Adicionar um enredo no seu idiomaPickpocket Libby gets support from street performer Charles, and her dancing leads to her invitation to theater patron Harley's party, which launches Libby's stage career while Charles keeps... Ler tudoPickpocket Libby gets support from street performer Charles, and her dancing leads to her invitation to theater patron Harley's party, which launches Libby's stage career while Charles keeps struggling in the streets.Pickpocket Libby gets support from street performer Charles, and her dancing leads to her invitation to theater patron Harley's party, which launches Libby's stage career while Charles keeps struggling in the streets.
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My copy is on a "Double Kino Video Feature" along with Henry Fonda's "Wings of the Morning".Users who like this film should also seek out "Storm in a Teacup" who apart from Viv & Rex has Cecil Parker.
Vivian Leigh was never more fetching,gutsy or charming.not even in Gone with the wind or waterloo bridge. Harrison make the most of his typical leading man role and Laughton evokes such sympathy. it is his finest performance as well. my onlt question is why has this gem been almost forgotten? I was lucky enough to catch it on television about 8 years ago. it is only now being released on video.My advice...purchase this film,you need it in your personal collection !
I found over time that I had fallen for the Vivien the Vixen, the face that could send men happily off to (civil) war in delirious dreams of marching home to her and "happily ever after" ...and the cocksure certainty of precisely that effect upon any man who dared to gaze into that face for more than a few seconds.
One wonders how much she was aware of the thermonuclear force of that face in real life. Olivier is gone, and so is she, so we'll probably never know. But we do know this: Vivien's best friend as a youngster was the formidable -- and slightly older -- Maureen O'Sullivan, she of "Tarzan the Apeman," and no lightweight herself when it came to bowling men over.
While there are hints of Scarlet in Vivien in "Waterloo Bridge" and "That Hamilton Woman," none of the other films I know of allow her to be the manipulative, coercive, self-obsessed, narcissistic, pouting diva that she was as Libby and Scarlet.
Had Selznick seen rushes or scenes from "Sideawalks..." before or after he cast Leigh in her legend maker? Did he see Scarlet right there in black and white? One wonders. Because Libby =is= Scarlet O'Hara regardless of the surrounding scenery and cockney word-chewing.
The similarities do not end there. Virtually every expression and and mannerism is fully formed and on display in Libby the busker =and= Libby the diva. Harrison is a more sophisticated, straightforward and cynical version of Leslie Howard's Ashley Wilkes. And Thomas Mitchell's Gerald O'Hara looks and sounds a =lot= like Lawton's Charlie Staggers.
I'm forced to think that Selznick =did= see "Sidewalks..." and that he saw it far more than once. But in whatever event, those who caught the Viv bug as badly as I did years ago should be pleased to see her living right up to our expectations after so many other relative disappointments.
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- CuriosidadesMade in London just before England's entrance into World War II, this film was co-produced by a refugee from Adolf Hitler, the great German producer of Metrópolis (1927) and many other classic UFA movies, Erich Pommer. It was directed by an American from Hollywood, Tim Whelan, and features another American, the great harmonica virtuoso, Larry Adler, who was to return to live in exile in England after the war after he was blacklisted in the U.S. Adler went on to compose and perform the score for the classic English comedy Genevieve (1953). The role of the tall busker Gentry was played by Tyrone Guthrie who would be knighted and would one day become Artistic Director of Canada's Stratford Festival and founder of the Guthrie Theater in Minneapolis. This movie was edited by Robert Hamer, who would go on to direct the Ealing Studio comedy As Oito Vítimas (1949) and others.
- Erros de gravaçãoIn the scene where Libby wrecks Charlie's apartment and holds the sewing machine up to throw it, the figure who enters through the door with his back to the camera is clearly a body double for Charles Laughton.
- Citações
Liberty 'Libby': Just a minute! Look here, mister, who does this lovely world belong to, eh? To the people who live on it, you say? Well, I'm one of them. And I've got just the same taste as all the rest. You should be surprised. I get hungry. I get thirsty. I get cold. I enjoy smoke and a permanent wave, and whatever I can get in the way of extras. And why shouldn't I have them?
- Cenas durante ou pós-créditosOpening credits start as names on a City of Westminster street sign.
- ConexõesFeatured in The Making of a Legend: Gone with the Wind (1988)
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- How long is The Sidewalks of London?Fornecido pela Alexa
Detalhes
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- Sidewalks of London
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- Tempo de duração1 hora 25 minutos
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- 1.37 : 1