Climbing High

I have a large collection of old movies, what a treat it is to find an excellent film that I had never seen before. I'm so happy to have this excellent film in my 3,000 DVD/Blu-ray collection. To guard against censorship or banning, I always want to have a physical copy. The disc I purchased is from VCI. The audio and video quality are excellent and the disc was pressed, not burned.

This is a very funny movie! Do you like the Marx brothers? Did you like the movie "You Can't Take It With You". If the answer is yes, then this movie is for you. I enjoy beautiful women in my movies. I wasn't sure what to think the first time I saw Jessie Matthews. Yes, she's very pretty, but the incredible expressions that she can make give her that "goofy look" that really comes across well in this terrific film.

This is a wacko British film that has almost everything comedic. It is a madcap, satire, sillyness, wacky and screwball comedy. Climbing High is an entertaining and uplifting film, that charms you rather than overwhelms you. Michael Redgrave plays Nicky Brooke, a millionaire unhappily involved with a society dame who is primarily interested in him for his money and name. Matthews plays a beautiful young girl of limited means, Diana Castle, who works as a model (along with her roommate, Alastair Sim, portraying a Communist forced to take a job as the loincloth-clad "before" picture in a muscle-building ad). While out driving, Brooke nearly runs over Diana; in the process, he falls for her but decides that he will have a better chance of getting his love returned if he courts her in disguise. Disguised as another ordinary working man, he succeeds -- until his real identity is revealed. More complications ensue -- including an escaped lunatic and a finale in which all of the characters end up climbing the Alps.

Reviwers have been sniffy about this light madcap comedy, starring Jessie Matthews as a penniless lingerie model in a West End advertising agency and Michael Redgrave as an amiable young man about town with a huge Mercedes convertible. He is meant to be marrying a manipulative penniless aristocrat, after him only for status and money, but after knocking our Jessie down twice falls for her instead. The climax unites key characters in the Swiss Alps for final tomfoolery and pairing off.

Nice cameos for Basil Radford as Redgrave's pal, Torin Thatcher as Jessie's Canadian brother, Noel Madison as an American ad man. Alastair Sim as a Communist model who doesn't believe in working under capitalism and Francis L Sullivan as an escaped madman who thinks he is an opera singer. He and Jessie duet hilariously in old standards like "Maritana" and "Il bacio", so we hear her delightful singing even if we don't get any dancing.

It is all enjoyable fluff, free of any social or political content, meant only to amuse. Not Jessie's greatest picture, but she is still entrancing as ever.

With the exception of a couple of films in the forties and fifties this was the last film produced by Gaumont British.It was the biggest production company in the UK but closed down in 1938.It ran into money troubles and closed down production.This was supposed to be a musical directed by Donnie Hale.Alas all the music was taken out and what we are left with is a sad epitaph to her starring career.Unfortunately this is a sad imitation of the screwball comedies then popular with Hollywood.Michael Redgrave is unsuited to his role .As for Alistair SIM and Francis Sullivan all one can say is,bizarre.

I could only give this farcical "comedy" 4/10 compared to the 5.2 on IMDb.com.I agree with the previous user comments and tuned into this film after searching on Michael Redgrave hoping for a similar experience to "The Lady Vanishes" (1938).As usual in Britsh comedy/farces there is a lot of running around, characters misunderstanding names and highly improbable sudden scene changes like when you are suddenly catapulted from London, England to alpine Switzerland.I must give a mention to Mary Clare, familiar to me from playing the baroness in "The Lady Vanishes" and the landlady in "A Girl Must Live" (1939).Here she plays Lady Emily Westaker who is trying to marry off her daughter, Lady Constance (Margaret Vyner), by any means to Michael Redgrave who plays a playboy who nearly runs Jessie Matthews over and almost immediately attempts to seriously woo her.It was at this point reality was left far behind.I had only ever heard Jessie when I was young playing Mrs Dale the wife of a doctor in "Mrs Dales Diary", whose memorable line was "I'm worried about Jim".I understand Jessie could sing and the producers contrived to give vent to her singing voice albeit in a strange farcical setting when Francis L Sullivan, playing an overweight opera loving madman, accosts Jessie and only lets her go when she shows her singing ability.

Basil Radford made an appearance playing Michael Redgrave's best friend, and for once he didn't have his partner Naunton Wayne in tow.Basil did films on his own like "The Galloping Major".The funniest scene was pure slapstick when the speed control of a wind machine in the advertising studio is set to maximum and mayhem inevitably results.It was strange seeing Alastair Sim playing a purposely out of work communist and showing his torso!Another actor not lost on me was Torin Thatcher who played Bentley Drummle in the acclaimed 1946 version of "Great Expectations" in David Lean's classic film.Comedy could be rather infantile in the 30s.

This is a very confusing comedy.

The main plot line revolves around Michael Redgrave, unhappily engaged to a society lady, who falls for a lingerie model played by Jessie Matthews and her overbite. Much to-ing and fro-ing, playing of masquerades lead to the conclusion everyone expects, but the alarms and excursions are strange indeed.

We have Alastair Sim doing a tremendous job as a poverty-stricken, bitter comic communist, but we also have a loony who is obsessed with opera-singing. His second appearance is completely inexplicable.

Enough of the original plot shows through for the storyline to just about hang together - even if only with the assistance of a suspension bridge for the disbelief - but there's an awful lot of "what the...?" likely from an attentive viewer.

Odd entertainment.