A Estalagem Maldita

In the Nineteenth Century, in Cornwall, a group of pirates leaded by Joss Merlyn (Leslie Banks) uses false beacon to misguide ships to wreck on the rocks of the coast; then they kill the survivors to rob the cargo and gather in the Jamaica Inn, a place of ill fame. When the Irish orphan Mary Yellen (Maureen O'Hara) travels to Jamaica Inn to live with her aunt Patience (Marie Ney), the coachman of her stagecoach refuses to stop in the infamous inn, and Mary asks for help in the house of the magistrate of the Justice of the Peace Humphrey Pengallan (Charles Laughton) that rides with her to the inn. Her aunt had not received her letter but lodges her in a room. During the night, Mary overhears the pirates hanging their mate Trehearne (Robert Newton); however, she saves his life and escapes with him. They run to the house of Sir Humphrey, where Treheame identifies himself as Officer of Law. However, they do not know that sophisticated and arrogant Sir Humphrey Pengallan is the head of the gang of pirates.

"Jamaica Inn" is an underrated work of Alfred Hitchcock. The story is too dark, especially considering that it was released in 1939. The cinematography in black and white is magnificent, and Charles Laughton has an awesome performance in the role of the ambiguous Sir Humphrey Pengallan. Maureen O'Hara is also amazing in an unusual role in 1939 of a strong woman in her first lead role. The DVD released in Brazil by Continental Distributor has 89:41 minutes running time and it is visible the edition of the movie when Mary and Trehearne are lodged by Sir Humphrey. My vote is eight.

Title (Brazil): "A Estalagem Maldita" ("The Damned Inn")

Nota: On 15 October 2024, I saw this movie again.

I was pleasantly surprised when I first saw Hitchcock's 'Jamaica Inn'. I had heard so many bad things about the movie and the fact that it seemed to have been made on the cheap and in a hurry so Hitch could do a runner to Hollywood. I really liked this movie - I thought the lovely Maureen O'Hara made a very spirited Mary Yellan and Leslie Banks was great as her hulking bully of an Uncle, Joss. While not as technically inventive as some of Hitchcock's other work before or since, I felt it was made with care and presented a realistic, gloomy atmosphere of doom with its endless night time scenes and constant soundtrack of howling winds and crashing waves.

And then I read the book...

Du Maurier's novel was so different as to bear no relation whatever to Hitchcock's film. The book was intense, gritty, dark and very moody. Mary Yellan was written almost as she is presented on screen with her sharp, Irish wits but Joss is a much more tortured, boorish animal than he is in the film. Also, the character played by Charles Laughton is absent in the book - or at least Laughton's incarnation is. The squire in the book is one of the good guys and features very little. The film of 'Jamaica Inn' may as well be called the Charles Laughton Show so as to give the actor every chance to overact.

See the film if you are a Hitchcock fan and enjoy it for what it is but if you've read and enjoyed the book, my advice would be to steer clear!

Even though it is one of the weakest works of Hitchcock, the film surprisingly provides rich cinematic flourishes. For a 1939 film, it captures on screen the atmosphere and dark mood of the novel quite vividly—the stormy scene, the cave, and the inn (with the name board flapping in the wind). It is another matter that the albino parson of the book is transformed into a squire (with an unbelievable eyebrow make-up) in the film who commands his steed to be brought inside his dining hall. Daphne du Maurier's novel was adapted for cinema by the trio of Sidney Gilliat, Joan Harrison and J.B. Priestley, and reportedly the author did not approve of the end-product.

As in many Hitchcock films there is a recurring reference to marriage. Here a good woman remains faithful to her boorish and cruel husband through thick and thin.

As in most Hitchcock films there is a lot of sexual innuendo without any sex on screen, especially when Pengallen (Charles Laughton) makes the young girl (Maureen O'Hara) his prisoner. (The only film where Hitchcock showed sex on screen was "Frenzy.") And as in many a Hitchcock film, a bad guy turns out to be a good guy. This is one of the rare films of Hitchcock where the director does not make a cameo appearance.

The best cinematic flourishes were—-the focus on the thin hands of the 17 year old who cannot be shackled by the soldiers as the handcuffs are too big, the opening "prayer" that serves as a grim introduction and finally the last scene of the film: Chadwick, the squire's butler, who thinks he can hear his dead master calling him for help in death.

While Hitchcock's adaptation of Daphne Du Maurier's "Jamaica Inn" has some interesting features, overall it deserves its reputation as one of the great director's lesser efforts. While it has some good moments and a good performance by Maureen O'Hara, it is rather clunky and often implausible.

The story holds some possibilities. At the beginning, we find out that there is an old inn along the coast of Cornwall, which serves as the meeting place for a gang of criminals, who deliberately cause shipwrecks and then rob and kill the survivors. O'Hara is the niece of the innkeepers, who comes to stay with them and then gradually discovers the inn's sinister secrets. This gives rise to a melodramatic series of chases, escapes, and showdowns in the inn and along the nearby seacoast.

Unfortunately, the pacing is quite irregular and often too slow, and some of the more fast-paced scenes sometimes seem implausible. Just as one example, there are too many times when someone slips away solely because whoever is doing the chasing forgets to look in a rather obvious place. There are also not enough interesting characters. O'Hara is good, and Charles Laughton is entertaining as Sir Humphrey. But Laughton over-plays his role for all it is worth, and he swallows up most of the other characters. There are some pretty good actors in the rest of the cast, who just don't get very much to do.

There are still some interesting developments, and a couple of decent twists. Hitchcock fans will probably still want to see "Jamaica Inn" at least once. But it is hardly one of the director's better films, and not really good enough to be of more general interest.

While this picture is not one of Hitchcock's more memorable pieces, it is nevertheless well worth a look simply to view the acting genius of Charles Laughton. The man is larger than life as the revolting yet oddly fascinating Sir Humphrey and provides the audience with far more insight into the character than a lesser actor might have done. This is not simply a one-dimensional villain that we are so used to seeing in British movies of this period. In addition to a superb reading of the script, Laughton is clearly ad-libbing in various scenes, further breaking down hitherto scrupulously maintained boundaries between audience and actor. I urge anyone who is weary of today's usual line-up of blockbuster big names to observe a true master at work and wonder where it all went wrong!