Amor de Ida e Volta

I noticed from the IMDB cast list of the film that Rita Johnson and Ruth Hussey's scenes are deleted from the film. Perhaps this explains why the movie seems to have no proper beginning that explains the characters' motivations. At the beginning of the print I saw, Myrna Loy's character is heartbroken over losing Walter Pidgeon's character to Rosalind Russell's. However, it's not clear why she likes Walter Pidgeon's character, though. For me, Franchot Tone's character comes off as much more likeable, but maybe that's Franchot Tone--who usually seemed charming in films. It's hard not to enjoy a film with such great actors as those in this film, but if this film was edited, it's hard to see why. The version I saw (not sure if there's another one) was only about 1 hour and ten minutes long so it couldn't have been too long unless it was meant to be a B-picture, but why make a B-picture with an A-list cast? Anyway, I think fans of Rosalind Russell and Franchot Tone will like it more than Myrna Loy or Walter Pidgeon fans will since both Myrna and Walter play rather dislikable characters, although both do a fine job of making them believable. But Rosalind Russell and Franchot Tone have less screen time, so even their fans may be disappointed in this film.

It starts out as a bubbly comedy and quickly sinks into "women's picture" banality, with Loy inexplicably pining over stolid Walter P., who is marrying Rosalind Russell (her la-di-dah accent is intolerable), while Franchot Tone is making drunken quips on the sidelines. The tone is all over the place, now breezy, now soap-opera, and poor Myrna Loy looks miserable throughout -- she must have known how negligible this script is. The characters' alliances shift scene by scene, without explanation, and the happy-ending fadeout wouldn't convince a five-year-old. The four leads are pros and almost always interesting to watch, but this one is so MGM-fake and dramatically underpowered that it plays like a prehistoric episode of "One Life to Live."

Okay, so maybe it's really uneven, but there are wonderful moments -- like Myrna Loy's drunk scene, and many of the scenes between Loy and Franchot Tone, especially the "Why didn't we name them Nip and Tuck?" scene in the car. The premise could be promising, but a lot of the dialogue is stilted and silly. However, Myrna insisting that they had oars all the time is great.

This movie with Myrna Loy, Franchot Tone, Walter Pidgeon and Rosalind Russell is one of my VERY Favorite movies of all time! I watch it whenever I get a chance!

This is a movie you have to watch more than once to get the gist of what is really going on!

I love Myrna Loy in this role! I also love her Mom, not to mention Franchot Tone! I think some of the people who reviewed this movie, did not get it!

Thanks for the chance to give my view! I rate it 10+ !!

So many of us on here just want to know exactly when is this movie going to be added to DVD so we can purchase it? I will be the first one in line!

Mimi (Myrna Loy) is not taking the marriage of ex, Allen Wythe (Walter Pidgeon), lying down. Even with a Mrs. Wythe (Rosalind Russell) in the picture she is determined to get him back. When she makes her move on Allen it turns out easier than she expected but much more difficult in other ways.

Aside from Mimi's husband stealing focus the cast of Man Proof remains on good behavior most of the time as they restrain themselves and the picture from going comically screwball. Loy who wonderfully underplays a drunk scene sobers up long enough to maturely assess her actions while Russell shows similar restraint at Loy's audacity. Meanwhile cad Pidgeon sees no problem with doing Mimi on the side.

With adults behaving like adults Man-Proof is void of zaniness most of the way. Loy, Russell, Pidgeon and Franchot Tone as a graphic artist enamored with Mimi give sound performances but the overall production seems void of a rich sense of humor and Man-Proof is laugh proof more than it should be.