Take My Life

Intelligent narration by the judge in charge of a murder. And when you arrive at the end, you want to see again the first part to see how smart it was. First movie directed by former cinematographer Ronald Neame who worked on "Great Expectations" as adaptator. Great acting by Greta Gynt as the determined wife of her husband accused of murder but innocent. Ronald Neame was like Guy Green, Jack Cardiff, Freddie Francis, Seth Holt, Terence Fisher, Jimmy Sangster, Michael Carreras and many others : they could work as editor, cinematographer, screenwriter, director, and even actor.

Hugh Williams and Greta Gynt are super as the couple trying to prove that he didn't murder an old flame at her London lodgings. He is convicted largely due to a formidable prosecution from a suitably ebullient Francis L. Sullivan but she determines to find out what really happened. The odd thing is that there are no photographs of the victim; it's as if she had no recent past... Then serendipity takes a hand and Gynt happens upon a tune that takes her to Edinburgh and soon she is on the trail to the truth. Ronald Neame's first go from the director's chair and it's a suspenseful, taut film noir well worth catching up with.

Minor classic ! "Take My life" is one of the better films of its era in British film making. A Rank Film that catched the attention of Hollywood and brought its leading actress Greta Gynt to the film capitol of the world. The merits of "Take My Life" is in its fast paced and skillfully directed hands of Ronald Neame. The feeling of suspense is carefully distributed throughout the film via a dramatic developement that never leavs you unexcited or bored. The actors are controlled and focused. One can tell that the actors enjoyed the challenge of a script that required high acting skills to pull off. And The Rank Studioes gathered their best talents to make the film a minor classic of British film-noire style. "Take my Life" was widly distributed all over the world and is remembered as Greta Gynts best liked film, both by her and her fans. So take a risk with this film if you want to spend an evening (or day) of cinemagic style and suspense. You wont walk off dissapointed if you are lover of vintage films

.especially if you are married to someone else! What on earth was rich layabout Hugh Williams (Nick) thinking? I say layabout but he's actually the manager of his talented operatic singer wife Greta Gynt (Phillipa). She's the one with the talent, so, yep, he's probably a layabout feeding off her success. Anyway, his ex is violin player Rosalie Crutchley (Liz) and she ends up dead which is bad news for layabout boy. He's in the dock for murder and heading for the afterlife courtesy of the death penalty. Cue sharp-witted Greta to go out and prove his innocence.

This film travels along at a good pace and is basically a thriller. The mystery element is taken away near the beginning of the film as the killer is revealed. This doesn't matter and takes nothing away from the enjoyment of the film as Gynt goes after the truth and puts herself in danger. Real danger!

The film starts with an interesting voice-over from lawyer Frances L. Sullivan as he puts his case forward for the prosecution in court. Just sit back and let the film carry you along. There are some light touches thrown in along with moments of suspense. The shop-keeper and his opening times is quite amusing – don't open till 9:00 am – ha ha. The film is nothing special but it is enjoyable as you watch it.

Brilliant thriller with a musical touch to it, the key to the solution being a tiny melody putting the primadonna Greta Gynt on the track. This to me unknown actress dominates the film with a vengeance, never giving up on her lonely and heroic quest to clear her husband, wrongly accused of murder because of unfortunate circumstances speaking against him. The other great female part is Rosalie Crutchley, here very young but already deeply fascinating with her demonic suavity. Francis Sullivan is domineering as usual as the prosecutor and as perfectly objective as the lawyer Jaggers in "Great Expectations" the previous year, but the most interesting part is Marius Goring. He always makes overly intelligent parts risking to run amuck, but here you get closer to his hidden menace than ever. It was Ronald Neame's debut as a director, and it matches more than well any sustained thriller by Hitchcock or Anthony Asquith. It's brilliantly written, flattering the audience by always letting them know more than the actors, and the finale is a cliffhanger with a surprise to it. It was a long time since you last saw such a clever thriller.