AVALIAÇÃO DA IMDb
7,3/10
2,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA wealthy socialite who hires ex-cons and hobos as staff takes in a handsome drifter as her chauffeur. Her daughter Geraldine becomes interested in him.A wealthy socialite who hires ex-cons and hobos as staff takes in a handsome drifter as her chauffeur. Her daughter Geraldine becomes interested in him.A wealthy socialite who hires ex-cons and hobos as staff takes in a handsome drifter as her chauffeur. Her daughter Geraldine becomes interested in him.
- Direção
- Roteiristas
- Artistas
- Indicado a 5 Oscars
- 1 vitória e 5 indicações no total
Wilma Cox
- Mrs. Remington
- (não creditado)
Sarah Edwards
- Mrs. Fleming
- (não creditado)
Pat Flaherty
- Pat - Police Officer
- (não creditado)
Avaliações em destaque
Unlike "Ninotchka" (1939), with its witty innuendos and tight screenplay, "Merrily We Live" is a wacky, completely irreverent screwball comedy, similar to the style of "Philadelphia Story" (1940)or "Bringing Up Baby" (1938). I laughed through the whole movie, sometimes so hard I couldn't even breathe! It is a tongue-in-cheek look at philanthropy, and thoroughly joyous. Billie Burke is brilliant, Brian Aherne a handsome and charming rogue, and Constance Bennett lovely and amusing. I too wonder why this has not been released on DVD. After all, it did garner five Academy Award nominations (but won nothing). What does it take to get MGM to release this on DVD?
10vic7077
Extraordinarily funny and is one of the BEST romantic screwball comedies from the 1930's. This film is comparable and stands the test of time such as"It Happened One Night". Quirky characters and a delightful cast including Billie Burke and Constance Bennett. They don't make 'em like they used to is an appropriate phrase concerning this film. Listen closely as the quick-witted writing shines through. The name of the two dogs,"Get off the rug" and "You too", are as creativity at its best. The individuality of each character's quirkiness as they interact with one another with acceptance is fantastic. I first viewed this movie 20 plus years ago and have not forgotten its quality and humanity factor. Waiting for a DVD release date and hoping for the powers that be to produce this fabulous film in DVD format just cannot be too much to ask.
Brian Aherne is a hobo taken in by Billie Burke to be a family chauffeur in "Merrily We Live," also starring Constance Bennett, Alan Mowbray, Bonita Granville, Tom Brown, and Clarence Kolb. The film is basically the same story as "My Man Godfrey" but I'm going to go out on a limb here and say it's funnier, though "Godfrey" had the serious undertones (and William Powell) that this movie completely lacks. Unfortunately for "Merrily We Live," it came out at a time when the screwball comedy had had its day. It's so interesting now to see these true gems that suffered from bad timing. "Bringing Up Baby," regarded today as a classic, also suffered at the box office.
The family Aherne comes to work for is never boring. The matriarch, Emily (Billie Burke), is bonkers. She's constantly picking up hobos and hiring them. In the first scene, the last bum in residence has stolen all of the silverware so the family is using all kinds of devices as utensils in order to get through breakfast. The younger daughter Marian (Bonita Granville) spends most of her time fooling around with the chimes so that when the harried butler Grosvenor (Mowbray) tries to ring them, they fall apart. Grosvenor, by the way, keeps his bags packed and ready to go at all times and leaves in disgust at least once a day. When Marian isn't making Grosvenor's life miserable, she's hitting people up for money in exchange for information. Mr. Kilbourne (Kolb) drinks to escape. Jerry, the older daughter (Bennett, who is 19 years older than Granville) seems to be the one who keeps things together. Then she falls for Aherne.
The last scene in this film should be regarded as the ultimate in screwball. It's one of those things you laugh out loud at even when you're alone.
It was commented that Bennett was too old for the role - 34. She definitely was playing a woman in her twenties, but given that Burke was 53, Tom Brown (the son) was 25, and Granville was 15, the ages work out, and those age gaps exist in families. In those days, it was not uncommon, as in my own family, for a woman to have 9 pregnancies and only have three living children spread far apart. Bennett didn't have the best role but she was believable and beautiful. She was almost at the end of her "A" picture leads by 1938. Tom Brown doesn't have much to do but is very good. Mowbray is terrific, as is Kolb, as a man who knows more about what's going on than he pretends. Patsy Kelly plays one of the house staff, and she gives a stagy and loud performance. She's seen to better advantage elsewhere. Burke is a delightful dingbat. Granville is energetic bordering on hyper, as she always was, and she's perfect as the mischievous daughter.
Aherne is very handsome and makes not only a great hobo but a great butler. This was definitely one of his finest roles, and he handles it elegantly.
"Merrily We Live" is a real treat, another lost treasure of the '30s.
The family Aherne comes to work for is never boring. The matriarch, Emily (Billie Burke), is bonkers. She's constantly picking up hobos and hiring them. In the first scene, the last bum in residence has stolen all of the silverware so the family is using all kinds of devices as utensils in order to get through breakfast. The younger daughter Marian (Bonita Granville) spends most of her time fooling around with the chimes so that when the harried butler Grosvenor (Mowbray) tries to ring them, they fall apart. Grosvenor, by the way, keeps his bags packed and ready to go at all times and leaves in disgust at least once a day. When Marian isn't making Grosvenor's life miserable, she's hitting people up for money in exchange for information. Mr. Kilbourne (Kolb) drinks to escape. Jerry, the older daughter (Bennett, who is 19 years older than Granville) seems to be the one who keeps things together. Then she falls for Aherne.
The last scene in this film should be regarded as the ultimate in screwball. It's one of those things you laugh out loud at even when you're alone.
It was commented that Bennett was too old for the role - 34. She definitely was playing a woman in her twenties, but given that Burke was 53, Tom Brown (the son) was 25, and Granville was 15, the ages work out, and those age gaps exist in families. In those days, it was not uncommon, as in my own family, for a woman to have 9 pregnancies and only have three living children spread far apart. Bennett didn't have the best role but she was believable and beautiful. She was almost at the end of her "A" picture leads by 1938. Tom Brown doesn't have much to do but is very good. Mowbray is terrific, as is Kolb, as a man who knows more about what's going on than he pretends. Patsy Kelly plays one of the house staff, and she gives a stagy and loud performance. She's seen to better advantage elsewhere. Burke is a delightful dingbat. Granville is energetic bordering on hyper, as she always was, and she's perfect as the mischievous daughter.
Aherne is very handsome and makes not only a great hobo but a great butler. This was definitely one of his finest roles, and he handles it elegantly.
"Merrily We Live" is a real treat, another lost treasure of the '30s.
As has been noted before (often), this is a brilliant screwball comedy and yet somehow "a lost movie." How do such things happen? Fate, I suppose - which is no answer at all.
Do, however,seek out this film when you can find it. I saw it on Turner Classic Movies (God Bless Them), and I will make it my business to gather a crowd when viewing its next showing.
Considering how across-the-board dazzling the film is, I hate to single out anyone, but Clarence Kolb, who plays the always exasperated "pater familias," and whom we have all seen in dozens of movies, here displays a mastery of physical comedy that is singularly impressive and downright hilarious.
Do, however,seek out this film when you can find it. I saw it on Turner Classic Movies (God Bless Them), and I will make it my business to gather a crowd when viewing its next showing.
Considering how across-the-board dazzling the film is, I hate to single out anyone, but Clarence Kolb, who plays the always exasperated "pater familias," and whom we have all seen in dozens of movies, here displays a mastery of physical comedy that is singularly impressive and downright hilarious.
I absolutely love this screwball. I don't care if it's a Godfrey remake or not. It's full of heavy hitters from Patsy Kelly to Alan Mowbray (who was in Godfrey) to Constance Bennett and Billie Burke. It seems no screwball can be without Billie in it. However, to me, it's Clarence that makes it all worthwhile. He can't do anything without making me laugh. His attempts at trying to rein in his family alway make things worse. He does this spectacular pratfall in the kitchen that had me howling. He was obviously very athletic and coordinated to pull it off. I wonder how many takes it took. I loved him on Margie and every time he would bellow "Albright, you're fired!" I would laugh, but this is really his show. I wish we had wonderful character actors like him around now, but sadly they are all gone. I love the way the two great Danes played him too. He played the stooge to everyone. I suspect Preston Sturges had something to do with this, but there is no mention of him. It's so unfortunate how some gems like this one get buried and forgotten when they could be making so many people happy.
Você sabia?
- CuriosidadesAlan Mowbray, Billie Burke, and Constance Bennett had worked on director Norman Z. McLeod's previous film, A Dupla do Outro Mundo (1937). The commercial and critical success of Topper played a large role in their inclusion in this film.
- Erros de gravaçãoWhen Jerry and Marian are rushing down the stairs near the beginning, a shadow of the boom microphone is visible on the wall to the left.
- Citações
Marian Kilbourne: [Introducing the two Great Danes] How do you do? I'd like you to meet my dogs. This dog's name is "Get Off The Rug." His name is "You, Too!"
- Cenas durante ou pós-créditosBehind the opening credits, the cast walks arm in arm up the driveway towards the camera.
- ConexõesFeatured in The 56th Annual Academy Awards (1984)
- Trilhas sonorasMerrily We Live
(1938)
Music by Phil Charig
Lyrics by Arthur Quenzer
Sung by an offscreen chorus during the opening and closing credits
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- How long is Merrily We Live?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Su excelencia el vagabundo
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Proporção
- 1.37 : 1
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