Besouro Verde

Let me tell ya - In spite of its many-many flaws, its b-grade visual effects, its laughable dialogue, etc., etc., etc. - This vintage, b&w serial from 1940 (presented in 13 thrill-packed episodes) was still definitely about 10 times more entertaining and exciting to watch than was the likes of (that doofus) Seth Rogen's disgustingly dismal and completely contemptible feature film adaptation of the Green Hornet character in 2011.

I really liked Gordon Jones as the Britt Reid/Green Hornet character. It certainly didn't matter to me that this character had no superpowers to speak of. I found that the Hornet's bare-knuckle brawling with the bad guys was satisfactory enough for me.

*Note* - Prior to becoming an actor, Gordon Jones (a real beefy dude) was a promising football player known as "Bull" Jones. Jones was 29 years old when he played the Green Hornet character. He died in 1963, at the age of 52.

"It's gone... like a spook! I've never seen a car move so fast." The two police officers who are constantly chasing the Green Hornet's car say that in almost every episode. Britt Reid (the Green Hornet) is a rich guy who like Bruce Wayne (Batman) and Lamont Cranston (The Shadow) has a secret identity that he uses to fight crime.

This serial is a lot of fun and like most serials ends each episode with an exciting cliff hanger. It suffers from the defects typical of serials of this era but also has the charm that is also typical of them.

Those of us who remember the Abbott and Costello Show will enjoy seeing Gordon Jones as Britt Reid/The Green Hornet. He was Officer Mike. Although Keye Luke (Kato) is no Bruce Lee he plays the part well. Those who enjoyed David Carradine as Caine in Kung Fu will enjoy seeing how Master Po (the blind monk who called Caine "grasshopper") looked as a young man.

Don't expect a sophisticated plot or deep character development. The dialog is corny but there is plenty of action and lots of fun.

It should not have been surprising to the World that the dynamic, young Publisher of The Daily Sentinel, Mr. Britt Reid, would become that double-agent of crime fighting, The Green Hornet. You see, Britt Reid had a Great, great, great Uncle, John Reed. Uncle John had been a Texas Ranger and the only one to survive as a group of those Lawmen were ambushed by the gang of cut-throats and their leader, Butch Cavendish.

Do you give up? Of course you don't, for everybody in 3 or 4 generations knows of the exploits of "the masked rider of the Plains" and his Indian companion, Tonto. This is just too easy, so there's no prize! I bet ya'll knowed it was the Lone Ranger all along! So being that there's those "Champion of the People" gene in his lineage it followed that in the mid-Twentieth Century, when the Nation was being plagued with Organized Crime and free-lancing Bank Robbers & Stick-up men that somebody in the family would assume an identity of a Masked Man to strike back at the Underworld in an extra-legal manner.

"THE GREEN HORNET" was born on the Radio. It was in the fertile Studios of WXYZ Radio in Detroit that Mr. Britt Reed and alter-ego, The Green Hornet, first HEARD the light of day. (Remember, this is Radio and only the mind can see!) Soon, the whole Green Hornet ensemble was present and prepared for action. There was Kato, Valet to Mr. Reed but secretly the Hornet's partner in crime-fighting, expert driver of the super-auto, the Black Beauty. Kato is as well, a great inventor and scientist-innovator in that he is responsible for the powerful sedan's make-up underneath the hood, as well as its futuristic design.

Kato was also responsible for the "Hornet's Sting" a sort of stun gun-type weapon. But Kato could and did deliver a stun of his own; via his mastery of the Martial Arts, being Jiu-jitsu, Judo, Karate, Aikido and other related disciplines.

So, let's imagine. This is 1940 and Universal Pictures, one of the 3 Hollywood Studios that regularly turned out the Serials as a part of their films, was looking for new properties suitable for adaptation to a Screen Chapter-play. And from out of the airwaves, presto! There's The Green Hornet, already known and quite popular! It has made its theme music, Rimsky-Korsakov's "The Flight of the Bumble Bee" into a well known household tune.

Universal wasted no time in putting the project on their production schedule. For the leads they cast a slender and youthful Gordon Jones as Britt Reed/The Green Hornet, Keye Luke portrayed his partner Kato, Anne Nagel as his Secretary and Confidant Miss Lenore Case (just "Casey" for short), Wade Boteler as retired Cop turned Reporter Mike Axford, Selmer Jackson as the District Attorney, Stanley Andrews as the Police Commissioner; also Cy Kendall, Joseph Crehan, Walter McGrail, Gene Rizzi, John Kelly and a cast of thousands! (Well a lot more anywho!) They did one more thing with the cast. As the sound of voice was the story telling medium on the Radio, a popular leading character's voice was as well known as the face of a Movie Star. So the Universal production team decided to give us the "real" voice of The Green Hornet from the Radio. Actor Al Hodge* dubbed in his voice to speak any of the lines that Gordon Jones spoke when he was decked out in the Hornet's garb. It was a very neat and effective dramatic device.

As for the story and plot of THE GREEN HORNET serial, the usual subjects of international espionage agents and Renegade Super Scientists were jettisoned away from the first Hornet Screen appearance. Instead The Green Hornet, Kato and company concentrated on Organized Crime and their involvement with rackets in the building of sub-standard buildings, collapsing public works, intimidation and extortion. All of these are real-life type problems being dealt with then, now and as long as Man walks the face of our home, Planet Earth.

NOTE: * Actor Al Hodge not only got to be well known as the Radio Voice of the Green Hornet/Britt Reed; but also during the period of 1949-55, he was famous World-Wide as Television's CAPTAIN VIDEO.

Addendum: 1/07/2008. Oh, by the way, we did forget to mention that a condensed feature version of this Universal Serial was released to TV and to video in 1990. There still may be some of those VHS Casettes floating around out there.

This is not so much a user comment but corrections to Leslie Howard Adams's commentary, as they do need to be made.

1): "John Reid...became The Lone Ranger. Dang right The Lone Ranger had a name." As long as George Trendle and Fran Striker were in control, first names for the Lone Ranger and his ill-fated brother were never given (they sold that property to Jack Wrather in 1955). In the 1960s, both a "Houston Chronicle" (TX) newspaper obituary for Striker and a Gold Key comics adaptation of the origin called THE SURVIVING BROTHER Dan. "John" and "Dan," as are now so familiar--and I therefore do not fault Mr. Adams significantly for accepting them--do not appear to predate the 1970s, perhaps beginning in the awful 1981 big-budget movie version.

2): "One of the great non-true urban myths has it that Kato was introduced on the program as Japanese, and had to change his country-of-origin in 1941 when the Japanese attacked Pearl Harbor. Not so. Kato was Filipino from day one in 1936 on the radio program....Surprised that somebody hasn't posted that myth on the IMDb site, somewhere." It is an incontestable fact that Kato WAS initially described as Japanese on the radio show, as I have audio recordings of early episodes to prove it. What IS widely believed but untrue is the part that has the change being made as of Monday December 8, 1941, the day after Pearl Harbor. Jim Harmon in his book, "The Great Radio Heroes" (Doubleday, 1967, p.223--and I have photocopies of the pages of the entire Green Hornet chapter right in front of me) wrote, "It's a good story that Kato became Filipino the day after Pearl Harbor. Even some of the people on the show tell it. It isn't true, however. Kato was described as being a Filipino of Japanese ancestry as far back as 1940." This has apparently been misconstrued by many as saying he was NEVER indicated to be Japanese. These people presumably had it related to them second-hand as it is simply not open to that misinterpretation; Harmon is saying nothing about the character's status prior to 1940. The odd result is that one urban legend has been replaced, at least in some minds, by another. I repeat, my audio recordings prove conclusively that early on, Kato was said to be a Japanese (Harmon's intent, incidentally, seems to have been to suggest that the change was made by increments, first adding Filipino to the already existing Japanese, then SUBSEQUENTLY dropping the public-relations-wise problematical original; however, none of my original episode recordings give this dual ethnicity, just one, the other, or nothing more specific than "Oriental" if even that). For Mr.Adams's information, this so-called urban legend HAS been on this title's "Trivia" page for some time, and I recently modified it to remove the "Pearl Harbor" myth-information and add the note that this serial got there first in 1939--note the opening credits' copyright notice--and made him "a Korean."

If Mr. Adams wants to dispute any of this, I invite him to start a thread on this title's message boards, as THIS is not the appropriate venue, but his comments needed to be addressed where they were made.

I update to make an admission: Filipino was indeed said at least a few times in 1940 (and presumably consistently from then on), although these were just passing references in dialogue, not as part the standard opening, where it appears to have been very rarely heard (for whatever that distinction might be worth, if anything). In the only episode recording I have in which this occurs, it is clearly not the intro originally heard on the episode: It also says "...public enemies who try and destroy our America," even though this change--from "...even the G-Men cannot reach," at FBI objection--had yet to be introduced; the intro is read by a different announcer/narrator than the one heard throughout the remainder of the episode, further corroborating the switch. Just to make the information here completely accurate (I am as ready to correct myself as I am anyone else).

Mr. Watson is correct. Green Hornet radio programs aired up to at least 1938 and earlier which still exist describe Britt Reid's chauffeur as his "Japanese valet." When international tensions subsequently increased, in 1939 or 40, the announcer's line was changed so the phrase became "trusted valet," which Kato remained throughout the majority of the the war years. In wartime programs his nationality was simply not mentioned in the show's opening or anywhere else during the program. After the war, in 1945, the opening was changed again, and announcers begin to refer to Kato as Britt Reid's "Filipino valet," and that is how openings were recorded till the end of the series. So the change didn't happen overnight, but in fact took at least five years, and the "Pearl Harbor" comment is an oversimplification, but the general idea is correct. The idea that this is all an urban legend arises mainly from the posting on urban legend website snopes.com, which is wrong about a lot of other things too and apparently more interested in perpetuating legends than publishing facts. Also, later syndications of Green Hornet radio programs consisted primarily of later broadcasts which would have for the most part included the description of Kato as Filipino. It is also correct that in the movie serials Kato, played by Keye Luke, is identified as Korean, and in the first serial Britt Reid and Kato discuss how they first met -- Britt saved Kato's life in Shanghai. In comic books published by NOW in the 1980s and authorized by the Green Hornet Inc., the situation is rectified and Kato's Japanese heritage fully acknowledged. Perhaps the truth of it all is that Mr. Reid told people his friend was something other than Japanese during the war to protect him from being taken to an interment camp.