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IMDbPro

Meu Reino Por um Amor

Título original: The Private Lives of Elizabeth and Essex
  • 1939
  • Approved
  • 1 h 46 min
AVALIAÇÃO DA IMDb
7,0/10
6,5 mil
SUA AVALIAÇÃO
Bette Davis and Errol Flynn in Meu Reino Por um Amor (1939)
Trailer for this turbulent story of England and Queen Elizabeth
Reproduzir trailer3:29
1 vídeo
62 fotos
Drama de épocaBiografiaDramaHistóriaRomance

Adicionar um enredo no seu idiomaA depiction of the love/hate relationship between Queen Elizabeth I and Robert Devereux, the Earl of Essex.A depiction of the love/hate relationship between Queen Elizabeth I and Robert Devereux, the Earl of Essex.A depiction of the love/hate relationship between Queen Elizabeth I and Robert Devereux, the Earl of Essex.

  • Direção
    • Michael Curtiz
  • Roteiristas
    • Norman Reilly Raine
    • Æneas MacKenzie
    • Maxwell Anderson
  • Artistas
    • Bette Davis
    • Errol Flynn
    • Olivia de Havilland
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    6,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Curtiz
    • Roteiristas
      • Norman Reilly Raine
      • Æneas MacKenzie
      • Maxwell Anderson
    • Artistas
      • Bette Davis
      • Errol Flynn
      • Olivia de Havilland
    • 80Avaliações de usuários
    • 53Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 5 Oscars
      • 3 vitórias e 5 indicações no total

    Vídeos1

    The Private Lives of Elizabeth And Essex
    Trailer 3:29
    The Private Lives of Elizabeth And Essex

    Fotos62

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    Elenco principal22

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    Bette Davis
    Bette Davis
    • Queen Elizabeth
    Errol Flynn
    Errol Flynn
    • Earl of Essex
    Olivia de Havilland
    Olivia de Havilland
    • Lady Penelope Gray
    Donald Crisp
    Donald Crisp
    • Francis Bacon
    Alan Hale
    Alan Hale
    • Earl of Tyrone
    Vincent Price
    Vincent Price
    • Sir Walter Raleigh
    Henry Stephenson
    Henry Stephenson
    • Lord Burghley
    Henry Daniell
    Henry Daniell
    • Sir Robert Cecil
    James Stephenson
    James Stephenson
    • Sir Thomas Egerton
    Nanette Fabray
    Nanette Fabray
    • Mistress Margaret Radcliffe
    • (as Nanette Fabares)
    Ralph Forbes
    Ralph Forbes
    • Lord Knollys
    Robert Warwick
    Robert Warwick
    • Lord Mountjoy
    Leo G. Carroll
    Leo G. Carroll
    • Sir Edward Coke
    Guy Bellis
    • Lord Charles Howard
    • (não creditado)
    Forrester Harvey
    Forrester Harvey
    • Bit Part
    • (não creditado)
    Holmes Herbert
    Holmes Herbert
    • Majordomo
    • (não creditado)
    I. Stanford Jolley
    I. Stanford Jolley
    • Spectator Outside Whitehall Palace
    • (não creditado)
    Doris Lloyd
    Doris Lloyd
    • Handmaiden
    • (não creditado)
    • Direção
      • Michael Curtiz
    • Roteiristas
      • Norman Reilly Raine
      • Æneas MacKenzie
      • Maxwell Anderson
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários80

    7,06.4K
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    Avaliações em destaque

    6bkoganbing

    Not the dream team of the cinema

    The Private Lives of Elizabeth and Essex was a personal triumph for Bette Davis in her portrayal of Elizabeth I of England. Davis was 31 when she played the Virgin Queen at the tail end of her regime, Elizabeth herself was 65 in 1601 when the action of this story takes place. It concerns her involvement with Robert Devereaux, Earl of Essex, a last foolish gesture on the part of a great monarch.

    Davis hated working with Errol Flynn since doing The Sisters with him a year earlier. She was quoted as saying that when she had to kiss him she'd close her eyes and pretend it was Laurence Olivier. But I think Olivier might have had trouble making Essex a hero.

    In point of fact he wasn't any kind of a hero. He was a vainglorious, conceited, egotistical cad of a human being who apparently only had talent in the bedroom. Now the bedroom part would have fit Flynn perfectly. But he became a military commander and leader and he bungled every job he was given.

    The real Essex was played like a piccolo by the other members and rivals of the Elizabethan court. His main rival in the film is Robert Cecil played by Henry Daniell. In the film he is incorrectly identified as Lord Burghley's(Henry Stephenson's)son when in fact he was a nephew. Because it's Henry Daniell and he's a clever schemer he has to be the villain. In point of fact Cecil was a patriot in the best tradition. He was very concerned in fact about Essex's military ventures that they were nothing but missions of glory. Cecil's greatest contribution to English history was to come two years later when Elizabeth died, it's due to him that there was an orderly transition from the House of Tudor to the House of Stuart.

    My favorite performance in this film is that of Alan Hale as Hugh O'Neill, the Earl of Tyrone who led the Irish rebellion against the English at that time. What happens in court to Essex with his rivals there is nothing compared to the way O'Neill plays him. He leads him deeper into the Irish interior, using hit and run tactics and then cuts him off from his supply base. And then in surrendering O'Neill very cleverly sows the seed of more dissension by telling him what a great leader he was and the Irish could never have beaten him if he'd been backed up better from home. And Essex the rube falls for it.

    Another good performance is Donald Crisp as Sir Francis Bacon. He's a wily old fox used to court politics Elizabethan style. Bacon tries to give Essex some good advice none of which Essex accepts. In the end Bacon gives up on Essex and just switches sides, lest he be brought down with him.

    So what we have here is Bette Davis giving a great performance with a leading man she detested and Flynn trying desperately to breathe life and heroism into a character who wasn't terribly heroic. It would have defeated a better actor than Errol Flynn.
    theowinthrop

    Played like a picolo!

    There was a time, in the early 1920s and 1930s, that Maxwell Anderson was considered a great modern American dramatist. His plays were considered the modern equivalent of Shakespeare or Marlowe or Jonson. This was because he wrote in blank verse. Many of his plays were turned into films, such as WINTERSET and MARY OF SCOTLAND. Even as late as the 1970s Brooks Atkinson (in his book BROADWAY) lauded Anderson to the skies.

    In retrospect, one wonders why the praise. Probably because we have not produced many great serious dramatists. I imagine that five names might be pushed at the present: O'Neill, Miller, Williams, Albee, and Inge. Anderson is not revived. His use of blank verse, so impressive to Atkinson, seems pretentious to us. That and his stiff characterizations are major roadblocks to enjoying his work.

    But he was flying high in 1939, when Warner Brothers purchased the film rights for ELIZABETH THE QUEEN for Bette Davis at Davis' urging. But she wanted Lawrence Olivier for Essex, and was given Errol Flynn, an actor she did not like to work with. Further, the title was changed (probably based on the Charles Laughton film THE PRIVATE LIFE OF HENRY VIII) to THE PRIVATE LIVES OF ELIZABETH AND ESSEX. Actually the original title is better and it is as ELIZABETH THE QUEEN that the film is remembered.

    The finished film is actually a good historical work - basically taking the story of Elizabeth I and her last favorite to it's tragic conclusion. Flynn does capture the emotional instability of Essex, who chafed at being in his position of power only because he was the boy-toy of an aging, decrepit monarch. The play/movie makes the affection of the two real, but the actual reality suggests that Essex was more of a male chauvenist than he dared show until the very end. He was in contact with James VI of Scotland (the son of Elizabeth's dead rival Mary, Queen of Scots) about the coming change in regime. This is not covered in the film (and to be fair, Essex's rival Robert Cecil (Henry Daniell) was also in contact with James VI).

    The achilles heel of Essex is his desire for glory, and what is fascinating in the film is how everyone plays on his weakness. Elizabeth tries to protect him from his follies, by giving him a high ranking title to keep him in London. But Cecil, his father Lord Burghley (Henry Stephenson), his rival Raleigh (Vincent Price) manage to goad him into leading an army in that permanent quagmire of Ireland. Finally his enemy Tyrone (Alan Hale Sr.) goads him (when he has been beaten) into returning to London and straightening out Elizabeth. Essex does do so. In real history, his men were defeated in the streets of London. In the film he does seize the palace, only to be manipulated by Elizabeth into disarming, and then is arrested for treason.

    I don't think Elizabeth actually gave Essex a ring to return to her if he ever needed her help, but his death in 1601 on the headman's block at the Tower of London may have shortened her life. She died in 1603, still Elizabeth the Queen, but also a sad, lonely old woman.
    regina989

    Bette and Errol: a strange matchup that works

    Bette Davis and Errol Flynn, the Queen and King of Warner Bros. in the late '30s and early '40s, only worked together a couple of times. "The Private Lives of Elizabeth and Essex" is their major effort, and it's a very good one. Warners pulled out all the stops for this Technicolor extravaganza, and Curtiz directs with a sure hand. Erich Wolfgang Korngold's music is wonderful. The real star of the show, though, is Ms. Davis as Queen Elizabeth. With all the on-screen Elizabeths to choose from, you won't forget hers. I had just watched "The Sea Hawk" where Errol faces another great Elizabeth, Dame Flora Robson (even though they only have a couple of scenes together, but Errol seems much more at ease in that picture).

    Bette made no secret of her dislike for the freewheeling, womanizing, undisciplined Flynn, and criticized his performance opposite her for years afterwards (although if memory serves she eventually relented and admitted he wasn't bad). Some may take issue with the pacing of the movie, but Bette's so good, Errol's so handsome, and the dialogue so adult and refreshing (and don't forget the reliable villain Henry Daniell), you can't help but like it.
    8gabriela-12

    Chemistry between distinct poles

    I saw this movie when I was a child in Mexican black and white TV. Now it has been released in DVD in Spain by Divisa(2005) It is clear that true history is absent in most of the historic events related to the story. Essex was actually married to Penelope Rich (and not Gray, as in the movie), which meant nothing to his relationship to the queen. The meeting with Ireland's clan chief Tyrone was thought alright as treason, but when Essex entered London no one rouse with him. He passed a lot of time in his house, far from London, before the Queen made any decision on his final destiny... also Briton's uniforms in Ireland look Spanish...etc. The strange thing is that the story itself, as told by Curtiz, functions well. Davies is great ( a little bit overacting, but, who cares?), as the uncommon woman Elizabeth must have been. She did'not want Flynn to play the part: she asked for Laurence Olivier, but I sincerely think Flynn gave the necessary gaiety and spirits Essex would have had in reality, and Olivier would have spoiled that by his well known acting excesses, playing dark and severe where there should be light and superficial. Both, Davies and Flynn, seem profoundly in love and hate. Constanty driving in and out from and to love and politics. I would'not say this is a great movie, but it's worth while seeing it! (Excuse my English, I write better in Spanish)
    8mik-19

    The Greater Good

    This is a far cry from the sentimental ahistorical nonsense I was expecting. It is all about the machinations of power, the ruthlessness that a ruler must uphold so as not to endanger her kingdom, about the necessity to put oneself aside and think of the greater good. Michael Curtiz, with the inestimable help of Bette Davis in one of her most heartwrenching cinematic portrayals, gets all his sinister points across and does not flinch. Sure enough, the ending is more Hollywood, I believe, than London, more glamorous heroics than real-life sacrifice, but even so, it does not stick in your throat. I loved the amorous, innocent banter and bickering of the queen and the earl in their many intimate moments, and Errol Flynn never photographed better. Was there ever anyone in the annals of Hollywood more handsome? Olivia De Havilland tries on a slightly different role than the goody-goody, doe-eyed ones she usually had to make do with. Technicolor cinematography and lighting are both superb.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Bette Davis had originally wanted Laurence Olivier for the role of Lord Essex, claiming that Errol Flynn could not speak blank verse well. She remained extremely upset about this through the entire filming, and Flynn and Davis never worked again together in a film. According to Olivia de Havilland, she and Davis screened the film again a short while before Davis suffered four strokes in 1983. At film's end, Davis turned to de Havilland and declared that she had been wrong about Flynn, and that he had given a fine performance as Essex.
    • Erros de gravação
      The real Robert Cecil was small and had a curved spine, and was one of Queen Elizabeth's chief counselors, not the supercilious character portrayed in this film, or in Maxwell Anderson's original play. The queen would affectionately refer to him as "my dwarf". He is more accurately portrayed in the TV miniseries Elizabeth I (2005).
    • Citações

      Queen Elizabeth I: And when he takes you in his arms again, thank heaven you are not a queen.

      Mistress Margaret Radcliffe: But I thought to be a queen...

      Queen Elizabeth I: To be a Queen is to be less than human, to put pride before desire, to search Men's hearts for tenderness, and find only ambition. To cry out in the dark for one unselfish voice, to hear only the dry rustle of papers of state. To turn to one's beloved with stars for eyes and have him see behind me only the shadow of the executioner's block. A queen has no hour for love, time presses, and events crowd upon her, and her shell, an empty glittering husk, she must give up all the a woman holds most dear.

    • Cenas durante ou pós-créditos
      The Warner Brothers shield is in the form of an English coat of arms. This logo was seen in Errol Flynn's previous film As Aventuras de Robin Hood (1938).
    • Conexões
      Edited into As Aventuras de Don Juan (1948)
    • Trilhas sonoras
      The Passionate Shepherd to His Love (Come Live With Me and Be My Love)
      (posthumous 1599) (uncredited)

      :yrics by Christopher Marlowe

      Music by Erich Wolfgang Korngold

      Played on piano by Erich Wolfgang Korngold and sung by Nanette Fabray

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    Perguntas frequentes17

    • How long is The Private Lives of Elizabeth and Essex?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 11 de novembro de 1939 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • La vida privada de Elizabeth y Essex
    • Locações de filme
      • Stage 14, Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Califórnia, EUA
    • Empresa de produção
      • Warner Bros.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

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    • Orçamento
      • US$ 1.075.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 46 min(106 min)
    • Proporção
      • 1.37 : 1

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