Adicionar um enredo no seu idiomaMaisie Ravier, a former vaudeville performer, gets stranded in LA. Lt. Paul Scott recruits her for the LAPD bunco squad. If successful, she'll work a case involving a swindling fortune telle... Ler tudoMaisie Ravier, a former vaudeville performer, gets stranded in LA. Lt. Paul Scott recruits her for the LAPD bunco squad. If successful, she'll work a case involving a swindling fortune teller, relying on street smarts.Maisie Ravier, a former vaudeville performer, gets stranded in LA. Lt. Paul Scott recruits her for the LAPD bunco squad. If successful, she'll work a case involving a swindling fortune teller, relying on street smarts.
- Direção
- Roteiristas
- Artistas
- Viola Trengham
- (as Gene Roberts)
- Parker
- (cenas deletadas)
- Officer Smart
- (não creditado)
- Bouncer
- (não creditado)
- Cop
- (não creditado)
- Detective Lt. Hogan
- (não creditado)
- Headwaiter
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The police academy is a silly concept but it is silly fun. It actually reminds me of Police Academy. The story isn't that different. It would make more sense if she caught the old lady in the act and arrested her. In that way, Scott would be doubly impressed with her abilities. The police academy is fun. The undercover part is less fun. Maybe there is a way to make that part sillier. This is the last Maisie.
Barry Nelson who plays her immediate supervisor figures that Sothern being from Brooklyn has street smarts and can deal with trying to catch some con artists so she's assigned to the Bunco Squad.
Here's where this picture has a problem. For all the previous films Maisie is quite the shrewd woman. But even the smartest of us need training and she would never be put in the situation she was in for this film.
In fact the gang which consists of Leon Ames, Clinton Sundberg and Gloria Holden make quite a chump of her. But that's all Sothern needs, she's going to catch these people if it's the last thing she ever does. And it nearly is.
Far from the best of this series.
Here, Maisie volunteers herself to an older woman who is driving her husband's car to California. Maisie offers to help with the driving. When she goes into the store, the woman, a con artist, takes off, taking Maisie's money and jewels with her. The next time we see Maisie, she is blowing her stack at a police detective (Barry Nelson) who is very impressed with her powers of observation. He offers her a job on the police force, and after some training, she goes undercover.
Actually, I thought this was pretty good, even though Maisie wasn't suspicious enough of some people she met along the way. Ann Sothern is terrific as always, full of energy and flirtatiousness, and an upbeat attitude. In this film, her character is described as 25; try 37. And I give her a lot of credit. She played a much younger woman in her two television series, when she was well into her forties.
Barry Nelson looked for years like he had a portrait aging in his closet - it was always hard to believe he was in these early films, as he remained youthful for many years. Here he sports a mustache, probably because at 30, he looked 20. His main career was on Broadway, where he was very prolific and worked into his '70s. And few remember that he was the first James Bond, on television.
"Undercover Maisie" moves quickly and is entertaining.
In her first big case, she gets entangled with a fraud operation headed by Willis Farnes and Gus Canford and huis wife. Maisie gets discovered and tied up while the crooks try to make a break. When they plan to knock her off, she leaves clues for the police to follow to her eventual rescue that also leads to the capture of the bad guys.
By this final film, Ann Sothern's girl had changed her persona some, and the plots were getting quite thin. Had it not been for the war and her roles on the war-time Homefront, this series might have ended two or three films earlier. Oh, yeah, and Maisie finds romance in the end of this one too - with her boss, Lt. Paul Scott.
Here are a couple of lines from this film.
Maisie Ravier, "Do everybody's wings stick out like this, or, or, am I dislocated?" Chip Dolan, "No, no, you're all right." Maisie, "Oh, I'm not so sure. Let me look at yours."
Captain Mead, "Now, whatever you do don't let this star-gazer twinkle that you're a cop. Keep your head." Maisie Ravier, "My head?" Captain Mead, "Don't tip your hand." Maisie, "My hand?" Captain Mead, "What's the matter?" Maisie, "My knees."
Você sabia?
- CuriosidadesThe last of MGM's 10 "Maisie" frolics released between 1939 and 1947, this film was the only installment which failed to net a contemporary New York Times review.
- Erros de gravaçãoAt 01:06:00 in the close-up of Maisie's hand holding a contract, the nails have on dark nail polish, but Ann Sothern is wearing light-colored or no nail polish.
- Citações
Maisie Ravier: Do everybody's wings stick out like this, or, or, am I dislocated?
Chip Dolan: No, no, you're all right.
Maisie Ravier: Oh, I'm not so sure. Let me look at yours.
- ConexõesFollows Teimosa e Bonita (1939)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Undercover Maisie
- Locações de filme
- 1880 Academy Dr, Los Angeles, Califórnia, EUA(Los Angeles Police Academy)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 805.000 (estimativa)
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Proporção
- 1.37 : 1