AVALIAÇÃO DA IMDb
7,2/10
4,1 mil
SUA AVALIAÇÃO
Um promotor corrupto com ambições políticas é enfurecido pelas notícias que o implicam em atividades criminosas e decide acusar o jornalista que as escreveu de assassinato a fim de silenciá-... Ler tudoUm promotor corrupto com ambições políticas é enfurecido pelas notícias que o implicam em atividades criminosas e decide acusar o jornalista que as escreveu de assassinato a fim de silenciá-lo.Um promotor corrupto com ambições políticas é enfurecido pelas notícias que o implicam em atividades criminosas e decide acusar o jornalista que as escreveu de assassinato a fim de silenciá-lo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias no total
William B. Davidson
- Bill Mason
- (as William Davidson)
Avaliações em destaque
The investigative reporter Frank Ross (James Cagney) finds evidence of corruption against a powerful politician Jesse Hanley (Thurston Hall) that is candidate to Governor in the elections. Hanley sends his gangsters to catch Frank to frame him. They knock his head and soak him with whiskey and then they put him fainted in car that hits another and kills the driver and two passengers. Frank can not prove that he is innocent and is sentenced to twenty years of hard labor in Rocky Point Prison.
The newspaper direction tries to find evidence of Frank's innocence while he befriends the gangster Stacey (George Raft) that was sentenced to 199 years. Stacey asks Frank to help him to be accused for a crime that he had not committed since he has planned to escape from the courthouse. In return, he would help to find who has framed him up using his contacts in the underworld. Will Stacey really find the responsible for the frame-up?
"Each Dawn I Die" is and engaging prison movie, despite the unrealistic plot. Stacey spontaneously returning to Rock Point is absolutely unbelievable and destroys the story. My vote is seven.
Title (Brazil): "A Morte me Persegue" ("The Death Chases me")
The newspaper direction tries to find evidence of Frank's innocence while he befriends the gangster Stacey (George Raft) that was sentenced to 199 years. Stacey asks Frank to help him to be accused for a crime that he had not committed since he has planned to escape from the courthouse. In return, he would help to find who has framed him up using his contacts in the underworld. Will Stacey really find the responsible for the frame-up?
"Each Dawn I Die" is and engaging prison movie, despite the unrealistic plot. Stacey spontaneously returning to Rock Point is absolutely unbelievable and destroys the story. My vote is seven.
Title (Brazil): "A Morte me Persegue" ("The Death Chases me")
Raft and Cagney, in their only appearance together, doing what they did best. While the plot of this film noir is a little contrived, aren't they all, the pleasure watching true greats perform is a joy and a pleasure.
A reporter is framed and sent to prison, but with the help of a fellow con he'll try to clear his name and set things straight. That's about as far as the plot ever gets developed and it's full of holes and completely implausible events. The characters are hopelessly cliche, mostly overacted, and the melodrama of the ending goes so far over the top as to be almost laughable. And yet somehow the film has a feeling of quality and sincerity which is able to overcome all of this.
Similar to "Fugitive from a Chain Gang", this is a 1930s Warner Brothers film with a conscience, taking aim at corrupt politicians and brutal prisons. The flaws in the film are not due to lack of effort or creativity, but simply because this is the way they used to make those types of films. Jimmy Cagney and George Raft use their talent and star appeal to draw you in and keep you on the edge of your seat throughout the entire movie. It isn't necessarily a film you'd go out of your way to see, but it's definitely worth watching if you get the opportunity.
Similar to "Fugitive from a Chain Gang", this is a 1930s Warner Brothers film with a conscience, taking aim at corrupt politicians and brutal prisons. The flaws in the film are not due to lack of effort or creativity, but simply because this is the way they used to make those types of films. Jimmy Cagney and George Raft use their talent and star appeal to draw you in and keep you on the edge of your seat throughout the entire movie. It isn't necessarily a film you'd go out of your way to see, but it's definitely worth watching if you get the opportunity.
This is a great prison film--with lots of unusual twists, a great story and stellar actors. While many of the usual 1930s prison film clichés are definitely present, the overall package is so enjoyable that many will forgive its excesses. I must point out, though, that many modern audiences might laugh a bit at the dialog, but fans of Warner films of the age have come to expect and love these type films.
The movie begins with crusading reporter, Jimmy Cagney, being set up for a crime to stop him from investigating crooked public officials. On this trumped up charge, he is given a hefty prison sentence and is sent to a tough prison. On the way, he meets habitual criminal, George Raft, and they strike up a very bizarre friendship.
At first, Cagney is sure his conviction will be overturned and he's practically a model prisoner. However, after years in jail and no breaks in sight, he agrees to help Raft with a breakout and Cagney's life behind bars gets significantly worse.
Where it all goes from there you'll just need to see for yourself. However, considering that two exceptional tough guy actors head the cast (Cagney and Raft), you know this will be an exciting film--which it certainly is. Now being a Warner product, you know that the prison lingo and action will be a bit hard to believe and you know that, given a chance, Cagney will chew the scenery (he definitely does overact a bit here and there). But considering how entertaining it all is, I can certainly forgive all this. A great film for fans of old time films.
The movie begins with crusading reporter, Jimmy Cagney, being set up for a crime to stop him from investigating crooked public officials. On this trumped up charge, he is given a hefty prison sentence and is sent to a tough prison. On the way, he meets habitual criminal, George Raft, and they strike up a very bizarre friendship.
At first, Cagney is sure his conviction will be overturned and he's practically a model prisoner. However, after years in jail and no breaks in sight, he agrees to help Raft with a breakout and Cagney's life behind bars gets significantly worse.
Where it all goes from there you'll just need to see for yourself. However, considering that two exceptional tough guy actors head the cast (Cagney and Raft), you know this will be an exciting film--which it certainly is. Now being a Warner product, you know that the prison lingo and action will be a bit hard to believe and you know that, given a chance, Cagney will chew the scenery (he definitely does overact a bit here and there). But considering how entertaining it all is, I can certainly forgive all this. A great film for fans of old time films.
This was a great film for the Year 1939 with a great cast of veteran film stars. James Cagney, (Frank Ross) plays the role as a newspaper reporter who writes a front page head line involving some politicians running for the governor of a state who have burned all their records of evil doings and this story causes them many problems. The politicians decided to frame Frank and set him up by knocking him out and pouring booze on him and send his car crashing into a town and other people's cars. Frank is sentenced to prison for twenty-years and meets up with a guy named Hood "Stacey" who befriends him and they get along until things happen in the prison. Frank becomes very upset with his prison life and causes all kinds of bad problems for himself and he is sent into solitary confinement for many months. Joyce, (Jane Bryan) is a girl friend and also a reporter for the same newspaper that Frank works with and she tries her best to see what she can do to get him free. There is lots of action for a 1939 film and it deals mostly with the insides of a prison and deals with guards who love to mistreat the prisoners. If you like old film classics and these two great actors from the past, don't miss this one.
Você sabia?
- CuriosidadesAccording to a series of contemporary articles in the "Los Angeles Times" and the "New York Times", Warner Bros. bought the rights to Jerome Odlum's 1938 novel of the same title as a vehicle for James Cagney with Edward G. Robinson to co-star. Robinson was then replaced by John Garfield, and Michael Curtiz was to direct. Eventually, Curtiz was replaced by William Keighley, and Fred MacMurray was to replace Garfield in the reporter's role. When MacMurray became unavailable, a screen test with Jeffrey Lynn was made. Finally, Raft was signed and swapped roles with Cagney, so Raft became the gangster and Cagney the reporter.
- Erros de gravaçãoThe conversation in the prison yard between Ross and Fargo Red, concerning dogs not having pores, is unrealistic. The slow-witted Red would surely have heard the word as "paws". As such he would not then have asked "How do they sweat?"
This is an "Unacceptable Goof" per IMDb Guidelines as it's a "Personal Opinion" ("Do not include your own opinions") that does not allow for "Artistic License" ("Please allow for artistic license on the part of the filmmakers. Most movies and shows are not meant to perfectly reflect reality as you experience it.")
- Citações
'Hood' Stacey: So, how tough are you, babe?
- ConexõesFeatured in Hollywood: The Great Stars (1963)
- Trilhas sonorasDon't Give Up the Ship
(1935) (uncredited)
Music by Harry Warren
Played by the band in the theater before the showing of the movie
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Each Dawn I Die?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Muero cada amanecer
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 735.000 (estimativa)
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Proporção
- 1.37 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente