O Passo do Ódio

Trail Street is directed by Ray Enright and adapted to screenplay by Norman Houston and Gene Lewis from the novel of the same name written by William Corcoran. It stars Randolph Scott, Robert Ryan, Anne Jeffreys, George Hayes, Madge Meredith and Steve Brodie. Music is by Paul Sawtell and cinematography by J. Roy Hunt.

Bat Masterson (Scott) is called to the town of Liberal in Kansas to act as Marshal because a range war has erupted.

It's the trail riders versus the farmers with Bat Masterson in the middle, perfect for Randy Scott then. Trail Street is a very honest Oater, sturdy of formula and played for genre compliant rewards. Clearly of no historical worth, mind, it's however a further reminder about one of the "names" that stand through the test of time from the Old West.The land war as a central plot device is always fascinating, for the two sides of the argument angle keeps things on the high heat. In the mix here comes corruption, romantic sub-plots (with 2 ladies of different social standings) and of course law and order as a force of nature.

Ultimately it's good fun entertainment, the cast themselves seemingly enjoying their respective parts and working for this director. Hayes brings the froth, Brodie the slimy menace, and the girls are not just token fodder. Scott isn't in it as much as we would like, but once arriving in town he dominates with genre gracefulness in what was soon to become his total career pathway. While Ryan is wonderfully fresh faced and lights up his scenes with distinction.

Enright has a good feel for character development, and when the pic begins to sag he pulls it back on track with a nifty action sequence. Rounding out the tech credits we have Hunt's (Crossfire) photography, which is spiffing and marries up smartly with the visual themes that Enright favours, while Sawtell keeps it safe and standard for aural pleasure. The ending is worth waiting for, with guns a toting and stunt men a falling from a high, and a very dark act is carried out to set us up for a boffo finale.

This is hardly a must see or must have in your Westerns collection, but it's above average and has an unassuming feel that's most pleasing for the genre faithful. 7/10

Except for two things, it's a fairly routine Scott Western, which means it's still better than most horse operas. First, I'm betting the drought resistant strain of wheat that keeps the farmers on the land is fact-based. Anyway, it's an interesting take on farming for a city boy like me, and is woven effectively into the plot. The second thing is Robert Ryan, one of my favorites. Now, I've seen him as a scary bad guy or a hard-looking good guy in a thousand movies. But I've never seen him as a nice guy until this movie. He's not only good, but nice too, and even gets the girl as a reward. It's Ryan as you've likely never seen him before (It's also early in his career, 1947).

Scott's his usual strong-jawed self, and a persuasive Bat Masterson, while the one-and-only Gabby sports a beard that looks like it's eating his face. And check out the obscure ingénue Madge Meredith's (Susan) bio in IMDb. There's a reason why she's obscure. Then too, the 300-lb. Billy House makes a slimy bad guy and a can't miss six-gun target. I guess my only reservation is with Steve Brodie as the chief baddie. He doesn't have quite the gravitas to be a chief, which is likely why most of his career was as a henchman.

Anyhow, it's a well-stocked horse opera with good action and a nicely worked-out script. For Scott fans, myself included, it's an enjoyable 90-minutes.

This is a modest ,unassuming traditional Western with a formulaic plot about opposition between ranchers and crop farmers around the town of Liberal ,Kansas .The story is essentially routine and features a number of the classic Western conflicts .There is the farmer versus the cattleman;there is the clash between cultivated land and "civilizing" tendencies on the one hand and the wilderness/frontier ethos on the other and what this represents ultimately is the opposition of two value systems -democratic and community values as set against rugged individualism .

Randolph Scott plays legendary lawman Bat Masterton who rides into Liberal at behest of a land agent (Robert Ryan ) to help him sort out the bad guys who are the hard drinking ,brawling cattlemen .The two men quarrel but reunite to tackle the troublesome elements in the town .

The script is clichéd but the action is propelled along with vigour by director Ray Enright and there are solid performances all round .In addition to rugged performances by the male leads there is comic relief supplied by George Gabby Hayes ,an oily villain nicely played by Steve Brodie and attractive contributions from Maggie Meredith as a prim and proper Easterner wooed by Ryan and Anne Jeffreys as a saloon singer As long as you do not place a premium on originality this is good sturdy entertainment for Western lovers

I watched this film a few days ago and realised that the scene where Robert Ryan is given a glass of milk and the lady rancher elevates the horizontally hinged panel beside the table to reveal a field of waving wheat was an image that had stuck with me for over 55 years without me being able to remember the film's title. I saw this film in my local picture house as the featured film of a saturday matinee about 1960 -the image was indelible but the title and actors were a total blank -until a few days ago. Do cinematographers/directors realise they are creating a haunting image when they set up shots like this?The film itself is watchable but not a classic - apart from the image of the wheat

This one is a very solid Randolph Scott Western. He plays Bat Masterson and goes to Liberal, Kansas to clean up the town. He becomes good friends with Robert Ryan who played a very, straight up leading man role. It was not until after this that Robert Ryan began playing much darker roles. In fact, in 1947 Randolph Scott made one other movie which was not a western and never made anything but westerns after that until he retired in 1962. This movie has good pacing and builds up to the climax steadily. I can't say any more as it would give away the plot. Be sure to see this one. 8/10