Adicionar um enredo no seu idiomaRobert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants R... Ler tudoRobert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants Robert.Robert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants Robert.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
- Buckley's Secretary
- (cenas deletadas)
- Mrs. Jenkins
- (as Reine Riano)
- Private Detective in Car
- (não creditado)
- Joe
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
For me the highlights are the scenes with Errol Flynn and Rosalind Russell. Russell has always been great as a comedienne and she delivers here as well, but Flynn is a revelation. Like Frank Morgan and Walter Pidgeon before him, he is the guy who not only can, but will, sell refrigerators to the Eskimos. When he turns the charm on Russell it's like being with that cousin who got you into network marketing.
The final act gets the ensemble (de Havilland,Flynn, Knowles and Russell) colliding together like bumper cars with Justice of the Peace, Hugh Herbert misdirecting traffic. He may have delivered the ultimate screwball line ever with "Children, please don't fight! There'll be time for that after you're married."
Realistically, it's obvious why the suits would not let Flynn take this direction, he was the king of swashbucklers and this would have weakened the brand. However, this movie shows what he could have been. As a screwball lead he had charm, athleticism, comic timing, sexy looks and a great voice, but so did Grant, Barrymore and Cooper and others and they were kind enough to leave the pirate market to him. A loss but I'll console myself with another hundred views of Captain Blood.
Errol Flynn and Olivia De Havilland may not be Cary Grant and Carole Lombard but they do perfectly well and Ros Russell is a screwball icon. Patrick Knowles does a fine job and Flynn's foil. Walter Connolly, as the grumpy oligarch repeats his performance from "It Happened One Night". Melville Cooper, (the fourth member of the cast from 'The Adventures of Robin Hood': he was the comically villainous Sheriff of Nottingham) is his butler. Franklin Pangborn shows up as Knowles' manservant. Hugh Herbert is a justice of the peace and Margaret Hamilton is Connolly's housekeeper.
This one is way in the background of Flynn's career and not the kind of movie he's famous for but it's a solid piece of entertainment anyway. The great stars of the Golden Age made many such films and it's fun to look back and discover them and get a complete picture of their careers.
While not a terrible film, far from it, the promise wasn't completely lived up to due to try-too-hard execution. There are strengths in 'Four's a Crowd'. It looks good, very nicely shot in black and white and attractively mounted. The music suits well and pleasant to hear in its own right. The script does have its funny moments, especially in the first fifteen minutes and the ending's a good surprise.
Most of the cast do a good job. Flynn does show a charismatic, witty and easy-going flair for comedy, while Russell blisters in her best moments. Walter Connolly is amusingly eccentric, and Patric Knowles looks more comfortable than usual.
Less good is De Havilland, who is cast against type as a ditz and is all childish annoyance and no charm. Curtiz's direction is uneven, good in some of his direction of the actors and in the first fifteen minutes but tends to lose control when the film gets busier.
The script's humour doesn't come consistently and lacks bite, due to being over-stuffed and over-cooked, a few parts a little repetitive. The story is too busy and has too many complicated schemes, hindered even further by the hurriedly frenetic pacing which makes the busiest moments borderline confused.
Overall, watchable and most of the cast do well but too over-stuffed and over-complicated, hence what was meant by try-too-hard execution. 6/10 Bethany Cox
Você sabia?
- CuriosidadesThis film was not successful at the box office and made Jack L. Warner rethink putting Errol Flynn in non-adventure pictures. Flynn, worried about being typecast, lobbied Warner to do other films - screwball comedies in particular.
- Erros de gravaçãoThe microphone is briefly visible, reflected in the window just before Jean sits for her shoe-shine.
- Citações
Jean Christy: I'll be a fool. I'm in love with a man whom I dislike intensely, who'd cheat me, who'd lie to me, whom I wouldn't trust as far as I could throw the Queen Mary. I hate myself for it, but, I can't help it.
Robert Kensington 'Bob' Lansford: Jean, hold everything. You - you don't mean me?
Jean Christy: Does the description fit, big lug?
- Versões alternativasThis is the only one of the Eroll Flynn-Olivia de Havilland that was never released to the home entertainment market in the USA. It was released in Argentina using a well preserved 16mm print with the original English credits and audio track and Spanish language subtitles.
- ConexõesFeatured in Breakdowns of 1938 (1938)
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- Tempo de duração
- 1 h 33 min(93 min)
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- Proporção
- 1.37 : 1