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IMDbPro

A Mulher Proibida

Título original: The Shining Hour
  • 1938
  • Approved
  • 1 h 16 min
AVALIAÇÃO DA IMDb
6,4/10
1,4 mil
SUA AVALIAÇÃO
Joan Crawford, Robert Young, Melvyn Douglas, and Margaret Sullavan in A Mulher Proibida (1938)
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Reproduzir trailer2:58
1 vídeo
39 fotos
DramaRomance

Adicionar um enredo no seu idiomaA nightclub dancer marries into high society and has to contend with her jealous sister-in-law.A nightclub dancer marries into high society and has to contend with her jealous sister-in-law.A nightclub dancer marries into high society and has to contend with her jealous sister-in-law.

  • Direção
    • Frank Borzage
  • Roteiristas
    • Jane Murfin
    • Ogden Nash
    • Keith Winter
  • Artistas
    • Joan Crawford
    • Margaret Sullavan
    • Robert Young
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,4/10
    1,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Frank Borzage
    • Roteiristas
      • Jane Murfin
      • Ogden Nash
      • Keith Winter
    • Artistas
      • Joan Crawford
      • Margaret Sullavan
      • Robert Young
    • 34Avaliações de usuários
    • 15Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Vídeos1

    Trailer
    Trailer 2:58
    Trailer

    Fotos39

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    Elenco principal30

    Editar
    Joan Crawford
    Joan Crawford
    • Olivia Riley
    Margaret Sullavan
    Margaret Sullavan
    • Judy Linden
    Robert Young
    Robert Young
    • David Linden
    Melvyn Douglas
    Melvyn Douglas
    • Henry Linden
    Fay Bainter
    Fay Bainter
    • Hannah Linden
    Allyn Joslyn
    Allyn Joslyn
    • Roger Q. Franklin
    Hattie McDaniel
    Hattie McDaniel
    • Belvedere
    Oscar O'Shea
    Oscar O'Shea
    • Charlie Collins
    Frank Albertson
    Frank Albertson
    • Benny Collins
    Harry Barris
    Harry Barris
    • Bertie
    Granville Bates
    Granville Bates
    • Second Man on Plane
    • (não creditado)
    Francis X. Bushman Jr.
    Francis X. Bushman Jr.
    • Club Sirocco Doorman
    • (não creditado)
    George Chandler
    George Chandler
    • Press Agent
    • (não creditado)
    Charles Coleman
    Charles Coleman
    • Henry's Butler
    • (não creditado)
    Jimmy Conlin
    Jimmy Conlin
    • Man Shaving on Plane
    • (não creditado)
    Roger Converse
    Roger Converse
    • Hotel Clerk
    • (não creditado)
    Diane Cook
    Diane Cook
    • Girl at Party
    • (não creditado)
    Tony De Marco
    • Van Stillman - Olivia's Dance Partner
    • (não creditado)
    • Direção
      • Frank Borzage
    • Roteiristas
      • Jane Murfin
      • Ogden Nash
      • Keith Winter
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários34

    6,41.4K
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    Avaliações em destaque

    7Night Must Fall

    Choppy melodrama w/good cast + ideas, but abrupt, ridiculous ending

    A promising, although hardly unique premise – wicked city woman (Joan Crawford) marries good ol' boy (this time a gentleman farmer, played by Melvyn Douglas) not for love, but because she's sick of her current lifestyle. Of course, plans go awry and this `intruder' into their pat little lives and old family ways unduly disrupts the farmer's whole family.

    Unfortunately, The Shining Hour's structure is so episodic and choppy that none of the characters has time to be fully developed. This is a shame, as each of them appears quite interesting in the limited screen time allotted them. A longer running time and more character exploration would have benefitted the film greatly. As it is, every time a new tidbit of information is revealed that may be of interest to the viewer, some obvious plot point takes over and speeds things along toward the ludicrous ending. I was left shaking my head, groaning and shouting `NO!, NO!' at the screen more than once. Horrors.

    CAST/PERFORMANCES: Joan Crawford gives a good performance here, and her beauty is almost overwhelming. Melodrama (which this film most definitely is) was her forte, and she excels as wrong-side-of-the-tracks dancer Olivia Reilly, looking to better her stature and improve her social standing through her association with new husband Harry Linden (Melvyn Douglas) and his well-established, none-too-poor family. Crawford comes off very believably in this role, and she's great in it.

    Melvyn Douglas does an excellent job as Crawford's husband. I thought he was very adept at both the tender, quieter scenes as well as the angrier ones. As Harry Linden, he is a very sympathetic character who tries to keep everyone happy, and almost loses everything despite his efforts.

    Robert Young's character is an enigma, and he plays the complex role of David Linden, Harry's brother, very well. David is a moody individual, and the viewer is never sure how he will act or react next. Young gives a thoughtful, yet strong performance. Having had quite a few roles like this in his younger days, it's unfortunate that he lapsed into mawkish television roles later in his career.

    I can't relate at all to the character of Judy Linden, played by Margaret Sullavan. I like her performance, and think she does well with the words she is given to say. She cries well, too, which I always admire in an actor or actress, yet for me the role is too self-sacrificing, and her unbelievable character is the downfall of the entire scenario. Why, why, why???

    Fay Bainter is usually better than she is here. I just didn't feel the menace that her character (Hannah Linden) was supposed to evoke, except for the party and fire scenes – those were done very well. Hannah's character seems to be the forerunner of Luz Benedict (played by Mercedes McCambridge) in Giant. There are several similarities between the two. It's too bad that both performances are also somewhat lackluster.

    GOOD POINTS, BAD POINTS: If you can ignore the implausibility of the outcome and the fact that some of the action is simply mind-numbingly hard to take, you might consider watching this film. My advice is to give The Shining Hour a chance, because aside from the goofy, terribly abrupt ending, it does have some elements to admire, including some thoughtful dialog and especially the humanity of the characters, which is surely the film's strongest point. However, this ruined potential makes it extra frustrating to watch, so keep all heavy objects out of your reach as you tune in.
    8jjnxn-1

    Margaret shines brightest

    High class soap opera with the MGM sheen and a cast of great actors. Joan's a respectable if restless performer who marries Melvyn Douglas on a whim and goes back to his family home where trouble awaits and that's when the fun begins.

    The story of family animosity and dangerous attraction isn't anything new but as presented here by these super professionals and director Borzage they find ways to make it compelling.

    Joan is unquestionably the star of this enterprise and she holds her own with the strong cast that surrounds her while looking glamorous and suffering nobly.

    Fay Bainter turns her usual warm and understanding persona on its ear as a harridan twisted by jealousy and bitterness. Robert Young turns in good work as a bit of a weasel and Melvyn Douglas although Joan titular co-star really doesn't have much to do and is absent from a good deal of the film but he does what is required of him with his usual skill. The marvelous Hattie McDaniel has a tiny role as Joan's maid with the improbable name of Belvedere and injects a small dose of levity into the heavy going dramatics.

    Good though they may be and Joan is the queen of this little opus they are all outshone by one of their fellow actors. Margaret Sullavan as Young wife gives a performance of such quiet beauty she wipes anyone else off the screen whenever she's on it. An actress of great skill and subtle intensity she makes her Judy a character that seems far more real and relatable than anybody else on screen. Her output was small, only 16 films in total, but she always had a vivid and alive presence on screen.

    If you enjoy dramas with an adult, if a tad melodramatic, outlook enacted by talented performers this is for you.
    7boblipton

    Shines For Twenty Minutes

    Nightclub dancer Joan Crawford marries Melvyn Douglas, despite the disapproval of his brother, Robert Young. When he takes her back to the immense family farm, there are mixed reactions to her; sister-in-law Fay Bainter hates her, but Margaret Sullavan is friendly. When, however, it becomes clear that Young and Miss Crawford lust for each other, things become dramatic.

    The first twenty minutes of this, set in the big city, are excellent, with the cocktail set the brothers associate with having many catty remarks to make about La Crawford, and Young certainly plays grumpy well. Once it gets to the country, however, this turns into a Code-compliant, Peyton Place film, and those two simply do not mix well. Everyone does well in their roles, although Douglas isn't given much to do, and only Miss Sullavan is excellent. Crawford had wanted her for the role, and Mayer had tried to talk her out of it, pointing out that Miss Sullavan would steal the show. Miss Crawford responded that she would rather be a supporting player in a great movie than a lead in a stinker. This one is neither, but although I enjoyed it a lot, I don't think it's a very good film.
    Emaisie39

    Great cast in glossy MGMer that does not work

    I always wanted to see this movie. It was one that Joan Crawford wanted to do after so many mediocre movies in the mid-30's. But I just did not like it. It was based on Keith Winter's Broadway hit but it was probably overly sanitized for the post-1933 censors that did not allow characters to have real problems unless they were killed for their human indiscretions. The cast is tops. Youthful Joan , the lovely Margaret Sullivan, the excellent Robert Young, the charming Melvyn Douglas and the superb character actress Fay Bainter. The script just does not properly develop why these characters especially Bainter's are so conflicted. And Joan seems too mannered in that way that made it look like she was just walking through the part. Not one of Joan's classics but watchable nonetheless. Bainter walks away with it though her character's sudden change at the end does not make any sense.
    5mls4182

    A happy ending with 3rd degree burns

    The performances in this film are adequate, with standout performances by Margaret Sullivan and Fay Bainter. It is the writing that fell short.

    The romance and sexual tension are never fleshed out. In fact, most of it is unbelievable. The film is still entertaining but only because of star power and the snide remarks Bainter flings at Crawford.

    Had this not been made during the production code they might have been able to explore the seamier side of it. The way it is handled you just don't care about any of the relationships in the film.

    Hattie McDaniel is always a delight to see and always leaves you wanting more.

    Enredo

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    Você sabia?

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    • Curiosidades
      Joan Crawford specifically asked for Margaret Sullavan to play the role of Judy, despite Louis B. Mayer's warning that the accomplished stage actress could steal the picture from her. Joan replied "I'd rather be a supporting player in a good picture than the star of a bad one."
    • Citações

      Judy Linden: Hannah's quoting the bible again. One of these days we're going to put her in all the hotel rooms.

    • Conexões
      Featured in Joan Crawford: The Ultimate Movie Star (2002)
    • Trilhas sonoras
      Waltz in C sharp minor, Op.64, No. 2
      (1846-47) (uncredited)

      Written by Frédéric Chopin

      Played at the nightclub for specialty dance by Joan Crawford and Tony De Marco

      Reprised by Robert Young on piano; also played by him in a jazzy version

      Incorporated as part of the score

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    Perguntas frequentes16

    • How long is The Shining Hour?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 18 de novembro de 1938 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • The Shining Hour
    • Locações de filme
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Califórnia, EUA(Studio)
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.068.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 16 min(76 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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