Novos Horizontes

Today on Turner Classic Movies I watched a tribute to Jackie Cooper on his birthday. After seeing Jackie play children who always had some kind of drama going on in his characters lives and crying all the time, it was nice to see him as a nice young man who grew from being immature and selfish to mature, unselfish, and grateful.

In many of Jackie Cooper's films he played characters who were much younger than his actual age (ex: O'Shaunessy's Boy (1935), in real life he was about 12 or 13, but in the film, he is playing someone who is about 10 or 11, same in Dinky and in Tough Guy (1936), he was really 13 or 14, but in the film he is probably between the ages of 9-11). So, in White Banners it was nice seeing him someone his own age and he gave a touching and challenging performance. I also must commend Fay Bainter (1938 Academy Award nominee Best Actress (Banners) and supporting actress (Jezebel)), for she gave an excellent performance as a mother who sacrifices the best for her child. Also the rest of the cast was great. An excellent film!

I was very happy to discover White Banners for the first time yesterday evening on TCM. Several reviewers here said it was "dated." Some said "dull" or slow-paced. Too bad! I thought it was first rate and not only because of it's superb cast. I would in fact call it "classic"–––with a message of timeless significance.

It shows very sadly how much ground we've lost as a society that the character of Hannah Parmalee masterfully played with quiet, subtle restraint by Fay Bainter is regarded by some modern observers as priggish, preachy, sappy and too good to be true. That's how cynical we've become in the face of nobility these days. Unselfishness and refined sensibilities are regarded as "sappy."

The story is intensely Christian in tone, because it centers on the tremendous strength and power one gains from considering the needs and feelings of others before one's own. What we are supposed to glean from the story is the idea that by not fighting for our rights and not demanding justice for ourselves we can win a reward much greater than the one we originally sought. Doing the right thing and not taking the paths of least resistance transcends grief, gives added strength and often leads to greater heights than one ever dreamed of reaching.

There is a sweetness and yes a naiveté in this story that is frankly refreshing. The lush romantic musical score written by the same composer who did Gone With The WInd provides a beautiful, perfectly realized, expressive accompaniment to every scene. Music of this high quality gives added dignity and significance to the film elevating it almost to the status of art.

In this noisy age of unbridled vulgarity, cheap sensationalism, excessive noise, and dissolute, despairing characters acting brutal, selfish, inconsiderate, exploitative and callous towards one another the QUIETUDE and profound depth of feeling in this movie is balm for the soul.

I saw a preview of this movie on TCM and was very interested, so I made a point to watch it. I am so glad I did!

I can't remember ever seeing Claude Raines in a such a light-hearted, at times comedic, role; he is delightful! At first I thought I had stumbled upon a "Mary Poppins" type of movie, especially when Hannah--perfectly portrayed by Fay Bainter, who is not remembered in present day as much as she deserves--begins to pull things out of her bag; but as the story moved on I recognized it as so much more. The supporting cast, as was so often the case in the days of the studio-controlled movies (like it or not) is also excellent, especially Jackie Cooper and Bonita Granville.

A wonderful film, a tale of hope and the results of perseverance.

Just happened to wake up very early this morning and stumbled upon "White Banners" on Turner Classic Movies. What a nice little film. Fay Bainter, normally known for her outstanding support of many a fine lead actor, is given a chance to shine in a more substantial and pivotal role. Claude Rains turns in his usual fine performance and there is fine work from young actors Bonita Granville and Jackie Cooper. In lesser hands this film could easily lapse into a puddle of maudlin sap, but these fine performers truly elevate this moving and interesting story. The film is based on a Lloyd C. Douglas short story. Douglas was also the author of "Magnificient Obsession" and "The Robe. Would love to see this one on DVD someday. Until then, I'll be watching TCM's schedule for it. A film not to be missed!

It starts out like the original Imitation of Life where Louise Beavers shows up at Claudette Colbert's house looking for a job, but in this case it's Fay Bainter trying to sell her apple peelers on a cold, windy, snowy day in dreary Indiana. The film is very realistic in its portrayal of the weather, making you feel cold and depressed. When the lady of the house invites her in to get warm and Hannah sees the disorder in the kitchen, she(like Louise Beavers) sees a perfect opportunity to get a job with room and board.

Offering to save the family money (she sees immediately they are struggling), they take her offer and come to love her like family. She comes up with ideas like selling their old useless furniture for cash, gives Claude Rains a spot in the basement to work in peace on his experiments (he is a professor by day and an inventor by night). She is wise and has the instinct to know when something is going to go wrong trying to save the family whatever heartache she can.

When Jackie Cooper (spoiled rich boy) takes a job as Rains assistant, it is the beginning of his life changing him into a fine young man. Only by accident does he cause Rains harm thru an error of judgment. But justice prevails, as Hannah tells Rains to turn the other cheek and go on.

Hannah stumbling upon this house at a time when they are in need of help provides her the opportunity to get what she came for. That being said - all is well at the end. When you see her walking off in the snowy storm, the same way she came in, one cannot help but feel sorry for her - hoping that she would turn around and stay, but doing so would cause her too much pain. Like some of the other poster's, I taped this out of curiosity, and wound glued for the entire film. Definitely a keeper.