Romance do Sul

Terrific film dealing with the horse racing scene in Kentucky.

We are taken from the beginning of the civil war, when generations of feuding between families begin when a Goodwin is killed by a Dillon during the taking of horses for the union army.

The film then jumps to 1938 and the generations that followed these families. Naturally, Loretta Young and Richard Greene will become lovers and are from the different families with Greene hiding his Dillon name.

Walter Brennan is absolutely magnificent here as the older Peter Dillon, who cried hysterically at the time of his father's murder in 1861. He plays a crusty, cantankerous individual with a rare knowledge of horse breeding and with it all, a wonderful human heart. His Academy Award as best supporting actor was extremely well deserved here.

The blue grass of Kentucky was never more enjoyable in this sprawling film of great memories of a bygone era.

This 1938 film is a real love letter to the Kentucky Derby and it's Southern rooted thoroughbred history. It begins just prior to and during the Civil War, which sets the stage for a feud between the Dillon Family and the Goodwin Family. Then fast forward to 1938 and two grandchildren of the Dillion and Goodwin Family meet, have conflict and fall in love all over training thoroughbreds and racing in the Kentucky Derby.

Jack Dillon, played by the handsome Richard Greene, returns home to the family ranch in Kentucky from London England where he had been studying to go into the banking business with his father. The problem is Jack doesn't want to be a banker, he wants to be a horse trainer...when he has a disagreement with his father at the bank, he goes incognito as a trainer with the Goodwin Family after setting eyes on the lovely Sally Goodwin, played by the beautiful Loretta Young. The Goodwin family has all their hopes pinned on a single horse that they win from the Dillon Family making this year's Kentucky Derby high stakes!

There is definitely some Hollywood-ized Southern flair to this film, but it is worth seeing for its beautiful time capsule of 1938 Kentucky Derby and all it's fanfare. Great film for a Kentucky Derby family night.

The Yankee ransacking prelude more or less spells out the eventuality that years later Young is going to fall for Greene and that their respective families are going to trample the path of true love. Quite literally, as the updated story is now played out against a bluegrass background.

Get yourself into Hollywood mode and dispense with the logistics of script and story, and instead enjoy everything else. The performances, even though they embody strictly cliché and (predictably racial) caricature, are still marvellous for those who love a Fox-style wallow - Brennan won that year's Best Supporting Actor Oscar. The film is generally well and pacily edited, and the racing sequences are particularly exciting.

The real star of this show though, for me, was the sublime photography which I can honestly say offered the most richest and well-preserved example of pre-40s 3-strip Technicolor I have so far seen. Even after more than 50 years, its luminescence (at least in this Channel 4 print) was breathtakingly striking and full of lustre, with yellow in particular registering far more strongly than I have previously seen in a 30s Technicolor movie, and natural outdoor verdance looking as if it had been sprayed with kiwi fruit dye. No doubt deployed deliberately to enhance the otherwise routine nature of the story, it would still take a considerable kick of horsepower to elevate the film to the grandeur of, say, 'Gone With The Wind', to which it bears more than a passing dramatic resemblance.

Frankly, I paid less attention to the plot than to the horses in the early part of the film. My God, where did they get those magnificent animals? Golden Chimes, Grenadier, Torch Bearer were worth the whole film to a horse lover! And the films of the great horses of the period, especially Man o' War, are a special treat. However, having to sit through Bobs Watson, probably the worst child actor in history, is really an effort. Little Bobs didn't cry, he BLUBBERED, with his cheeks swollen like balloons, and that whiney, squally voice--! Oh, well, I guess you can't have everything. Enjoy the horses and forget the rest!

Kentucky (1938)

*** (out of 4)

Fun film involves two horse racing families from Kentucky who have been doing battle since the start of the Civil War and it continues to the current times. Eventually opposite family members Loretta Young and Richard Greene fall in love just as the Kentucky Derby comes around where Greene tries to prove himself as a horse trainer. I was surprised to see how enjoyable thing film was and one of the big benefits is the Technicolor used in the film. These early Technicolor films are often hit and miss on how well they look but this film here is quite beautiful to look at. It's certainly one of the best looking early Technicolor films that I've seen from this period. Another nice thing are the performances, which are all a lot of fun. Neither Young nor Greene speak with a southern accent, although the screenplay gives a reason for Greene not doing so. Even with the accents being wrong, both work incredibly well together and this here helps the love story (and the fighting moments). Walter Brennan won the Best Supporting Actor Oscar and he gives a fun, if over the top, performance. His redneck antics are pretty over the top but it's still fun and keeps the film moving with some nice laughs. Being from Kentucky it was great seeing how Churchill Downs looked back then as well. The stereotypes of the black servants in the film might offend some as they all come off rather dumb but so do the Southern characters.