Besouro Verde

It should not have been surprising to the World that the dynamic, young Publisher of The Daily Sentinel, Mr. Britt Reid, would become that double-agent of crime fighting, The Green Hornet. You see, Britt Reid had a Great, great, great Uncle, John Reed. Uncle John had been a Texas Ranger and the only one to survive as a group of those Lawmen were ambushed by the gang of cut-throats and their leader, Butch Cavendish.

Do you give up? Of course you don't, for everybody in 3 or 4 generations knows of the exploits of "the masked rider of the Plains" and his Indian companion, Tonto. This is just too easy, so there's no prize! I bet ya'll knowed it was the Lone Ranger all along! So being that there's those "Champion of the People" gene in his lineage it followed that in the mid-Twentieth Century, when the Nation was being plagued with Organized Crime and free-lancing Bank Robbers & Stick-up men that somebody in the family would assume an identity of a Masked Man to strike back at the Underworld in an extra-legal manner.

"THE GREEN HORNET" was born on the Radio. It was in the fertile Studios of WXYZ Radio in Detroit that Mr. Britt Reed and alter-ego, The Green Hornet, first HEARD the light of day. (Remember, this is Radio and only the mind can see!) Soon, the whole Green Hornet ensemble was present and prepared for action. There was Kato, Valet to Mr. Reed but secretly the Hornet's partner in crime-fighting, expert driver of the super-auto, the Black Beauty. Kato is as well, a great inventor and scientist-innovator in that he is responsible for the powerful sedan's make-up underneath the hood, as well as its futuristic design.

Kato was also responsible for the "Hornet's Sting" a sort of stun gun-type weapon. But Kato could and did deliver a stun of his own; via his mastery of the Martial Arts, being Jiu-jitsu, Judo, Karate, Aikido and other related disciplines.

So, let's imagine. This is 1940 and Universal Pictures, one of the 3 Hollywood Studios that regularly turned out the Serials as a part of their films, was looking for new properties suitable for adaptation to a Screen Chapter-play. And from out of the airwaves, presto! There's The Green Hornet, already known and quite popular! It has made its theme music, Rimsky-Korsakov's "The Flight of the Bumble Bee" into a well known household tune.

Universal wasted no time in putting the project on their production schedule. For the leads they cast a slender and youthful Gordon Jones as Britt Reed/The Green Hornet, Keye Luke portrayed his partner Kato, Anne Nagel as his Secretary and Confidant Miss Lenore Case (just "Casey" for short), Wade Boteler as retired Cop turned Reporter Mike Axford, Selmer Jackson as the District Attorney, Stanley Andrews as the Police Commissioner; also Cy Kendall, Joseph Crehan, Walter McGrail, Gene Rizzi, John Kelly and a cast of thousands! (Well a lot more anywho!) They did one more thing with the cast. As the sound of voice was the story telling medium on the Radio, a popular leading character's voice was as well known as the face of a Movie Star. So the Universal production team decided to give us the "real" voice of The Green Hornet from the Radio. Actor Al Hodge* dubbed in his voice to speak any of the lines that Gordon Jones spoke when he was decked out in the Hornet's garb. It was a very neat and effective dramatic device.

As for the story and plot of THE GREEN HORNET serial, the usual subjects of international espionage agents and Renegade Super Scientists were jettisoned away from the first Hornet Screen appearance. Instead The Green Hornet, Kato and company concentrated on Organized Crime and their involvement with rackets in the building of sub-standard buildings, collapsing public works, intimidation and extortion. All of these are real-life type problems being dealt with then, now and as long as Man walks the face of our home, Planet Earth.

NOTE: * Actor Al Hodge not only got to be well known as the Radio Voice of the Green Hornet/Britt Reed; but also during the period of 1949-55, he was famous World-Wide as Television's CAPTAIN VIDEO.

Addendum: 1/07/2008. Oh, by the way, we did forget to mention that a condensed feature version of this Universal Serial was released to TV and to video in 1990. There still may be some of those VHS Casettes floating around out there.

"It's gone... like a spook! I've never seen a car move so fast." The two police officers who are constantly chasing the Green Hornet's car say that in almost every episode. Britt Reid (the Green Hornet) is a rich guy who like Bruce Wayne (Batman) and Lamont Cranston (The Shadow) has a secret identity that he uses to fight crime.

This serial is a lot of fun and like most serials ends each episode with an exciting cliff hanger. It suffers from the defects typical of serials of this era but also has the charm that is also typical of them.

Those of us who remember the Abbott and Costello Show will enjoy seeing Gordon Jones as Britt Reid/The Green Hornet. He was Officer Mike. Although Keye Luke (Kato) is no Bruce Lee he plays the part well. Those who enjoyed David Carradine as Caine in Kung Fu will enjoy seeing how Master Po (the blind monk who called Caine "grasshopper") looked as a young man.

Don't expect a sophisticated plot or deep character development. The dialog is corny but there is plenty of action and lots of fun.

Through thirteen chapters in this serial The Green Hornet manages to discover and eliminate a number of various criminal enterprises that are plaguing his city. Playing The Green Hornet in this version is a younger and leaner Gordon Jones who was best known for being Mike the Cop on the Abbott and Costello show. Keye Luke plays his sidekick and chauffeur Kato who because of the impending war was changed from Japanese to Korean for this serial.

Not that this serial is all that much better though it is a cut above most of them, but one of the things that struck me was that each chapter stood more on its own than you would normally have. The premise here is that the various rackets are controlled by a city syndicate of twelve and the Green Hornet as himself and in his real identity of Britt Reid, millionaire publisher of a crusading newspaper the Sentinel, systematically exposes each racket in each chapter and eliminates the head through death or imprisonment.

The obvious comparison is to Batman, but The Green Hornet relies a whole lot less on gadgetry than most superheroes. His car, 'the Black Beauty' is really a souped up hotrod, nothing unique about it in any other way. He's not got the variety of gadgets that Batman or most of his other peers seem to have.

He even has a gas gun that shoots small gas pellets and when they hit the target they merely disable. Fran Striker who created The Green Hornet also created the Lone Ranger and the Ranger's creed was always to shoot to wound. Modern technology has given the Green Hornet a weapon that will do nothing else. In fact The Green Hornet is the grand nephew of The Lone Ranger.

A cut above maybe, but The Green Hornet is as dated as all those other serials that the Saturday afternoon kids used to enjoy.

This is not so much a user comment but corrections to Leslie Howard Adams's commentary, as they do need to be made.

1): "John Reid...became The Lone Ranger. Dang right The Lone Ranger had a name." As long as George Trendle and Fran Striker were in control, first names for the Lone Ranger and his ill-fated brother were never given (they sold that property to Jack Wrather in 1955). In the 1960s, both a "Houston Chronicle" (TX) newspaper obituary for Striker and a Gold Key comics adaptation of the origin called THE SURVIVING BROTHER Dan. "John" and "Dan," as are now so familiar--and I therefore do not fault Mr. Adams significantly for accepting them--do not appear to predate the 1970s, perhaps beginning in the awful 1981 big-budget movie version.

2): "One of the great non-true urban myths has it that Kato was introduced on the program as Japanese, and had to change his country-of-origin in 1941 when the Japanese attacked Pearl Harbor. Not so. Kato was Filipino from day one in 1936 on the radio program....Surprised that somebody hasn't posted that myth on the IMDb site, somewhere." It is an incontestable fact that Kato WAS initially described as Japanese on the radio show, as I have audio recordings of early episodes to prove it. What IS widely believed but untrue is the part that has the change being made as of Monday December 8, 1941, the day after Pearl Harbor. Jim Harmon in his book, "The Great Radio Heroes" (Doubleday, 1967, p.223--and I have photocopies of the pages of the entire Green Hornet chapter right in front of me) wrote, "It's a good story that Kato became Filipino the day after Pearl Harbor. Even some of the people on the show tell it. It isn't true, however. Kato was described as being a Filipino of Japanese ancestry as far back as 1940." This has apparently been misconstrued by many as saying he was NEVER indicated to be Japanese. These people presumably had it related to them second-hand as it is simply not open to that misinterpretation; Harmon is saying nothing about the character's status prior to 1940. The odd result is that one urban legend has been replaced, at least in some minds, by another. I repeat, my audio recordings prove conclusively that early on, Kato was said to be a Japanese (Harmon's intent, incidentally, seems to have been to suggest that the change was made by increments, first adding Filipino to the already existing Japanese, then SUBSEQUENTLY dropping the public-relations-wise problematical original; however, none of my original episode recordings give this dual ethnicity, just one, the other, or nothing more specific than "Oriental" if even that). For Mr.Adams's information, this so-called urban legend HAS been on this title's "Trivia" page for some time, and I recently modified it to remove the "Pearl Harbor" myth-information and add the note that this serial got there first in 1939--note the opening credits' copyright notice--and made him "a Korean."

If Mr. Adams wants to dispute any of this, I invite him to start a thread on this title's message boards, as THIS is not the appropriate venue, but his comments needed to be addressed where they were made.

I update to make an admission: Filipino was indeed said at least a few times in 1940 (and presumably consistently from then on), although these were just passing references in dialogue, not as part the standard opening, where it appears to have been very rarely heard (for whatever that distinction might be worth, if anything). In the only episode recording I have in which this occurs, it is clearly not the intro originally heard on the episode: It also says "...public enemies who try and destroy our America," even though this change--from "...even the G-Men cannot reach," at FBI objection--had yet to be introduced; the intro is read by a different announcer/narrator than the one heard throughout the remainder of the episode, further corroborating the switch. Just to make the information here completely accurate (I am as ready to correct myself as I am anyone else).

I recently watched the 1940 serial edition of "The Green Hornet". As someone who has not watched very many serial movies, I found this film series to be fun and extremely well made for its day. The movie is about four and a half hours long, but is divided into thirteen chapters, each twenty minutes in length. I myself watched a chapter every few days over the course of a month or so.

"The Green Hornet" tells the story of the eponymous radio suspense character from the 1930's who is essentially a mild mannered newspaper editor who takes it upon himself to fight crime in disguise. The character is not exactly a vigilante, at least not in the violent sense, as the Hornet is constantly portrayed as a hero rather than an antihero. Still, his standing outside the law causes him to have run ins with both crooks and the police.

There is definitely a vibe to this film that fits into a "noir" genre, as the plot centers on an elaborate scandal. However, the film maintains a lighthearted vibe overall, as this is ultimately a superhero series, so to speak, rather than the kind of existentialist commentary one might expect from film noir.

The best thing this serial has going for it is its elaborate settings and fight scenes. Railroad scenes, flight scenes, train wrecks, auto wrecks, plane wrecks, flooded mines--this one has it all. And of course, each chapter ends with a cliffhanger made to keep you on the edge of your seat.

All that said, I've given this movie 7/10 stars. It's certainly well made and a delight for its day and age, and for its genre. However, it is quite a long series and by the end you're kind of ready for it to be over with. Still, the final chapter is perhaps the best of the series, and makes it all worth the watch.