in show business. Yodeling is no longer a lost art. Pop singer Jewel and country singer Suzy Bogguss do some yodeling every now and again. Yodeling reached its peak in the entertainment industry during the 1920's with the blue yodeler Jimmie Rodgers. It began tapering off in the 1930's. In the Catina number, Roy ends the song by letting go some of the best yodeling you're likely to hear on the big screen. This is an added treat for his many fans.

Roy's comical sidekick this outing is Raymond Hatton with his mule Dinah. Hatton was a dedicated actor but not much in the way of comedy. He looked and talked funny but his humor was lame. Eddie Acuff appears at the beginning of the movie to help with the clowning but is taken out by the bad guys early on. Gabby Hayes was sorely needed.

Roy's early movies sometimes centered on historical events and real-life characters such as Jesse James and Billy the Kid. This early Roy Rogers western deals with Theodore Roosevelt's band of cowboys and misfits known as the Rough Riders who won world-wide fame during the Spanish American War in 1898. "Rough Riders' Round-Up" takes place at the turn of the 20th century when a troupe of Rough Riders led by Roy are searching for more adventure this time as border guards along the Mexican border. Roy pulls the first punch when a William Jennings Bryan supporter is bad-mouthing Roosevelt. It is not clear what election is being touted but for the time frame it would have to be when Roosevelt was running for Vice-President with William McKinley. The movie leads one to believe that Roosevelt is running for President against Bryan even though that is not specified. Why the film is called "Rough Riders' Round-up" is unclear. I failed to see any cattle in the movie to round-up.

As border guards, the Rough Riders remnants are ordered to find outlaw Arizona Jack. Arizona Jack and his gang steal gold, kidnap Dorothy Blair, and hide out across the border. The rest of the show involves rescuing Dorothy and bringing Arizona Jack and his henchmen to justice.

Roy is just beginning his career in the movies and so he and the producers are still working on his image that would eventually lead to his moniker "King of the Cowboys." The present generation of movie goers finds it difficult to comprehend just how popular Roy was with the Saturday matinée crowd. I remember seeing westerns at a theater in my hometown in northern Arkansas in the early 1950's. When the previews of coming attractions flitted on the screen and Tim Holt or other popular six-gun heroes were shown the theater remained calm. But when Roy Rogers was advertised the whole movie house went crazy. The kids would scream, yell, throw popcorn, and cause a quiet riot. The manager would flip the lights on and off a few times, send ushers up and down the aisles, and sometimes even stop the show to restore order. That's how popular Roy was in those days.

There are a few surprises in the cast. Look for future western star and husband of Dinah Shore, George Montgomery, in a bit part as a telegrapher. Duncan Renaldo, the future Cisco Kid, plays the chief Mexican police official. Glenn Strange, who would later play the Frankenstien monster in films after Boris Karloff tired of the role, can be seen in a small part. There is an array of henchmen from Republic's gallery of outlaws including Budd Osborne and George Chesebro. The viewer may not recognize the names but will know all the familiar faces.

Director Joseph Kane who would go on to direct many a television western in that medium's early years does a routine but adequate job behind the camera. There is a major criticism of his methods. Why did he shoot most of the action sequences at night? Budget perhaps. At times it's hard to see some of the action shots because of the darkness. Otherwise, a good introduction to Roy Rogers films for the uninitiated. For the fans: Get ready for some straight shooting.

The fifth film in which Roy Rogers is given the leading role, this low-budget Republic Pictures production places Roy and a group of comrades, all freshly mustered from the United States Army in 1899, following service in Cuba with Theodore Roosevelt's Rough Riders during the Spanish-American War, and still bulging with aggressive energy, as they join en masse the (not yet in existence) United States Border Patrol, assigned to the wild and woolly Arizona territory. Since this is, after all, a Roy Rogers picture, i.e., one that includes musical interludes, the entire contingent of stalwarts breaks into an a cappella rendition of "When Johnny Comes Marching Home" as they first appear at a Border Patrol outpost where their station commanding officer assigns his new charges with effecting the apprehension of a mysterious "Arizona Jack" and his gang who are preying upon Territorial businesses and then fleeing across the international border into Mexico. The plot is pleasingly intricate and director/producer Joseph Kane, at the helm for his initial Rogers movie, includes as much as he can of Jack Natteford's screenplay before the dollars run out, with a viewer being treated to a well edited, crisply-paced affair, loaded with gunplay, fisticuffs, skillful horsemanship and stuntwork; there is even an abducted heroine. Scenes of dramatic action are halted twice to allow for musical interludes, first as Roy sings "Ridin' Down the Trail" and, later while behind bars, he serenades the lady he loves (Lynne Roberts playing as Mary Hart) who is confined to an adjacent cell, warbling "Here on the Range With You", accompanying himself by strumming upon a guitar. Raymond Hatton is Rusty Coburn, playing as Roy's sidekick, having succeeded Smiley Burnette for that honour, he himself soon supplanted by Gabby Hayes. There are numerous familiar Western genre players to be seen here, with George Chesebro being a particular standout as Arizona Jack's primary henchman. Kane's able direction provides for effective and vivid narrative pacing. Originally 58 minutes long, the film was competently edited down to 54 minutes for its television showings and video releases.

Roy Rogers (as Roy) and sidekick Raymond Hatton (as Rusty) join Teddy Roosevelt's "Rough Riders". Soon, they get suspended in order to "Round-up" the killer of partner Eddie Acuff (as Tommy) along the Mexican-U.S. border; they discover creepy gold runners in the process. Notice how, even suspended, Mr. Rogers is able to get the Rough Riders to join in his Round-up!

This is not one of the better Roy Rogers westerns. The fighting scenes look like choreographed dances. Rogers sings/yodels "Ridin' Down the Trail", one of two relatively ordinary songs; and, a stand-out moment, overall.

** Rough Riders' Round-up (3/13/39) Joseph Kane ~ Roy Rogers, Raymond Hatton, Lynne Roberts