AVALIAÇÃO DA IMDb
6,8/10
3,6 mil
SUA AVALIAÇÃO
Quando um magnata é acusado de assassinato, o detetive particular que o rastreia se vê preso como cúmplice e tenta fugir da polícia, sequestrando uma poetisa ao longo do caminho.Quando um magnata é acusado de assassinato, o detetive particular que o rastreia se vê preso como cúmplice e tenta fugir da polícia, sequestrando uma poetisa ao longo do caminho.Quando um magnata é acusado de assassinato, o detetive particular que o rastreia se vê preso como cúmplice e tenta fugir da polícia, sequestrando uma poetisa ao longo do caminho.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias no total
Lowden Adams
- Vivian's Butler
- (não creditado)
Murray Alper
- Newspaper Man at Ferry Landing
- (não creditado)
Avaliações em destaque
James Stewart tries his hand at screwball comedy in "It's a Wonderful World," a 1939 film also starring Claudette Colbert, directed by W.S. Van Dyke with a screenplay by Ben Hecht. Supporting players include Guy Kibbee, Nat Pendleton, Sidney Blackmer, and Ernest Truex.
Stewart plays a detective, Guy Johnson, whose client (Truex) is charged with a murder he didn't commit. Guy is sentenced to prison, too, as an accessory. On the way to prison via train, he spots a clue in the newspaper and escapes. On the run, he encounters a poetess, Edwina Corday (Colbert), an attractive if clumsy woman, and he has to take her along. The two get into all sorts of trouble on the road to trying to prove Guy's client didn't murder anyone.
This film has all the elements of a great screwball comedy, and a lot of potential, but for some reason, it doesn't quite hang together. The script is a little confusing and lets the actors down. It's reminiscent of "It Happened One Night," especially when they're hanging out by the fence, and Colbert's presence indicates to me that the powers that be had that connection in mind.
The performances are all excellent, with Stewart and Colbert very funny. It seems that both these actors could do just about anything. With a little bit tighter script, this might have been a real classic. As it is, it's enjoyable and has some good moments.
Stewart plays a detective, Guy Johnson, whose client (Truex) is charged with a murder he didn't commit. Guy is sentenced to prison, too, as an accessory. On the way to prison via train, he spots a clue in the newspaper and escapes. On the run, he encounters a poetess, Edwina Corday (Colbert), an attractive if clumsy woman, and he has to take her along. The two get into all sorts of trouble on the road to trying to prove Guy's client didn't murder anyone.
This film has all the elements of a great screwball comedy, and a lot of potential, but for some reason, it doesn't quite hang together. The script is a little confusing and lets the actors down. It's reminiscent of "It Happened One Night," especially when they're hanging out by the fence, and Colbert's presence indicates to me that the powers that be had that connection in mind.
The performances are all excellent, with Stewart and Colbert very funny. It seems that both these actors could do just about anything. With a little bit tighter script, this might have been a real classic. As it is, it's enjoyable and has some good moments.
Guy Johnson (James Stewart) is a NYC private detective working for 100 dollars a week keeping his boss, multimillionaire Willy Heyward, out of trouble, and that usually means out of trouble with women. But Willy has recently married, and a Latin American dancer is filling the headlines with her breach of promise claims concerning him. Willy gets drunk and goes up to settle things with the dancer, but he walks into a frame up. Somebody shoots the dancer and kills her, and Willy picks up the gun. Johnson walks into the scene not really knowing if Heyward is guilty or not, and so Johnson helps him hide out while he tries to find out who really did it. The police find the hide out though, and Willy gets convicted and sentenced to death. Johnson gets a one-year prison sentence for harboring him.
On the way to prison, Johnson sees a note in the personal column that he thinks is a clue as to who the real murderer was. So he escapes and is going to try and get evidence that Willy did not commit the murder. By the way, Willy had promised him in writing that he would give Guy Johnson 100K if he proved he didn't commit the murder. And then SHE shows up -poetess Edwina Corday (Claudette Colbert) - just in time to see Johnson escape. At first he has to drag her along as she screams the entire way and even sets fire to her own car, thinking he is an escaped murderer. But when she realizes Guy is not a "real" criminal, she won't stop bothering him. She persists in tagging along and nothing Guy does or says can shake her. Many complications ensue along the way to where Guy hopes to catch the real murderer.
I've never seen Claudette Colbert be annoying before, and she certainly is here as she gives a very shrill performance. It's odd seeing James Stewart throwing around language like he's straight out of a 30s Warner Brothers gangster film, but he, at least, makes his performance work.
Standouts include Guy Kibbee as Johnson's partner and Nat Pendleton always entertains as a rather dim and flaky flatfoot.
On the way to prison, Johnson sees a note in the personal column that he thinks is a clue as to who the real murderer was. So he escapes and is going to try and get evidence that Willy did not commit the murder. By the way, Willy had promised him in writing that he would give Guy Johnson 100K if he proved he didn't commit the murder. And then SHE shows up -poetess Edwina Corday (Claudette Colbert) - just in time to see Johnson escape. At first he has to drag her along as she screams the entire way and even sets fire to her own car, thinking he is an escaped murderer. But when she realizes Guy is not a "real" criminal, she won't stop bothering him. She persists in tagging along and nothing Guy does or says can shake her. Many complications ensue along the way to where Guy hopes to catch the real murderer.
I've never seen Claudette Colbert be annoying before, and she certainly is here as she gives a very shrill performance. It's odd seeing James Stewart throwing around language like he's straight out of a 30s Warner Brothers gangster film, but he, at least, makes his performance work.
Standouts include Guy Kibbee as Johnson's partner and Nat Pendleton always entertains as a rather dim and flaky flatfoot.
"It's a Wonderful World" is an entertaining comedic delight starring the immortal James Stewart and the incredibly talented Claudette Colbert. James Stewart as usual plays a down to earth, no nonsense, practical man who also happens to be a private investigator. In the process of trying to clear a client of his who is accused of murder he is captured by the police, escapes from the police, kidnaps a poetess (Colbert's character), and performs in a play while on the lam. I found the chemistry between Stewart and Colbert to be on a par with Myrna Loy and William Powell in the "Thin Man" series. Claudette Colbert is extremely entertaining and likable in a clumsy sort of way similar to Katharine Hepburn's character in "Bringing Up Baby". Overall, this is a wonderful film and should bring only enjoyment to its viewers.
Stewart easily steals the picture for laughs in this fast-paced, roller-coaster screwball - playing well outside his normal character range (motivated by money, despising women). Clearly influenced by 'It happened one night', especially with Colbert in the lead. Entertaining movie, genuinely funny, and withstands repeated viewings. Highlights include Stewart's impromptu impersonations of a scout leader and Southern actor and hearing the poem that Colbert has supposedly written just for him being broadcast over the radio (wearing very thick spectacles).
What makes this film a surprise is not that it's good. After all, a romantic screwball caper starring Claudette Colbert & Jimmy Stewart, directed by W.S. Van Dyke from a script by Ben Hecht -- how could it *not* be good? No, what surprised me about this film is that as good as it is, it's not currently available on VHS or DVD.
Like Van Dyke's The Thin Man and Hecht's His Girl Friday, It's a Wonderful World combines elements of crime films with the romantic screwball comedy, and the result is both gripping & laugh-out-loud funny.
In their only on-screen pairing, Colbert & Stewart play off each other beautifully; she's the comedic foil to his tough-talking detective, and their romance is handled realistically and with patience. The supporting cast in uniformly excellent, with standout performances from Nat Pendleton & Edgar Kennedy as the bumbling cops on Stewart's trail, and Guy Kibbee as Stewart's partner & friend.
Watching this film, it's hard to believe that it's one of *four* that Van Dyke made in 1939 (especially since one of the others is the even-better Stand Up and Fight). Van Dyke was famous for shooting films quickly, but his direction never seems hurried. A director-for-hire, he was gifted at serving both art and commerce, satisfying both audiences and his bosses at MGM.
Thanks to Turner Classic Movies for giving me the opportunity to see this film, which as I mentioned is otherwise unavailable. Here's hoping that Warner Bros., which owns the rights, releases it soon on home video.
Score: EIGHT out of TEN
Like Van Dyke's The Thin Man and Hecht's His Girl Friday, It's a Wonderful World combines elements of crime films with the romantic screwball comedy, and the result is both gripping & laugh-out-loud funny.
In their only on-screen pairing, Colbert & Stewart play off each other beautifully; she's the comedic foil to his tough-talking detective, and their romance is handled realistically and with patience. The supporting cast in uniformly excellent, with standout performances from Nat Pendleton & Edgar Kennedy as the bumbling cops on Stewart's trail, and Guy Kibbee as Stewart's partner & friend.
Watching this film, it's hard to believe that it's one of *four* that Van Dyke made in 1939 (especially since one of the others is the even-better Stand Up and Fight). Van Dyke was famous for shooting films quickly, but his direction never seems hurried. A director-for-hire, he was gifted at serving both art and commerce, satisfying both audiences and his bosses at MGM.
Thanks to Turner Classic Movies for giving me the opportunity to see this film, which as I mentioned is otherwise unavailable. Here's hoping that Warner Bros., which owns the rights, releases it soon on home video.
Score: EIGHT out of TEN
Você sabia?
- CuriosidadesThe original story was written with Marion Davies in mind to play the poetess Edwina Corday.
- Erros de gravaçãoAll of the newspapers shown in the film share many of the same articles, with the same headlines and typefaces, despite being in different newspapers and spread across several weeks.
- Citações
Guy Johnson: You sort of changed my whole philosophy about women. I don't know... I always figured they kind of ended at the neck. You sort of begin there.
- ConexõesFeatured in AFI Life Achievement Award: A Tribute to James Stewart (1980)
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- How long is It's a Wonderful World?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- It's a Wonderful World
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 26 min(86 min)
- Cor
- Proporção
- 1.37 : 1
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