Saudade de Teus Lábios

A film with great talent like Esther Williams, Lauritz Melchior, Jimmy Durante, Xavier Cugat and May Witty promises a lot, they're great enough individually but seeing them together in the same film is every bit as big a treat. None of the five stars disappoint, but 'This Time For Keeps' as a film could have been much more.

Getting the flaws out of the way, the script really lacks lustre in places, lacks wit and sophistication and anybody looking for sense will be short-changed. The story is flimsy nonsense and often painfully predictable with some draggy pacing in a few scenes that aren't musical numbers.

Despite singing decently, Johnnie Johnston is a charisma-free presence and fails to generate much chemistry with the rest of the cast. Richard Thorpe's direction is competent but undistinguished.

Conversely, 'This Time For Keeps' is lavishly mounted and shot in glorious Technicolor. The songs are pleasant, while the operatic/classical music segments provided by Melchior (which include the likes of "La Donna E Mobile", "M' Apari" and even a bit of Otello) are even better. They benefit from being energetically staged.

Most of the cast work very well. Williams radiates with charm and her swimming talent is second to none. Durante is very funny and seems to be having a ball. Melchior sings with his usual thrilling ring, sounding absolutely wonderful, and is cuddly and amusing. Cugat sends up a storm and Witty is just delightful.

Overall, a pleasant diversion but unexceptional, with the cast being the biggest merit. 6/10 Bethany Cox

Esther Williams stars in "This Time for Keeps," costarring Johnny Johnston, Dame May Witty, Jimmy Durante, and Lauritz Melchior. I guess the Third Reich was still a little too close for comfort, because the magnificent Heldentenor Melchior only sings Italian repertoire in this film, albeit magnificently. He was, of course, one of the all time great, if not the greatest, Wagnerian tenor in history.

Williams is the beautiful star of aquatic ballet when ex-GI Richard Johnson (Johnston) falls for her, having met her once while he was in the service. His father (Melchior) has other plans for him, and they include singing with an opera company and marrying the girl he left behind.

It's a thin story - after all, there has to be room for lots of swimming and singing. Esther is a goddess both in and out of the water, and Durante is terrific as her protective friend and work partner. Although referred to as a handsome man and a magnificent singer, Johnny Johnston makes a goofy looking leading man with a pleasant voice that only a father could think was suitable for opera, though he had some pretty high notes. Melchior rips up the sound system with "La Donna e Mobile" and "M'appari." Gorgeous. Durante's big number is "The Lost Chord," a real delight.

Entertaining, but a little draggy, with some beautiful location shots of Mackinac Island.

Many scenes are filmed on Michigan's Mackinac Island, which to this day bans cars in favor of horses and bicycles. After seeing the movie, you can walk down every street and note that nearly 60 years later, nothing has changed.

This film is an enigma because, while it is a properly light-hearted musical (but weren't they all), it also boasts a great many oddities- starting with the strange title (exactly what in the film is "for keeps?"). Esther Williams plays a properly likable, properly beautiful, water ballerina whose relationship with Jimmy Durante (a legend whom I've always enjoyed) should have been that of a father and daughter, but instead is something a tad stranger. Thankfully, this isn't ignored in the film, as her actual love interest (Johnnie Johnston), whom Durante relentlessly 'protects' from Williams, challenges his interference in the film's 11th hour. (While Durante seems to have a bothered conscience about this, it is never confirmed or denied.) Co-starring with Williams and Durante is the very genteel and old-school tenor Lauritz Melchior as Johnston's meddlesome (and somewhat annoying) father. The musical numbers are delightful, if a tad uneven in quality. I wasn't particularly fond of Durante's "Lost Chord" routine, but it appears to be legendary with most listeners. I prefer Johnston's "Easy To Love," the various Xavier Cugat pieces, and most of all, the provocative striptease and swim of "Ten Percent Off."

With This Time For Keeps MGM took care to cover as many possible musical tastes they could. Supporting Esther Williams in her water ballet sequences are Lauritz Melchior with some operatic arias, the latin rhythms of Xavier Cugat with Lina Romay, some comic songs from Jimmy Durante, and a few ballads from Johnny Johnson. Now if only we could have seen Dame May Whitty as a circus acrobat. She was in her younger days in this film where she is grandmother and guardian to Esther Williams and Sharon McManus.

Melchior is Johnson's father and he wants him to follow him in his career at the opera. Johnson has more popular tastes and has a yen for Williams. Who didn't in 1947?

Jimmy Durante is sort of a family retainer for Whitty and he spends the entire film guarding Esther's virtue. He also entertains between Esther's water sequences.

This Time For Keeps is a pleasant diversion and with so many genres of music and entertainment there will be something that pleases you. Has to be.