Adicionar um enredo no seu idiomaNew York store clerk (Ford) joins a hobo (Conte) and an illegal immigrant (Rogers) heading for his newly bought land in Arizona.New York store clerk (Ford) joins a hobo (Conte) and an illegal immigrant (Rogers) heading for his newly bought land in Arizona.New York store clerk (Ford) joins a hobo (Conte) and an illegal immigrant (Rogers) heading for his newly bought land in Arizona.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Richard Conte
- Tony Casselli
- (as Nicholas Conte)
Paul E. Burns
- Railroad Dispatcher
- (não creditado)
Alex Chivra
- Undetermined Secondary Role
- (não creditado)
Nick Copeland
- Brakeman
- (não creditado)
Nigel De Brulier
- Russian Priest
- (não creditado)
Edward Gargan
- Truck Driver
- (não creditado)
Otto Hoffman
- Station Agent
- (não creditado)
Paul Hurst
- Empire State Building Guard
- (não creditado)
Fred Kelsey
- Pete - Railroad Detective
- (não creditado)
Avaliações em destaque
This is a wonderful movie! Really. It's not a 'Blockbuster" by today's standards, but it IS extremely heartwarming, well acted, and you-never-know-what's-going-to happen-next type film. Sure, most of us have money, now, to buy groceries and essentials, but what if that all changed?
With such a bumbling potato-head in the WH, right now, who knows what can happen? This film depicts life in the 1930's. For many of you who don't remember that era, or if your 'History Book' conveniently left that part of our recent heritage out -- this was after the Great Depression -- hardly anyone had anything. My parents grew up in that era, and they made their way through it; but they didn't talk about it much.
This film depicts that era. If 'Something Happened', and grocery store shelves were empty and/or you had no money -- or your money was worthless, what would YOU do? How long could you really survive on your pitiful stockpile of "Prepper supplies"? It's worth thinking about.
Watch this movie. Yes there is camaraderie among relative strangers, also fights, trouble with the Law -- however, it all comes out OK -- and it's worth your time to view this film!
I hope to God that part of our History does NOT repeat itself; but NEXT TIME be more careful who you vote for -- AND be far MORE careful about who counts the Votes!!!!!! Oh, and get out of your comfy easy chair -- and GET INVOLVED with politics and governance at your LOCAL levels too!!!
With such a bumbling potato-head in the WH, right now, who knows what can happen? This film depicts life in the 1930's. For many of you who don't remember that era, or if your 'History Book' conveniently left that part of our recent heritage out -- this was after the Great Depression -- hardly anyone had anything. My parents grew up in that era, and they made their way through it; but they didn't talk about it much.
This film depicts that era. If 'Something Happened', and grocery store shelves were empty and/or you had no money -- or your money was worthless, what would YOU do? How long could you really survive on your pitiful stockpile of "Prepper supplies"? It's worth thinking about.
Watch this movie. Yes there is camaraderie among relative strangers, also fights, trouble with the Law -- however, it all comes out OK -- and it's worth your time to view this film!
I hope to God that part of our History does NOT repeat itself; but NEXT TIME be more careful who you vote for -- AND be far MORE careful about who counts the Votes!!!!!! Oh, and get out of your comfy easy chair -- and GET INVOLVED with politics and governance at your LOCAL levels too!!!
Heaven with a Barbed Wire Fence (1939)
*** (out of 4)
A poor New Yorker (Glenn Ford) saves all of his money for six years so that he can buy a ranch in Arizona. Once he has the deed he sets off by train for Arizona where he also meets a hobo (Ricardo Conte) and a Spanish immigrant (Jean Rogers). This film was the debuts of Ford and Conte and both men turn in winning performances but the real prize here is Rogers who is simply delightful and carries the film. When I first saw Ford I didn't recognize him due to how small he looked. The story is pretty good, if standard stuff and the 62-minute running time keeps things moving along. The sappy ending doesn't really work but there are plenty of laughs and nice moments throughout. However, this is another film rotting away in Fox's vault.
*** (out of 4)
A poor New Yorker (Glenn Ford) saves all of his money for six years so that he can buy a ranch in Arizona. Once he has the deed he sets off by train for Arizona where he also meets a hobo (Ricardo Conte) and a Spanish immigrant (Jean Rogers). This film was the debuts of Ford and Conte and both men turn in winning performances but the real prize here is Rogers who is simply delightful and carries the film. When I first saw Ford I didn't recognize him due to how small he looked. The story is pretty good, if standard stuff and the 62-minute running time keeps things moving along. The sappy ending doesn't really work but there are plenty of laughs and nice moments throughout. However, this is another film rotting away in Fox's vault.
It was bad enough the young actor in his first feature film to have a case of the jitters when he initially reported to the studio's morning shoot. But then he had to face an abusive director hurling insults at him. Such demeaning put-downs nearly unnerved Glenn Ford, 23, in his major film role debut in November 1939's "Heaven With A Barbed Wire Fence."
Ford became one of cinema's biggest box office draws of the 1940s and 1950s. He had previously appeared in only a 1937 short credited under his real name, Gwyllyn Ford, when he appeared at the 20th Century Fox studio that morning. Ricardo Cortez, an actor-turned-director, sauntered in front of the movie's actors and film crew and said, "I want you all to know they stuck me with this guy in the lead," according to Ford's son Peter in his father's biography. Cortez continued, "I didn't want him. I wanted a real actor for the thing and not some unknown amateur. I'm disgusted, but there's nothing I can do, so I ask you for your patience as we put up with him."
Cortez, going through his own personal problems, continued riding Ford throughout the shoot, telling him he had a stupid expression, exclaiming "What did I do to deserve a no-talent like you on this film." Glenn later told his son, "Every time I looked up, I saw pity in the eyes of the other people on set." He recalled cameraman Eddie Cronjager whispering to him, "Don't let the jerk get you down." Years later when Ford bumped into Cortez in a Los Angeles restaurant, the now-wildly popular actor nearly punched him in the face, but his better judgement told him to walk away.
Glenn Ford specialized in playing ordinary men caught in unusual circumstances. The Quebec, Canadian moved with his family to Southern California when he was six years old. He was active in his high school drama class and appeared in several stage plays after graduating. Appearing in the 1937 short 'Night in Manhattan,' Ford was signed to a Hollywood studio contract, and he changed his first name in honor of his father's hometown of Glenford, Alberta.
Another young actor making his film debut in "Heaven with a Barbed Wire Fence" was Richard Conte, listed as Nicholas Conte in the credits. The Jersey City, New Jersey native dabbled in a series of jobs after graduating high school before he was discovered on the stage at a Connecticut resort by Elia Kazan and John Garfield. Conte, 29, was assigned to his first movie after impressing studio executives on his screen test for 1939's "Golden Boy," a role that went to William Holden. He somehow escaped the wrath of director Cortez, playing a wandering hobo who meets at a truck stop Joe (Ford) and Anita (Jean Rogers), an illegal Spanish immigrant in the states. In the Dalton Trumbo co-written script, Joe worked six years to buy a 20-acre farm in Arizona and was hitchhiking across the United States from New York City to settle there. The three decide to ride the rails, encountering a number of adventures, including an attempted rape of Anita by Hunk (Ward Bond). The three arrive at his farm, only to discover a barren stretch of desert land. Jean Rogers was one of a number of low-budgeted film actresses who appeared in Grade B movies. Her major claim to fame was playing Dale Arden in the Flash Gordon serials.
Film reviewer Jessica Pickens praised "Heaven with a Barbed Wire Fence," writing the movie "packs a punch. It's funny, endearing and at other parts tragic. You'll find yourself cheering for the group of travelers, hoping that they find their 'heaven' in the end." For Glenn Ford, despite the torture working for an abusive director, it proved to be a promising beginning to a long career of film acting.
Cortez, going through his own personal problems, continued riding Ford throughout the shoot, telling him he had a stupid expression, exclaiming "What did I do to deserve a no-talent like you on this film." Glenn later told his son, "Every time I looked up, I saw pity in the eyes of the other people on set." He recalled cameraman Eddie Cronjager whispering to him, "Don't let the jerk get you down." Years later when Ford bumped into Cortez in a Los Angeles restaurant, the now-wildly popular actor nearly punched him in the face, but his better judgement told him to walk away.
Glenn Ford specialized in playing ordinary men caught in unusual circumstances. The Quebec, Canadian moved with his family to Southern California when he was six years old. He was active in his high school drama class and appeared in several stage plays after graduating. Appearing in the 1937 short 'Night in Manhattan,' Ford was signed to a Hollywood studio contract, and he changed his first name in honor of his father's hometown of Glenford, Alberta.
Another young actor making his film debut in "Heaven with a Barbed Wire Fence" was Richard Conte, listed as Nicholas Conte in the credits. The Jersey City, New Jersey native dabbled in a series of jobs after graduating high school before he was discovered on the stage at a Connecticut resort by Elia Kazan and John Garfield. Conte, 29, was assigned to his first movie after impressing studio executives on his screen test for 1939's "Golden Boy," a role that went to William Holden. He somehow escaped the wrath of director Cortez, playing a wandering hobo who meets at a truck stop Joe (Ford) and Anita (Jean Rogers), an illegal Spanish immigrant in the states. In the Dalton Trumbo co-written script, Joe worked six years to buy a 20-acre farm in Arizona and was hitchhiking across the United States from New York City to settle there. The three decide to ride the rails, encountering a number of adventures, including an attempted rape of Anita by Hunk (Ward Bond). The three arrive at his farm, only to discover a barren stretch of desert land. Jean Rogers was one of a number of low-budgeted film actresses who appeared in Grade B movies. Her major claim to fame was playing Dale Arden in the Flash Gordon serials.
Film reviewer Jessica Pickens praised "Heaven with a Barbed Wire Fence," writing the movie "packs a punch. It's funny, endearing and at other parts tragic. You'll find yourself cheering for the group of travelers, hoping that they find their 'heaven' in the end." For Glenn Ford, despite the torture working for an abusive director, it proved to be a promising beginning to a long career of film acting.
In film school, when the 'chewing up the scenery' class comes up, this B movie is the feature presentation!
Four likeable, yet different characters traverse the country from East to West. They are all fairly aimless, but the general goal is to find the unseen treasure that Glenn Ford has sold his soul for... a ranch in Arizona.
Despite the terrible conditions, this somehow manages to maintain a high level of comedy and the travelers rarely complain. In fact, it's a lot of fun (mainly) and a rewarding way to spend time.
Four likeable, yet different characters traverse the country from East to West. They are all fairly aimless, but the general goal is to find the unseen treasure that Glenn Ford has sold his soul for... a ranch in Arizona.
Despite the terrible conditions, this somehow manages to maintain a high level of comedy and the travelers rarely complain. In fact, it's a lot of fun (mainly) and a rewarding way to spend time.
The scenario is amusing and primed for storytelling, and all throughout the small length is sufficient mild humor to provide entertainment. There are also dubious recurring themes of sexism, racism, xenophobia, and the inhumanity of established law - all generally glossed over with equally questionable casual indifference, only partly repudiated, and capped off with bizarre (dimwitted and unintentional) gaslighting. The movie is scarcely over one hour long, and is so generally modest in craft and content that it's difficult to find words for discussion without betraying narrative details. Both for better and for worse, 'Heaven with a barbed wire fence' is a bit of a curiosity.
Like everything else here, plot development is very moderate - coming at its own pace, and no sooner. There's not a great deal to the narrative, but it's suitable enough to keep us watching. The performances aren't terribly striking overall, seeming like little more than straight repetition of lines. Only Jean Rogers and Raymond Walburn give any meaningful personality to their characters in their portrayals - it's not much, but I suppose it will do.
And... that's about it.
This isn't a bad movie. But it's hardly remarkable, and not truly noteworthy in any way; it's not really worth taking time to consider writing, direction, or technical aspects, because by the time you do, the movie's over. There's no reason to seek it out, but I guess it's marginally worthwhile if you chance upon it. Keeping in mind firstly that it's not particularly engaging, and secondly the inclusion of some suspect substance - 'Heaven with a barbed wire fence' is a little middling, and a little iffy, but slightly better than not. Take that as you will.
Like everything else here, plot development is very moderate - coming at its own pace, and no sooner. There's not a great deal to the narrative, but it's suitable enough to keep us watching. The performances aren't terribly striking overall, seeming like little more than straight repetition of lines. Only Jean Rogers and Raymond Walburn give any meaningful personality to their characters in their portrayals - it's not much, but I suppose it will do.
And... that's about it.
This isn't a bad movie. But it's hardly remarkable, and not truly noteworthy in any way; it's not really worth taking time to consider writing, direction, or technical aspects, because by the time you do, the movie's over. There's no reason to seek it out, but I guess it's marginally worthwhile if you chance upon it. Keeping in mind firstly that it's not particularly engaging, and secondly the inclusion of some suspect substance - 'Heaven with a barbed wire fence' is a little middling, and a little iffy, but slightly better than not. Take that as you will.
Você sabia?
- CuriosidadesFeature debut of Glenn Ford, whose debut had been two years earlier in the short subject Night in Manhattan (1937).
- Citações
Anita Santos: Maybe we go together.
Joe Riley: Oh no - oh no we don't.
Anita Santos: Why not?
Joe Riley: Think I wanna get in trouble?
Anita Santos: But I am no trouble.
Joe Riley: All dames are trouble and I'm not gettin' into any jams - so long.
- Trilhas sonorasForty-Second Street
(1932) (uncredited)
Music by Harry Warren
Variations in the score during the empire state building scene
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Nebo s zaborom kolyuchey provoloki
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 2 minutos
- Cor
- Proporção
- 1.37 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Heaven with a Barbed Wire Fence (1939) officially released in India in English?
Responda