AVALIAÇÃO DA IMDb
7,5/10
3,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaBritish flying aces in World War I contend with the harsh realities of war.British flying aces in World War I contend with the harsh realities of war.British flying aces in World War I contend with the harsh realities of war.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
Sidney Bracey
- Major Brand's Orderly
- (as Sidney Bracy)
Hal Brazeale
- Gregory
- (não creditado)
Tyrone Brereton
- Orderly
- (não creditado)
Richard Deane
- 'B' Flight Replacement
- (não creditado)
Avaliações em destaque
Being someone who likes Errol Flynn, David Niven and Basil Rathbone and who has liked/loved a good deal of the films of all three, 'The Dawn Patrol' is a must watch for anybody who likes either actor or all three and for anybody who likes war films.
A remake of the 1930 Howard Hawks film, this is hardly inferior (quite the opposite). Even with scenes lifted from the earlier film, it's a good-looking film, is very nicely shot and has a good deal of authentic atmosphere. Edmund Goulding's direction is very much assured while pacing scenes in a methodical but never overly so way. Max Steiner's score is lushly orchestrated and stirring.
'The Dawn Patrol' has a gripping script, making its points without veering into heavy-handedness while the story is ceaselessly compelling, perfectly conveying the futility and passion of war, the comrades' horrors and conflicts and showing grace even under pressure.
Characters are not stereotypes in any way, instead compellingly real characters with human and relatable conflicts. The sterling supporting cast has Donald Crisp in particular standing out, but the three leads are what make 'The Dawn Patrol' particularly worth watching.
Rathbone has rarely been more tortured and Niven epitomises innocent grace, but it's Flynn's film in a performance that's genuinely moving (proof that he could act and had more range than given credit for when allowed).
In summary, a wonderful and powerful film. 10/10 Bethany Cox
A remake of the 1930 Howard Hawks film, this is hardly inferior (quite the opposite). Even with scenes lifted from the earlier film, it's a good-looking film, is very nicely shot and has a good deal of authentic atmosphere. Edmund Goulding's direction is very much assured while pacing scenes in a methodical but never overly so way. Max Steiner's score is lushly orchestrated and stirring.
'The Dawn Patrol' has a gripping script, making its points without veering into heavy-handedness while the story is ceaselessly compelling, perfectly conveying the futility and passion of war, the comrades' horrors and conflicts and showing grace even under pressure.
Characters are not stereotypes in any way, instead compellingly real characters with human and relatable conflicts. The sterling supporting cast has Donald Crisp in particular standing out, but the three leads are what make 'The Dawn Patrol' particularly worth watching.
Rathbone has rarely been more tortured and Niven epitomises innocent grace, but it's Flynn's film in a performance that's genuinely moving (proof that he could act and had more range than given credit for when allowed).
In summary, a wonderful and powerful film. 10/10 Bethany Cox
This is an extremely well-made WWI aviator film. The flying sequences are excellent and realistic, the story keeps your attention throughout, the direction is good and the actors are at their best. This is a great example of the type of movies Warner Brothers was capable of making--maybe not quite as elegant as those from MGM, but certainly highly entertaining and filled with their old standby actors (in this case Flynn). Along with the ever-exciting to watch Flynn are David Niven (providing wonderful support), Basil Rathbone and Donald Crisp. What a cast! Now if the movie had any shortcoming it might be argued that the material is a bit familiar--you know, guys risking and living beside death and all the accompanying tensions. BUT, it's not just the broad plot outline that make up the movie and everything else is just so well executed you can overlook this minor aspect of the film.
This is a stirring and exciting story of the courage shown by pilots who know they or their friends will likely be killed on one of their missions, and the anguish their commanders feel when sending them to their deaths. Set on the battlefields of WWI, the plot duplicates the 1930 version starring Douglass Fairbanks, Jr. In fact, whole sequences (especially flying scenes and the climactic attack) were lifted directly from the earlier film. (Note: although the 1930 version was originally entitled "Flight Command," and is occasionally screened under that title by TCM, IMDb also calls it "Dawn Patrol," probably to distinguish it from the 1940 Robert Taylor "Flight Command" about Navy pilots.)
Although it's a close call, I would recommend this later film over its predecessor, for the superior performances of the lead actors. Errol Flynn (as Dick Courtney) was more involving than 1930's Richard Barthelmess, a veteran actor whose performance retains the somewhat stilted quality of the silent film era. While Douglas Fairbanks Jr. was excellent in the 1930 version as pilot Doug Scott, David Niven in the same role positively sparkles in several more light-hearted, even comedic scenes. And although Neil Hamilton played Major Brand well in the original film, at least early on in the story, the role calls for a less-sympathetic performance, and who could be less sympathetic than Basil Rathbone at his sneery best?
Furthermore, current (as of 2012) releases of 1930's "Flight Command / Dawn Patrol" are not as visually clear in all scenes as the later version, and also have a lot of scratchy sounds and low rumble in the soundtrack, which are especially distracting in quieter scenes. Hopefully, remastered versions of both films will someday be available.
Still, this is only nit-picking, as both the 1930 and 1938 versions of "Dawn Patrol" are excellent. But given the choice, go with Flynn and Niven of 1938.
Although it's a close call, I would recommend this later film over its predecessor, for the superior performances of the lead actors. Errol Flynn (as Dick Courtney) was more involving than 1930's Richard Barthelmess, a veteran actor whose performance retains the somewhat stilted quality of the silent film era. While Douglas Fairbanks Jr. was excellent in the 1930 version as pilot Doug Scott, David Niven in the same role positively sparkles in several more light-hearted, even comedic scenes. And although Neil Hamilton played Major Brand well in the original film, at least early on in the story, the role calls for a less-sympathetic performance, and who could be less sympathetic than Basil Rathbone at his sneery best?
Furthermore, current (as of 2012) releases of 1930's "Flight Command / Dawn Patrol" are not as visually clear in all scenes as the later version, and also have a lot of scratchy sounds and low rumble in the soundtrack, which are especially distracting in quieter scenes. Hopefully, remastered versions of both films will someday be available.
Still, this is only nit-picking, as both the 1930 and 1938 versions of "Dawn Patrol" are excellent. But given the choice, go with Flynn and Niven of 1938.
10mlktrout
I first saw this movie when I was 16, and didn't understand a lot of its subtleties; I just thought it was an exciting & dramatic war film with a lot of great flying sequences. I caught it again when I was 34 and was surprised at its depth.
I like to watch this movie whenever my own job gets crazy and hectic, with unrealistic deadlines and insufficient support, because it reminds me that I really don't have it so bad after all. The men in this movie were sent up daily in obsolete equipment in a bad state of disrepair; as the film progressed the squadron had about a 70% turnover as the combat veterans were shot down and replaced by green kids whose limited training could not possibly have prepared them for what they would face.
The characters are all dissected, even lesser, supporting roles receive excellent character studies, and the stars of course are downright fascinating. It's a thrill to learn that Errol Flynn (Captain Courtney) really could act, as well as just jump around and wave a sword; David Niven is wonderfully innocent and almost childlike as "Scotty," and Basil Rathbone, a truly great actor who seldom got the chance to strut his stuff since he was usually typecast as a "bad guy" or as Sherlock Holmes, gives a nerve-wrenching performance as Major Brand, who's floundering under the strain. He proves a profound point -- it is often easier to go to your own death than to order others to do so, a lesson Captain Courtney and Lt. Scott must reluctantly learn as well.
I'm now 44, and have seen this movie a couple dozen times, but it never ages. The flying sequences are still exciting; the chivalry and wild antics of the fliers never becomes tiresome or old, and the anguish of war is still as heartbreaking. Truly a movie that will last.
I like to watch this movie whenever my own job gets crazy and hectic, with unrealistic deadlines and insufficient support, because it reminds me that I really don't have it so bad after all. The men in this movie were sent up daily in obsolete equipment in a bad state of disrepair; as the film progressed the squadron had about a 70% turnover as the combat veterans were shot down and replaced by green kids whose limited training could not possibly have prepared them for what they would face.
The characters are all dissected, even lesser, supporting roles receive excellent character studies, and the stars of course are downright fascinating. It's a thrill to learn that Errol Flynn (Captain Courtney) really could act, as well as just jump around and wave a sword; David Niven is wonderfully innocent and almost childlike as "Scotty," and Basil Rathbone, a truly great actor who seldom got the chance to strut his stuff since he was usually typecast as a "bad guy" or as Sherlock Holmes, gives a nerve-wrenching performance as Major Brand, who's floundering under the strain. He proves a profound point -- it is often easier to go to your own death than to order others to do so, a lesson Captain Courtney and Lt. Scott must reluctantly learn as well.
I'm now 44, and have seen this movie a couple dozen times, but it never ages. The flying sequences are still exciting; the chivalry and wild antics of the fliers never becomes tiresome or old, and the anguish of war is still as heartbreaking. Truly a movie that will last.
Warner Brothers more than most of the other major studios had a habit of simply recycling the old plots of their films and repackaging them. A good example would be the boxing film Kid Galahad remade a few years later as The Wagons Roll at Night with the setting now changed to a circus. But in this case we didn't get a remake of The Dawn Patrol, we got practically a carbon copy.
I finally saw the original The Dawn Patrol that was made in 1930 by Howard Hawks and found that this film was practically a word for word remake of the Hawks classic. Of course it was no surprise to learn that all the aviation sequences were just lifted bodily from the first film, but probably more than that was done. Several long-shots looked exactly the same.
In a way this might have worked out because director Edmund Goulding who was not known for action films could concentrate on the actors and he got very good performances out of Errol Flynn, David Niven, and Basil Rathbone who step into the parts that Richard Barthelmess, Douglas Fairbanks, Jr., and Neil Hamilton did the first time around.
Still after seeing first one version, than the other, one might be complaining of double vision at that.
I finally saw the original The Dawn Patrol that was made in 1930 by Howard Hawks and found that this film was practically a word for word remake of the Hawks classic. Of course it was no surprise to learn that all the aviation sequences were just lifted bodily from the first film, but probably more than that was done. Several long-shots looked exactly the same.
In a way this might have worked out because director Edmund Goulding who was not known for action films could concentrate on the actors and he got very good performances out of Errol Flynn, David Niven, and Basil Rathbone who step into the parts that Richard Barthelmess, Douglas Fairbanks, Jr., and Neil Hamilton did the first time around.
Still after seeing first one version, than the other, one might be complaining of double vision at that.
Você sabia?
- CuriosidadesAt the time this movie was filmed, Errol Flynn and David Niven shared a rented house at Malibu, which they named "Cirrhosis-by-the-Sea" because of all the hard drinking and sex they were having with several women.
- Erros de gravaçãoThe amount of oil and dirt on Courtney's face changes several times between scenes. The most obvious is when he goes up stairs to console another pilot who has lost a friend. As he goes up his face is slightly dirty, as he enters the room it is noticeably dirtier and when he comes back down it is much cleaner.
- Citações
Phipps: [Opens package dropped by enemy plane] It's his helmet and goggles. It means a very gallant gentleman died this afternoon. And for what? What have all these deaths accomplished? So many fine chaps have died in this war and are going to die in future wars.
[pause]
Phipps: That's all, gentlemen.
- ConexõesFeatured in Special Effects: Anything Can Happen (1996)
- Trilhas sonorasPoor Butterfly
(1916) (uncredited)
Music by Raymond Hubbell
Lyrics by John Golden
Played on the Grammaphone
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- How long is The Dawn Patrol?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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