Simbad, o Marujo

This movie is an adult oriented swashbuckling tale in the guise of a children's movie. The harem scene is quite erotic and suggestive for its time. The script is very literate, almost too much so for a children's film, but there is plenty of colorful action for the kids too. The relationship between the O'Hara and Fairbanks character is very fiery, at times a little over-abusive, but they seem to made for each other. Slezak uses his intelligence to take an over-the-top character and make him believable and interesting. There is a lot of romance, combined with an inner-spective questioning of what true treasure is, and where true happiness comes from; everyone can learn from this. In this sense, it is a very moralistic tale, without preaching, but "showing". Kids will enjoy the action, adults who can get into the spirit of the tale will enjoy the sexual excitement and subtleties of the story and script. And to the casual viewer, it's just a fun film. It is underrated, and deserves a view by the entire family.

The storyteller Sinbad the Sailor (Douglas Fairbanks Jr.) is gathered with other men in the harbor telling his adventure seeking the island of Daryabar, where the treasure of Alexander the Great is hidden. In his journey with his friend Abbu (George Tobias), Sinbad rescues and claims property of a drifting boat; he meets the ambitious and gorgeous Shireen (Maureen O'Hara) and falls in love for her; he is chased by the evil Emir (Anthony Quinn) that is seeking the treasure to become one of the most powerful men in the world; and he meets the dangerous Melik (Walter Slezak) that also wants the treasure.

"Sinbad the Sailor" is a delightful adventure, in a type of naive movie that Hollywood seems to have forgotten in the present days. However, the success of the franchise "Pirates of Caribbean" proves that this genre is still attractive for the younger generations. The athletic Douglas Fairbanks Jr. is excellent in the lead role, showing a great chemistry with the gorgeous Maureen O'Hara and Anthony Quinn and Walter Slezak are great villains. The final twist in the very end is extremely pleasant, closing with golden key this entertaining movie. My vote is seven.

Title (Brazil): "Simbad, o Marujo" ("Sinbad the Sailor")

This is not an action adventure movie like the more recent Sinbad the Sailor movies (with the Ray Harryhausen special effects). This is a movie with great wit and outstanding dialog. Grand set design makes it visually exciting; remember, it's from the 40's so don't expect the kind of special effects we're use to today.

This is really a romantic comedy set in the time of the Arabian Nights. Sinbad is more rogue than adventure hero. You get the impression that some of his exploits are more 'tall tale' than fact. Most of all I liked the dynamic between Douglas Fairbanks Jr. and Maureen O'Hara. Walter Slezak and Anthony Quinn are also very good. If you like good dialog, and romantic adventure - give it a try.

I saw this film perhaps three times on TV, as a kid in the 1950s. I always thought it was black & white, because I saw it only on a B&W TV. I rewatched it recently for the first time in over 40 years, & it sure has changed! Or more likely, I sure have changed. Of course, it's in color, not B&W. What seemed like a great mystery to me then is now fairly obvious. And Fairbanks Jr., who seemed to me the best of all Sinbads, now seems a bit over the top in his role. Not that those are bad comments, they're just different than I had remembered. The colors are amazingly bright & vivid for a 1947 film, which both adds interest & takes away from the mystery of what I had seen in B&W. Fairbanks grandiose character portrayal (arm flourishes & almost ballet-like movements) actually works well, because Sinbad is a braggart who is disbelieved by many, & has a self- confident air; he's also a fellow who's had eight amazing voyages & has escaped dozens of monsters & difficult situations. Sinbad refers to some of his previous exploits (the Roc & the Cyclops, for example); it would have been nice to see a couple of monsters or mythical beings in this film. With minimal special effects, the plot becomes rather talky, & there's a repetition of escapes & fight scenes that lack variety & seem too staged. I would call this a kid's film, although the dialog is a bit too poetic & difficult for many kids. As a film for adults, it's a bit too soft with too little action, although there's lots of romantic elements for those viewers who enjoy that. There are three nice surprises to the plot which still hold up well, so stick with it to the end. I would no longer call this my favorite Sinbad film, but it's still enjoyable as a light adventure-romance. I rate it 6/10.

When I assess the popularity of this film in the postwar period of its release and then compare viewers' reactions recently registered to that approbation, I must assert that U.S. viewers appear to have suffered two serious losses over the last 50 years. First, they apparently can no longer listen to intelligent dialogue nearly as well as they once could; and second, viewers seem to have abandoned categories of fiction for emotional predilections, for or against subject matter, actors, etc. I believe that "Sinbad the Sailor" is an interesting, beautifully-photographed and well-acted film. I suggest Douglas Fairbanks Jr. is very good in the title role, although he adopted a device of moving his hands often that is graceful but distracting. Contrary to some adverse comments, if one ignores Maureen O'Hara's Irish brogue, she is excellent, rising to one of her most rewarding earlier parts, one that taxes her to play several moods and many nuances. Walter Slezak is very fine as always as a charismatic villain, Anthony Quinn underplays a villain who only reveals his depths of evil gradually. Also, George Tobias makes nearly the perfect foil for Fairbanks' agile Sinbad. The production is much-admired, with a rich teal blue to the sea in the process shots that many never tire of enjoying.. The elaborate costumes by Edward Stevenson and Dwight Franklin are a delight; the cinematography by George Barnes and the art direction by Albert d'Agostino and Carroll Clark as well as the set decorations by Claude E. Carpenter and Darrell Silvera are all outstanding. Roy Webb contributed fine original music and the direction by Richard Wallace is to my mind intelligent and swift-paced throughout. In fact, he plays with rates of the passage of time unusually well. The convoluted script for the film retailing Sinbad's "eight' voyage" was written by John Twist from a story created by him with George Worthing Yates. The plot theme involves "being true to the best that is in oneself". To feature this, the story-line retails the finding of a derelict ship with a dead crew. Sinbad, Douglas Fairbanks Jr., and his partner Tobias, boarding the ship after being marooned, manage to bring the vessel to port where it is impounded. They had found the crew had been poisoned by the ship's water. But who poisoned it, they wonder. The entire film is told as a flashback by Sinbad, recounting his unknown latest adventure. His hints about plague to potential buyers of the ship, causes no one to buy the vessel--except himself, using money stealthily stolen from the auctioneer's own purse. A beautiful woman, O'Hara, it turns out, wants to marry a wealthy prince and also wants the vessel. Meanwhile Sinbad is trying to solve a riddle, involving the broken half of an amulet that had been found about his neck when he was an abandoned baby. The image found there also appeared on a map to a fabled island where lies the treasure of Alexander the Great--a map that later disappeared from the vessel. O'Hara is being sought by the Emir, Quinn; and believes Sinbad can lead her to the wealth.And he Emir wants it and her very badly. What follows is Arabian Nights adventure I suggest at its best-- captures, ship chases, escapes, arguments between male and female, the revelation that Melik, who has sailed with Sinbad, is the poisoner, a man obsessed with the treasure also, etc. The uneasy allies all arrive at last at the mysterious island of Derriabar. Sinbad is discovered to be the ruler-philosopher's long-lost son. He must somehow save the island from the Emir, who plans to use its wealth to make himself master of the entire world. Melik has a fine death scene.Sinbad prefers honesty and O'Hara as Shireen prefers him and the ending is very obviously satisfying. This is a film about ethics, mystery, romance, adventure, dialogue, humor and misassumptions. I recommend it highly to anyone adult enough to listen to it; it was a big hit for RKO when first released. In the good cast also are Seldon Leonard, John Miljan, Jane Greer, Mike Mazurki, Alan Napier and George Chandler.