Detetive Particular

Ex-husband and wife Millard Lannon (Eldredge) and Mona Lannon (Dickson) are fighting for custody of their son Bobby (Blair), with Millard trying to take the son from his wife. When Millard is killed, Mona is suspected, and private detective Myrna Winslow (Wyman) takes the case to prove she's innocent. This is to the chagrin of her police officer boyfriend, Jim Rickey (Foran), who just wants to get married.

Jane Wyman makes an energetic and adorable private detective and her chemistry with Dick Foran, who plays a detective and her boyfriend, is good. It's a fun, engaging, has snappy dialogue and a fast-paced time filler. Some of the humour comes from Forman's sidekick who is probably thickest policeman ever. Some of his replies are plain dumb. The fight scene at the end is quite rambunctious and exciting.

Jane Wyman stars as an aggressive detective driving her fiance police detective Dick Foran nuts in "Private Detective" from 1939. The film also stars Dick Foran and Maxie Rosenbloom.

The story concerns the murder of a man (John Eldredge) who has won custody of his son after a court fight with his wife (Mona Dickson). She's a suspect, but there are others. The Wyman character is determined to find out whodunit.

Wyman was no less of a good actress when she became a brunette, but the roles she got were different. I absolutely love her as a blond, always have, and she seemed to get feistier roles that were more fun. Just an opinion. She was quite a talent - she could sing, act, and was a fine artist.

Fun, fast film, o the short side but that is perfect for a film of this type.

Jane Wyman follows her similar role in Torchy (Blane) Plays with Dynamite with another Noel Smith-directed "B" movie pitting the skills of a female private detective against the might of the police department. Private Detective never quite makes up its mind whether it wants to emphasize the love interest or solving crime. Not that there isn't a plethora of crimes to be solved: we are treated to murder, blackmail, kidnapping – and that is just by the bad guys. The cops go in for breaking and entering big time with Max 'Slapsie Maxie' Rosenbloom as Detective Brody breaking down two of four doors attempted. Mike Mazurki does this type role much better. Morgan Conway is also hard to believe in his role as he was equally implausible as Dick Tracy in later movies.

The crime plot revolves around the framing of a "Reno divorcée" (who has a questionable relationship with her so-called fiancée) for the murder of her ex-husband. The murder is not too hard to solve so we would think then that the love interest would be played up instead. It would appear that some of the storyline ended up on the cutting room floor since there are good set ups for scenes that simply do not appear and then are referred to later at least in passing.

The writing clearly has a feminine touch with barbs being thrown at male chauvinism and oblique criticism of the stereotypical role women should play. This part of the storyline at least has continuity. Jane Wyman as Myrna 'Jinx' Winslow tells her boss no to "shhhh" her and then quits as she is fired from the Nation-wide Detective Agency. She keeps the job for at least one more case and after solving the murder tells her boyfriend Detective Lieutenant Jim Rickey (Dick Foran) that "I don't want to be a detective anymore." Not recommended unless you are trying to study how women are portrayed in traditional men's roles or just want to watch Jane Wyman going through the scenes with lots of very different hats and fur coats and even on the ledge of a tall building while wearing high heels.

From 1937 to 1939, Warner Brothers made three Torchy Blane pictures every year. Each featured a smart lady detective, her smart but obviously less competent cop boyfriend and a crime. Sadly, however, the studio never stuck with any one actress--using three different ones. The last Torchy was played by Jane Wyman...and only a few months later the studio made "Private Detective"...which is identical to a Torchy Blane film except the names had been inexplicably changed. Perhaps this is because the studio thought that folks only wanted a Torchy film with Glenda Farrell (after all, she was the first and most prolific of the actresses playing the part) and so they decided to drop the names and begin somewhat anew.

When the story begins, a divorcing husband and wife are fighting in court for custody of their young son. It seems that the father wants the kid only because he's an heir to a fortune! Torchy, I mean Myrna (Wyman), realizes this is the case and she refuses to testify in the case against the mother. However, it's all moot as soon the father is killed....and a custody hearing isn't important any more. But the mother is assumed to be the perpetrator....and the sleazy attorney for the husband has just had himself appointed the kid's guardian! Can Torchy, I mean Myrna, sort all this out and prove to everyone who the killer is and can the boy be returned to his loving mother?

As I said, this one is pretty much a Torchy Blane film...though I must admit that Wyman was far less enjoyable and spunky than Farrell would have been in the role. That old Torchy Blane sarcasm seems missing here...though the story itself isn't too bad...even if it seems very obvious who the real crook is! And, for a quick B-movie it's actually very good.

"The dirty heel," mutters detective Jane Wyman of the Nationwide Detective Agency. She refers to sleazy lawyer Morgan Conway, who is scheming with a client to swipe his own child's inherited fortune.

Soon enough, the client (a first class rat himself) is murdered—but who did it? The lawyer? The ex-wife? The chauffeur? What about the ex-wife's new fiancé?

Jane Wyman is lively and likable in this very entertaining and compact B mystery. Dick Foran co-stars as Wyman's fiancé, a cop working the same murder case. He would very much like for her to hurry up and marry him and "retire" from her job—however, Wyman is always at least a step ahead of him in the investigation, and is clearly the brains of this couple.

Max Rosenbloom is a fellow cop, Foran's partner in crime fighting; part comic relief and part muscle, he breaks down doors and makes encouraging comments. Good old Joseph Crehan is the police captain begging for some results from his detectives. Foran gives it a game effort…but boy, is his character boring! To be fair, I suppose it wasn't his fault that the script gave Wyman all the good lines.

Overall, some good action scenes and rapid dialog delivery—along with Wyman's snappy performance—keep this one moving along nicely.