AVALIAÇÃO DA IMDb
6,6/10
5,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA penniless theatrical producer must outwit the hotel efficiency expert trying to evict him from his room, while securing a backer for his new play.A penniless theatrical producer must outwit the hotel efficiency expert trying to evict him from his room, while securing a backer for his new play.A penniless theatrical producer must outwit the hotel efficiency expert trying to evict him from his room, while securing a backer for his new play.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Groucho Marx
- Gordon Miller
- (as The Marx Brothers)
Harpo Marx
- Faker
- (as The Marx Brothers)
Chico Marx
- Harry Binelli
- (as The Marx Brothers)
Stanley Blystone
- Policeman in Alley
- (não creditado)
Phoebe Campbell
- Minor Role
- (não creditado)
Clyde Courtright
- Minor Role
- (não creditado)
Josephine DeKarr
- Minor Role
- (não creditado)
Paul Everton
- Formally-Dressed Man in Play
- (não creditado)
Cliff Herd
- Minor Role
- (não creditado)
Avaliações em destaque
The Marx Brothers did a film in the late 1930s that brought them back to their roots. Its one of the few films from the late period of the Marx Brothers that I really enjoyed. The reason I love this film compared to others is it isn't a showcase for one person to show off their singing. Groucho Marx is witty as usual in the role of Gordon Miller. Another reason I love this movie is that it returns to the type of gags the Marx Brothers were good at during the Paramount years. Lucille Ball of I Love Lucy plays a straight character in this film. Room Service(1938) is an under rated comedy that isn't as popular as some other movies by the Marx Brothers. Harper Marx does some funny things as Faker Englund. The Swing Low, Sweet Chariot number in the end is my favorite moment of Room Service(1938).
didn't think this was one of the Marx Brothes better films, but it wasn't their worst, either. One thing different: no harp playing from Harpo and no singing from Groucho. That's okay with me, anyway, since I watch these movies for the comedy, not the music. The only musical number was "Swing Long, Sweet Chariot" near the end of the movie.
There are some funny scenes in here, but not enough of them. Too much of the film takes place in one room. This is like a play and it begins to drag after an hour. Donald McBride, with his constant gruff voice and shouting, grates on you after awhile, too.
Lucille Ball is in here, and I always didn't recognize her. She looked very young (which she was!).
Overall, the film has entertainment value but, personally, I would rather watch the boys' others films.
There are some funny scenes in here, but not enough of them. Too much of the film takes place in one room. This is like a play and it begins to drag after an hour. Donald McBride, with his constant gruff voice and shouting, grates on you after awhile, too.
Lucille Ball is in here, and I always didn't recognize her. She looked very young (which she was!).
Overall, the film has entertainment value but, personally, I would rather watch the boys' others films.
The movie manages a few chuckles, but is not prime material for Marx Bros. fans. One reason is that there's too much conventional logic in what the boys do, unlike their usual wacky comedic logic. Thus, there's little of the usual anarchic assault on well-ordered society that provides larger point to their madcap style.
Here the boys are trying to beat the hotel out of a big bill in order to get their stage play produced, and what they do makes perfectly good sense, though done in zany style. I get the feeling that, unlike other Marx movies, any number of good comedic actors could have replaced them to decent effect. Also, journeyman director Seiter fails to bring the zaniness to the kind of madcap boil that marks their best features. For example, the comedy mix tends to keep the boys apart instead of effectively combining them.
Nonetheless, the movie has its moments and some good gag lines, along with lively humorous support— MacBride as the dyspeptic hotel manager, Wood as the string bean agent, and Albertson as the boyish playwrite. Unfortunately, Lucille Ball's expert comedic talent goes untapped, but thankfully not her good looks.
Looks like the boys miss their home at MGM where their best movies were made. But even second-rate Marx Bros. at RKO still manages some good laughs.
Here the boys are trying to beat the hotel out of a big bill in order to get their stage play produced, and what they do makes perfectly good sense, though done in zany style. I get the feeling that, unlike other Marx movies, any number of good comedic actors could have replaced them to decent effect. Also, journeyman director Seiter fails to bring the zaniness to the kind of madcap boil that marks their best features. For example, the comedy mix tends to keep the boys apart instead of effectively combining them.
Nonetheless, the movie has its moments and some good gag lines, along with lively humorous support— MacBride as the dyspeptic hotel manager, Wood as the string bean agent, and Albertson as the boyish playwrite. Unfortunately, Lucille Ball's expert comedic talent goes untapped, but thankfully not her good looks.
Looks like the boys miss their home at MGM where their best movies were made. But even second-rate Marx Bros. at RKO still manages some good laughs.
I consider this the last Marx Brothers film worth seeing, though it is inferior to all their previous films. While you'll get a few laughs in their efforts following ROOM SERVICE, they are definitely a step below their earlier efforts.
The film was an adaptation of a stage production and it's obvious because most all the action takes place in one hotel room. As a result, there's a definite feeling of claustrophobia in the picture and it also prevents the film from rising to a higher level of entertainment.
About the only real WONDERFUL moment in the film is the very end, where one of the characters appears to come back to life--it's well worth seeing.
The film was an adaptation of a stage production and it's obvious because most all the action takes place in one hotel room. As a result, there's a definite feeling of claustrophobia in the picture and it also prevents the film from rising to a higher level of entertainment.
About the only real WONDERFUL moment in the film is the very end, where one of the characters appears to come back to life--it's well worth seeing.
The Marx Brothers and Frank Albertson must avoid being thrown out of their hotel suite. They have no money to pay their bill, so they invent a series of ailments for Mr. Albertson to act out in order to distract hotel management. The four hope an upcoming production of a play will reverse their fortunes.
"Room Service" finds the Brothers slightly of the mark. Groucho and Chico appear uninterested, especially when watching the other performers. Harpo is more lively, but is still not quite Harpo; his "Say Ahhhh " goes on too long. Oddly, enough, the fourth member of their team, Mr. Albertson, turns in the more consistent performance. Donald MacBride is also very good. Lucille Ball acts like the Marx Brothers - standing around until her next line. Ann Miller is more interested, as Albertson's squeeze. A flying turkey steals the show!
****** Room Service (9/21/38) William A. Seiter ~ Groucho Marx, Chico Marx, Harpo Marx, Frank Albertson
"Room Service" finds the Brothers slightly of the mark. Groucho and Chico appear uninterested, especially when watching the other performers. Harpo is more lively, but is still not quite Harpo; his "Say Ahhhh " goes on too long. Oddly, enough, the fourth member of their team, Mr. Albertson, turns in the more consistent performance. Donald MacBride is also very good. Lucille Ball acts like the Marx Brothers - standing around until her next line. Ann Miller is more interested, as Albertson's squeeze. A flying turkey steals the show!
****** Room Service (9/21/38) William A. Seiter ~ Groucho Marx, Chico Marx, Harpo Marx, Frank Albertson
Você sabia?
- CuriosidadesThe only film The Marx Brothers made at RKO. During salary negotiations with the studio, erstwhile member Zeppo Marx represented The Marx Brothers, threatening to rejoin the group if their demands weren't met.
- Erros de gravaçãoWires visible on the turkey when it flies around the room.
- Citações
Gordon Miller: [Seeing Harpo, taking his coat off, with no shirt under] I see he comes prepared.
Harry Binelli: No, he doesn't believe in shirts!
Gordon Miller: Ah, he's an atheist!
- Cenas durante ou pós-créditosOpening credits are shown on doors that flip around for each new screen of names.
- Versões alternativasAlso available in a colorized version.
- ConexõesFeatured in Anatomia de uma Coragem (1984)
- Trilhas sonorasMerrily We Roll Along
(uncredited)
Traditional
A song loosely based on 'Good Night Ladies' (1847) by Edwin P. Christy
In the score during the opening credits
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- How long is Room Service?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Room Service
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 884.000 (estimativa)
- Tempo de duração1 hora 18 minutos
- Cor
- Proporção
- 1.37 : 1
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