Band Waggon

A very early example of that English vein of odd ball humour that led to so much classic TV. And in fact the BBC pre ww2 TV service forms the basis of the plot. There are even some examples of the the first EMI vidicon cameras!

AA. What can anyone say about BHAA? The back stage boys and girls are having a ball in the shared lime light of Big Hearted Arthur and the gang also seen having a ball.

Of course it's dated, of course it's cheesy, what else would you want?

I am a fan of AA. After his "Ghost Train" what is NOT to like about the little man?

He should have been knighted, was he associated with the scarlet harlot, the lover to the, oh- what-a-wonderful-husband-the-Queen-must-miss-the-Greek- freeloader-Philip. The man that slept around whilst our Queen held court, he seduced a number of celebrities and ruined their careers whilst he kept his marriage and finally was the mystery man that Profumo never mentioned. Nice one chap!

Back to the film: what's not to like? It was of its time. A fascinating insight into establishment, the BBC and a nation's core values.

Cheeky Arthur a lightweight but big hearted. The NHS cut his legs off in teh end before he finally was able to RIP, bless him.

I am a fan, devoted to his, smiles for miles, comedy!

;--)

Arthur Askey's films must have a lot of sentimental value, but his comedy hasn't aged well. In fact, he's very irritating in most of his films. What makes The Band Waggon interesting, is the only opportunity to see the greatest British dance band leader Jack Hylton and his orchestra in their only screen performance. It's a pity they didn't do more films. The songs aren't great hits, but solid good material. The other thing that makes this film interesting is its fascination with the television. It's one of the very first films, where TV is the leading character. Sure, the process is shown in a fantastic manner which is very far from the reality, but it's great fun to watch the final sequence. The overblown showstopper Melody Maker Man - dozens of performers busting their arses while the only member of the audience fails to utterly notice the goings-on around him - is an often used gimmick, but very funny indeed. Be sure to watch the proper DVD release and not a bootleg copy.

Arthur Askey was a comic star of the stage, radio - and later on TV. As a live performer he was hilarious, but his zany antics and anarchic behaviour on stage didn't translate well to the screen. The jokes were excruciating and the dialogue was simply unfunny and infantile. The storyline of Askey and sidekick Murdoch, ending up in a castle in Sussex, which housed German agents was an opportunity to trot out the usual banal, tiresome and inane jokes about the enemy. The romantic duet between Murdoch and Kirkwood was strictly lack lustre and amateurish. I imagine the public needed laughs at the cinema to lift the mood and spirit of the nation in 1940, but this film simply showed that the British film industry couldn't seem to produce films which combined comedy and song. This film was in a essence a series of cobbled together daft sketches which were tedious and third rate.

Directed by Marcel Varnel and starring Arthur Askey, Richard Murdoch, Patricia Kirkwood and Moore Marriott, Band Waggon is based on the hugely popular BBC radio show of the same name. Band Waggon is very much a British throwback to a time when comedy was almost chaotic in execution, where malarkey ruled the wave. To that end the film is a sure fire hit, performances are hitting the right notes and direction from the fabulous Varnel is suitably breezy. Within the running time of under 85 minutes, film is chocked full of enough set-ups to fill out another movie as well, there is no doubting the value for money given to British cinema goers back in 1940. Sample songs, shenanigans, spies and spirits along the way, and film closes with an elongated song and show routine as a time bomb cheerily ticks down to potential detonation.

It's hardly great comedy and it's far from being Askey's best film, but it has some solid laughs and it remains eternally silly for all the right cinematic reasons. 6/10