O Divórcio de Lady X

This short, unique and original screen-play proved no short of brilliant. It has a simple and entertaining plot of charming but mischevious young Leslie (known at first as Lady X) imposing herself on a foggy night on irritable young masoganistic barrister Everard Logan. Logan declares that he is not in the least bit stirred by her charms, however she finally ends up enjoying his bed, pyjamas and breakfast whilst he has the mattress next door. Ofcourse, being the eligible handsome typical thing that he is, he falls in love with her and vows to arrange her divorce for her, (despite the fact she has no husband!) Ralph Richardson as Lord Mere (Leslie's supposed husband) and Binnie Barnes (the REAL Lady Mere)also help to put him in the light at last. Hurt and irritated, Logan throws his affections for Leslie back in her face and leaves. She goes after him, and naturally, they agree to the marriage finally that Logan had always wanted, and Leslie finalises in curing Logan of his haughtily sexist views.

Some say Laurence Olivier is out of his depth in this sort of a film, since in no way is this Hamlet or Harry V or any great feat of literature such as Wuthering Heights, and in no way is he a born comedian. But he gives it unmatched gusto and IS HE SARCASTIC!! His scenes with Merle Oberon, who plays the sweet little charmer of a Leslie are delightful. Oberon is adorable and could not have been better as Leslie.

It's been said before that Oberon and Olivier had a wonderful chemistry on screen, just as well as Leigh did in fact; however it could be argued so. They were just as contrastingly wonderful in Wuthering Heights, a classic film which I adore.

If you're in the mood of a short but sweet comedy, you couldn't ask for better than this. Fantastic!

I loved the dialogue above all - the sharp and witty banter between British 'icons' Olivier and Oberon, and even the playful back and forth between Morton Selten as Lord Steele and H.B. Hallam as his long-suffering butler, Jeffries. Binnie Barnes was also superb as Lady Mere; her accent might have slipped, but she definitely had the right attitude for her character! The use of colour was also a plus, particularly with the wonderful outfits. I think Merle Oberon would have done better without the continuous close-ups - though she did have a certain magnetism, she doesn't quite hold up to such inspection - and Olivier was definitely better suited to the stage: indeed, that is probably where he thought he was, judging by the delivery of some of his character's lines. The improbability of the story aside, 'The Divorce of Lady X' is a wry 'snapshot' of its era: gender, class, morality - even weather (it's very hard to believe that London had smog so bad that people were unable to travel, but it did happen).

I saw it for presence in cast of Merle Oberon and Laurence Olivier. And , after final credits, it remains the good reason. Because it is one of many easy romantic comedies of time, with a small misunderstanding as knott, with a very forced- unrealistic end, with fair manner to create his grandfather by Morton Selten and a nice Magyar restaurant.

The reason to appreciate it is a mix of nostalgia and passion for old Hollywood. But, in essence, nothing more.

In short, just pleasant, charming, amusing and good opportunity to discover a couple on screen out of so familiar images of 1939 Wuthering Heights.

This was the first movie to be watched in my project to discover more about the career of Sir Laurence Olivier. I've seen many of his films. However after watching an interview with Dick Cavett, I've become more fascinated. I just started piling Olivier movies on to my watchlist on Amazon. Everyone knows Olivier's Shakespeare...but to see him in a romantic comedy? Never thought it existed. He, along with the entire cast, nailed it. The story, script, and direction are wonderful. Merle Oberon is an impish, mischievous delight, more than holding her own across from the man who is synonymous with the word Actor. Watch it by all means!

"The Divorce of Lady X" is a lovely color film produced by Alexander Korda--a man who had a great history producing films in the UK and US. However, compared to many of Korda's other great films, this one comes up a bit average. It has a great idea but something about it kept it from being a bit better.

The film begins in a horrible London fog. It's so foggy that folks can't get home and a hotel is totally booked. The last person to get a room, Everard (Laurence Olivier), is dead tired and miffed when the management asks him to share his suite since there are so many looking for rooms. Despite this, a very pushy and determined woman, Leslie (Merle Oberon), is able to finagle a bed in his room--and here is complications arise. He thinks she's a married woman and the next day, a man comes to hire him (as he's a barrister--that's a lawyer to us Americans) to sue his wife for divorce--and the woman the new client describes sounds EXACTLY like the woman who just spent the night with him! What's he to do? He's initially afraid that he's about to be named a co-respondent but later it's more complicated when he thinks that he's falling in love with this woman--a woman he thinks has been married four times already!

I nearly gave the movie a 7, so I did like it. However, sometimes I really thought they made Oberon's character too obnoxious and unlikable. Additionally, why Olivier's character would want to marry her is perplexing considering she's so obnoxious, manipulative AND he thinks she's been married many times already. Add to this a ridiculous courtroom scene at the very end, it just kept me wishing they'd edited or re-written the thing a bit.