Saudade de Teus Lábios

The movie tells a simple, light-hearted love story between Leonora Cambaretti (Esther Williams), the leading swimmer in a water ballet show, and Ferdi Farro (Jimmy Durante), a singer who just returned from World War II. The plot is rather straight, without serious complications, harmless, sometimes naive, insubstantial. But within its limited scope it is well done and enjoyable.

As this is a musical movie, there is singing, dancing, and -- most remarkable -- the water ballet. The different numbers include some charming scenes. But you cannot compare the dancing with the wonderful performances that are known, for example, from Fred Astaire movies. Also the singing numbers do not reach the quality that is present, for instance, in "My Dream Is Yours" (with Doris Day as a singer), a movie that was produced at about the same time with a similar, though slightly more ambitious entertainment scope.

With This Time For Keeps MGM took care to cover as many possible musical tastes they could. Supporting Esther Williams in her water ballet sequences are Lauritz Melchior with some operatic arias, the latin rhythms of Xavier Cugat with Lina Romay, some comic songs from Jimmy Durante, and a few ballads from Johnny Johnson. Now if only we could have seen Dame May Whitty as a circus acrobat. She was in her younger days in this film where she is grandmother and guardian to Esther Williams and Sharon McManus.

Melchior is Johnson's father and he wants him to follow him in his career at the opera. Johnson has more popular tastes and has a yen for Williams. Who didn't in 1947?

Jimmy Durante is sort of a family retainer for Whitty and he spends the entire film guarding Esther's virtue. He also entertains between Esther's water sequences.

This Time For Keeps is a pleasant diversion and with so many genres of music and entertainment there will be something that pleases you. Has to be.

Besides her water ballets, Esther always has at least one time in each film where she does one of her dives. She was in the Olympics once, they just cancelled the 1940 Olympics before she had her chance to compete. Then she just went into Hollywood and things took off for her from there.

Her fanatic for her in this film is Dick Johnston. He is first seen by the pool pretending to wear a bandage on his face. What he's actually doing is trying to make Esther feel sorry for him. She and her good friend Jimmy Durante (back again from "On an island with you") find out about Johnston doing that and take an instant disliking to him. But Esther soon will start falling for him and using her wonderful girlish charm of hers with him. Lauritz Melchior is back from " Thrill of a Romance" as Johnston's father, stealing every scene he's in again with his strong, talented opera voice. Esther, of course like in all her films, is the main one that makes things shine. I love old films from the 30s, 40s, and early 50s. Especially Judy Garland and Esther Williams. Hollywood's golden age would not have been the same without them.

Lauritz wants to arrange a marriage for his son, but his son only has eyes for Esther. She does another beautiful swimming number, with some nice underwater images, and Durante going under the water on a sinking platform and Esther pulling him up while wearing Durante's top hat. She looked so cute in that top hat. There's a sort of amusing scene by the pool where one of the swimming girl's three year old son is sitting on Durante's piano bench. Then Durante chases him up the diving board and the toddler dives into the pool. I've never seen such a small baby dive so well before. As Esther and Johnston become more romantically involved, Durante wants to see if Johnston will pass the "grandma" test. So Esther and Johnston take a trip up to wintertime Mackinac island where they need to travel by an icebreaker ship to get there. Grandma and Esther's little 7 year old niece take an instant liking to him. Then there's a very nice scene then with Johnston, Esther, and the niece all singing "Sno wonder we fell in love" on a sleigh. That scene was beautiful. Also beautiful is when we see Mackinac island in the springtime, the blossoms and the sweet 40s music and images of old fashioned Mackinac. Watching this really made it look like I was seeing into another age, a sweeter, more simple and innocent time that is now long gone. I seriously doubt modern day Mackinac has all horses and carriages and very few cars. I'm sure it looks much, much different now, just like almost anywhere else in modern 21st century America with Walmart and McDonalds, etc. I wish I was around back then, especially in the late 40s and early 50s when WW2 and the depression were over but the world was still so nice, simple, and innocent. I also liked a song Durante sang "The lost chord". I just love these films and the music and singing in them. I won't spoil the rest of the film in case there is someone reading this review who hasn't seen this film yet but wants to.

Note: I found out I was wrong when I said that Mackinac island looks very different today and looks just like most of the rest of 21st century America with traffic and Walmarts and etc. I guess I was just seeing how the other 99% of America today is like that. I did some reading up on modern Mackinac and was sorta surprised to find that the island still bans most cars, is still filled with horses, carriages, and bicycles. And that it still looks so beautiful and unspoiled, and still looks very much today like it did in the film. I never actually been there. Also, I read how the pool at the Grand hotel is named after Esther after she starred in the film there.

What better entertainment. Once again, Esther Williams proves she's the queen of the MGM swimming spectacles. In glorious technicolor and looking like the dish she is, Miss Williams gives a delightful frothy performance. Her water scenes are very glamorous with underwater swimming scenes that take your breath away [kidding aside]. Add to this the comedic and charming Jimmy Durante who's a sort of fatherly type looking out for his swimming star. He too does some swimming, if you can believe it. The love interest in this flick is not one of the MGM stable studs you usually see [Van Johnson, Howard Keel or Fernando Lamas] but a pop singer of the times, Johnny Johnston, who has little film to his credit. He sings well, looks like a decent enough guy, but just doesn't have the stuff leading men are made of. A pleasant performance but not strong enough to allure the mermaid out of the water tank. Then there's Dame May Whitty, one of England's and MGM's stronger character women [remember her in Hitchcock's THE LADY VANISHES?] playing Esther's grandmother who once was a famous bareback rider in the circus, if you can believe it. And Lauritz Melchoir, the opera singer, who MGM was trying to make their newest singing star, playing the boy's papa. Not likely. More like grandpapa. But listen, for pure entertainment, silly plot and oh, those glorious swimming scenes and Esther Williams in gold lame bathing suits, who cares? Look for Richard Simmons in the rejected suitor scenes. He is always turning up in this type of role in most of the MGM musicals as boy friend, producer or whatever. Same type of role in ON AN ISLAND WITH YOU, another Williams musical, this time with Peter Lawford and Ricardo Montalban as her suitors. And round and round we go. But don't stop, Esther, you are a living doll, wet or dry.

The cast list of this movie reads like a George Carlin joke, but a careful viewer will discover why actors like Jimmy Durante and Esther Williams were hired over and over again.

The movie is a musical, not because the characters sing to advance the plot, but because the music is really what this film is about. The plot, such as it is, is easily spotted five minutes into the film and serves mainly to provide a framework for Esther Williams to do what she was best at. The same is true for Lauritz Melchior and Jimmy Durante. What they were good at is seen in the 21st Century as quaint, but again a careful viewer will find rewards.

As a Michigan resident, I watched the movie for its scenes of the boats that used to ply the waters of the Straits of Makinac. It doesn't matter that when the movie shows the "Chief Wawatam" docking at Mackinac Island, it's actually docking at Mackinaw City. I like seeing the boats that are now all just memories as they once were, an essential part of Michigan life.

So what if the "nightclubs" are so large they can only be Hollywood sound stages? So what if we are essentially seeing a remake of "The Jazz Singer?. Enjoy the music, the water ballet, Jimmy Durante's jokes and Xavier Cugat's teacup chihuahua.