Horas Roubadas

Where to start on a review for the fantastic classic On Borrowed Time? It's extremely well acted, and based off the thoughtful Paul Osborn play, and it will keep your interest from start to finish. However, it's so incredibly sad, it's almost impossible to sit through. I don't think there's anyone on the planet who has sat through it without using up half a box of Kleenex. So, while I highly recommend this movie, I feel bad recommending it, knowing that I'm condemning you to an evening of Kleenex and uncontrollable sobs.

Lionel Barrymore, not nominated by the Academy but awarded his first Rag award, stars as an old grandfather raising his grandson after a tragedy takes both parents in an automobile accident. His wife is Beulah Bondi, and while young Bobs Watson gets along with both, he has a special bond with Gramps. They play and laugh together, with their own little songs and jokes. There are a couple of flies in their perfect ointment, though, in a mercenary aunt who wants to take Bobs away from Lionel so that she can be his legal guardian and gain his inheritance, and in the mysterious Mr. Brink, played by Sir Cedric Hardwicke. Lionel may be old and confined to his wheelchair, but he's young at heart and shrewd in mind, and as soon as he finds out who Mr. Brink is, he tricks him into climbing a magical tree in the backyard. With Mr. Brink stuck in the tree, Lionel and Bobs have some extra time together.

You can probably tell what the movie is really about, even with my vague synopsis, because of the title. If you're any sort of Lionel Barrymore fan-and who isn't?-your heart will ache seeing him in such a tragic role. It's also sad to see him in his wheelchair, knowing that whenever he was in a lot of pain. But this movie is supposed to be sad! It's supposed to make you weep! And what else can make you weep more than Bobs Watson showing such intense feelings of love, then bursting into tears seconds later? The two are a perfect pairing together, and it's always such a marvel to see such talent in a child. Both show off every ounce of their acting chops as they treat each other gently and as if they really are part of the same family.

Yessir. Watching this movie was a "right smart piece of time"....as Gramp declared at the end of the movie.

This is my first outing with this movie...I can almost kick myself for not recording it. What a wonderful outing it was!

Lionel Barrymore continually amazes me. He could sure play some interesting parts - and his voice is so perfect for these grandfatherly roles. My favorite of his is "You Can't Take It With You"....which is a great piece of theater, too.

I thought the child actor, Bobs Watson, was perfect in this role. Some here have said he was on the annoying side. But which 10 year-old kid isn't?? He played it to a "T" and his crying episodes were too real for me.

I never knew my grandfathers too well. They both died before I got to know them. One died when I was 4 years old and the other one died back in Cuba and I never got to see him off.

Sure, I had my grandmothers...and I loved them both so dearly. OH....to have had a grandfather like PUD does in this movie! I feel such a sense of loss when I think of what wonderful times I might have had with my grandfathers.

And this movie, sure made this topic hit close to home. I guess I will have to wait until Mr. Brink calls on me to meet my grampses...

Yessir....A Right Smart Piece of Time I spent watching this endearing movie.

***I recommend this movie to anyone who has the sense to know they have a heart __ that beats and loves and cries...but most of all, that lives...and lives on...***

I first saw this jewel on TV as a child in 1950's Missouri... probably some Saturday afternoon when one of the 3 available stations had nothing else to show. It stuck with me, embedded itself in my heart and soul.

I later directed a scene from the published script in college as a Directing Class project.

Many years later when I was between 36 and 40 years old, I showed it to my new life partner (we've been together now for 26 years) and we cherish it together as an important part of our lives.

There's no way to describe the "heart" in this marvel of a film: you have to see it. You'll be left with a feeling of love, fulfillment, joy and a sense of "justice achieved". If you can force your child to sit and watch a Black and White movie (sigh!) he/she will thank you in the future. It will not be forgotten by you or your child.

In point of fact we're all living On Borrowed Time and never know when the Grim Reaper will come calling. But apparently he's got a certain liking for the Northrup family because he makes a lot of calls on them in a short span of time in this film.

His first call is on Truman Bradley who is a doctor and a widower with a small son, Bobs Watson. Bradley's death leaves Watson to be raised by his grandparents Lionel Barrymore and Beulah Bondi. Although they don't know it, they've got a magic apple tree in the Northrup backyard, one where if Barrymore wishes a party is stuck in that tree. When death in the form of Cedric Hardwicke makes another call on the Northrup family, Barrymore tricks Hardwicke into climbing that tree and he's stuck there. So like in Death Takes A Holiday while Hardwicke is stuck in the tree, a lot of people start living more than they should be off their allotted time.

Running for 321 performances during the 1938 season on Broadway, Paul Osborn's play featured Dudley Digges and Frank Conroy in the roles of Grandpa Northrup and Mr. Brink (Death) respectively. Several years earlier Lionel Barrymore did a version of the David Belasco play, The Return Of Peter Grimm for the screen. That part also called for Barrymore to do many scenes with a child actor, in that film George Breakston. Louis B. Mayer must have remembered that film and thought that this play would also provide a perfect role for the curmudgeonly Barrymore's character and a child. In fact the best thing about the film is the on screen chemistry between Watson and Barrymore.

Character actress Eily Malyon who probably is best known for playing the parish housekeeper Mrs. Carmody in Going My Way has a far less sympathetic role here. She's an aunt who would like custody of young Mr. Watson because of the hefty insurance policy that Barrymore and Bondi are using to raise him. Nobody likes her, but considering the characters involved in this particular play, she meets an unusual fate.

After 71 years On Borrowed Time still retains its charm as a fantasy and Lionel Barrymore's performance is as fresh today as it was when it was filmed.

Amazing, wonderful performances in this gentle little tale about death. Mr. Brink (Sir Cedric Hardwicke, in a true actor's turn, striking not one false chord) is Death personified. He's a decidedly un-grim Grim Reaper: smart and sophisticated, he has somehow gotten himself trapped in a tree by a little boy and his grandpa. The youngster (Bobs Watson, who goes through so many emotions so vividly, it's as if you're watching moments from your own childhood passing by) and his loving, loyal Gramps (Lionel Barrymore, outstanding) have a natural rapport which is funny, heart-rending and somehow recognizable; Henry Travers is once again perfect as a concerned townsperson and Eily Malyon is a hissable villain. Adapted from a book by Lawrence Edward Watkins, which then became a play by Paul Osborn, it's a lovely, nimble picture, providing the chance to laugh and cry--and celebrate life. ***1/2 from ****