Demônios do Círculo Vermelho

This is a serial that has it all! The leads,Herman Brix[Bruce Bennett],Charles Quigley,and David Sharpe are top notch.Carole Landis is fine as the herione,and Charles Middleton does his usual fne work as the master villian.Sharpe shows that he can act as well as perform those great stunts!Location filming adds to the scenic values,good story line,music score,and special effects from the Lydecker brothers. It all adds up to 12 chapters of non-stop action.One of my top ten serials from Republic.

I remember seeing this as an eight year old kid back at the Amo Theater in Detroit. I see it now every six months and it still thrills me to see the best of Republic at work. The principle actors are all most enjoyable. Charles Middleton is supurb once again as the nasty villan. The one episode that has really stuck with me all my 71 years is the outstanding tunnel scenes. Everytime I'm in San Francisco and take the BART under the Bay waters I think of that episode and get a little relived when I reach the other side. Al Guzman Las Vegas, NV

In looking over previous comments of Daredevils of the Red Circle, many of you comment on the ending of Chapter One where Charles Quigley is trying to outrace a torrent of water riding on a motorcyle. I had the privilege of knowing Barry Shipman, the scriptwriter for "Daredevils." He would pen many of the famous Republic serials, including the Lone Ranger, before going over to Columbia to write the Durango Kid features. Bill Witney relays the story of how the chapter came to be written in his autobiography. First, they found a real tunnel in downtown Los Angeles. At that time, the L.A. traffic had not grown to the proportion it is today and Republic got permission from the city to block traffic while they shot footage inside the tunnel. A miniature replica of the tunnel was designed and a process screen was used to show the water seemingly coming from behind Quigley. It was Barry's suggestion that the hero narrowly escapes downing by getting to the end of the tunnel where he turns the wheel to close the watertight doors. This conclusion was known as the take-out or the solution to the cliffhanger.

In looking over previous comments of Daredevils of the Red Circle, many of you comment on the ending of Chapter One where Charles Quigley is trying to outrace a torrent of water riding on a motorcyle. I had the privilege of knowing Barry Shipman, the scriptwriter for "Daredevils." He would pen many of the famous Republic serials, including the Lone Ranger, before going over to Columbia to write the Durango Kid features. Bill Witney relays the story of how the chapter came to be written in his autobiography. First, they found a real tunnel in downtown Los Angeles. At that time, the L.A. traffic had not grown to the proportion it is today and Republic got permission from the city to block traffic while they shot footage inside the tunnel. A miniature replica of the tunnel was designed and a process screen was used to show the water seemingly coming from behind Quigley. It was Barry's suggestion that the hero narrowly escapes downing by getting to the end of the tunnel where he turns the wheel to close the watertight doors. This conclusion was known as the take-out or the solution to the cliffhanger.

This is a good example of what old movie serials were all about. This had plenty of action, outdoor locations and original storylines. This was better than most "B" movies of it's time. Republic made the best serials and this was one of the best.