As Irmãs

Bette Davis to me and many others is/was one of the greatest actresses of her time and still one of the greats, 'All About Eve', 'Now Voyager', 'Little Foxes', 'The Letter' and 'Jezebel' (all very good to masterpiece films) being especially great performances. Am also fond of Errol Flynn, though don't consider him as good an actor, with my first and favourite film of his being 'The Adventures of Robin Hood' (he's great in his other swashbucklers too).

There is a lot to recommend in regard to 'The Sisters'. It is not a classic by any stretch and not everything works, with the balance not being quite right. The biggest attraction though is Davis and Flynn, and 'The Sisters' does nothing to disgrace either of them and they are two of the main best things about the film. Neither at their best sure, but for anybody who likes or is a fan of either or both should find little reason to not watch this, even if it is just the once.

Davis doesn't disappoint, it is a restrained performance but a wholly riveting one. Flynn is dashing and charismatic and their chemistry is very sensitively written and acted. The production values are very handsome, time, effort and money and a huge amount of all three at that clearly went into them. The earthquake effects are still impressive and put a vast majority of earthquake effects in films today to shame. The whole earthquake sequence is very memorable.

Max Steiner's score is typically luscious and dramatic. The script avoids being too soapy, it's nicely directed and the story generally moves along nicely. The supporting cast are not exceptional but do more than competently, Lee Patrick standing out.

On the other hand, the supporting characters seem underdeveloped and sidelined in favour of Davis and Flynn. It was right for them to be focused on primarily, but it really shouldn't have been to the extent that there is not an awful lot else in characterisation that one remembers.

Also, the ending felt too pat and tacked on, not ringing true with what happened before in the story and like the writers were favouring star power over realism.

In summary, not great but worth seeing. 7/10

Bette Davis (as Louise Elliott) is a Montana woman who marries San Franciscan sports reporter Errol Flynn (as Frank Medlin). Her sisters Anita Louise (as Helen), and Jane Bryan (as Grace) marry at the same time; the three sisters find wedded bliss is short-lived. Supporting floozies Lee Patrick and Laura Hope Crews are a very well-matched mother and daughter tag-team who befriend the deserted "Louise".

Whatever the film's original intentions may have been, it is really about ONE sister; naturally, it's the sister played by Bette Davis, and HER marriage to the character played by Errol Flynn. The stars are in fine form as the love-struck young couple who hit on hard times. Ms. Davis is refreshing as a housewife who becomes ill in a smoke-filled boxing arena, and Mr. Flynn is convincing as the husband who drinks to heal his wounded pride. Flynn asks a significant question about his character: why did marriage make his wife strong, and himself weak? Similarly, the objective of "The Sisters" as a film is strong, and the story weak. Yet, the production level is high; and, historical events like Presidential elections (Roosevelt, Taft) and the San Francisco earthquake are used to great advantage.

****** The Sisters (1938) Anatole Litvak ~ Bette Davis, Errol Flynn, Anita Louise

A very watchable chick flick, with a marvelous Bette Davis, and a mundane Errol Flynn. Chick flick (a damnable moniker) is modern shorthand for movies that deal with female themes, relationships, romance, and emotions, which this movie has in abundance. But this film is wonderful; and at the very least is a time capsule preserving 1938 attitudes of turn of the 20th Century history. (From one who has been in a few earthquakes, trust me, the San Francisco Quakescenes are very well done). The story is about the wooing and wedding tales of three sisters, and focuses primarily on the Bette Davis character's romance with Errol Flynn. Davis is pushing the outside of the envelope for a great performance (more than the script gives her),and Flynn is a handsome but uninspired scarecrow. He did not have to reach very far to find the serious minded, alcoholic, sexually confused, and restless soul that he plays here. What spills out is drab. Still, even when he was mediocre, he was special.

I found it difficult to turn this one off, as the production values are superb. The set director does an incredible job of decoration, placing the story in the era. The cinematography and lighting are exceptional. And the makeup! The characters are full of detail from the period, right down to the grease on the face of the automobile drivers. A film lovers film. Don't miss this.

Big sister Louise from small-town Silver Bow, Montana, falls in love instantly with dashing sports reporter Frank from San Francisco. The year is 1904, and Roosevelt is getting re-elected. The couple elope and try to eke out a living in the big city, but he is restless and nothing comes of his writing ambitions, and their marriage looks like it is failing ...

There is nothing great or everlasting about 'The Sisters', but you might want to watch it for its stars. Bette Davis is resourceful and unassuming as Louise, a far cry from her Jezebel of the following year.

So that leaves Errol Flynn, the very young Errol Flynn, but nevertheless an actor of such abundant charisma that you quite understand how Louise's heart skips a beat, and how her dancing gets out of sync, as she gazes at him at their first meeting. Frank is the quintessential reckless, impetuous and fundamentally enchanting man about town, earnest in love, but quick to give up on all he holds dear. It goes without saying that he looks stunning, with his exquisite bone structure and muzzled up hair. How could Ian Hunter ever hope to compete? Director Anatole Litvak does provide a few touches to redeem this otherwise quite pedestrian romantic melodrama. The earthquake was well done, and the cunning way the sisters conspire to rid the town of the local tramp by telling their menfolk, "We consider it a community problem". Point taken!

"The Sisters" is not seen often these days. It is a curiosity piece because it's a minor Bette Davis film in which she plays an ordinary woman, a departure from some of her other more intense dramas we are more accustomed to seeing. As directed by Anatole Litvak, the film doesn't show anything new.

The story about the Eliott sisters from Montana, is mildly interesting. The Eliott household is a happy one. We see them at the beginning of the film as they are preparing for the election night ball in their small town in which Theodore Roosevelt is the winner in the presidential race. The three sisters make a quite an attraction among the young male population because their good looks.

What appears to be a nice family when we first meet them, suddenly fades into memory as the three sisters go in different directions, as life intervenes along the way. Louise, the older sister, proves to be a survivor, if only she has to experience a lot in her own life before real happiness can be achieved. Helen, the beautiful middle sister, marries an older man who offers her security. Grace, the younger one, is the only one to stay in town and marries Tom.

Louise experiences the worst fate of all the sisters when she finds herself abandoned in San Francisco by her husband Frank. He wants to get away from the scene of his failure in order to prove himself worthy of Louise's love. By going overseas as a merchant seaman, he wants to see if he can make any good out himself. Louise is in the middle of the 1906 earthquake and loses all she had.

At the end, all sisters are back home on another election night ball as they watch Willliam Taft being proclaimed as president of the nation. Their lives come together at the end, as all find peace.

The most exciting time in the film centers around the vivid scenes of the San Francisco earthquake. It's done in a realistic manner. Louise is helped by the next door neighbor, a woman of easy morals, who turned out to be a real friend.

The performances are good, but don't expect any sparks from the subdued Louise of Bette Davis. Ms. Davis gives a nuanced performance. The problem is, one expected an over the top star turn by the actress, and her Louise is the epitome of common sense and kindness. Errol Flynn, as Frank, the deserting husband, is seen in a different role as well. He is not as dashing and debonair as in his signature performances, but in spite of playing against type, his take on Frank gives another dimension of his acting range.

The beautiful Anita Louise makes an interesting contribution to the film. Ian Hunter as the kind Mr. Benson, also adds to the picture. The wonderful Lee Patrick plays Flora, the good neighbor, with conviction. Donald Crisp makes another great appearance as Frank's friend. Henry Travers and Beulah Bondi are seen as the Eliott sister's parents. Jane Bryan, as Grace has some good moments, but she is eclipsed by the more interesting older sisters.

This is a film to watch Bette Davis and Errol Flynn playing roles that are completely different from others we are used to see them in.