Adicionar um enredo no seu idiomaA mystery writer gets caught up in a real mystery when he accepts a bet to write a book at Baldpate, a remote inn.A mystery writer gets caught up in a real mystery when he accepts a bet to write a book at Baldpate, a remote inn.A mystery writer gets caught up in a real mystery when he accepts a bet to write a book at Baldpate, a remote inn.
- Direção
- Roteiristas
- Artistas
Tom Keene
- Steve Bland
- (as Richard Powers)
Jason Robards Sr.
- Hayden
- (as Jason Robards)
Erville Alderson
- Station Master
- (não creditado)
Robert Bray
- Policeman
- (não creditado)
Harry Harvey
- Police Chief
- (não creditado)
Sam McDaniel
- Train Porter
- (não creditado)
Pierre Watkin
- Mr. Bentley
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The seventh lensed version of the Earl Derr Biggers/George M. Cohan comedy-scarer is a very pleasant affair under the direction of Lew Landers. We're alerted to its comedy as soon as lead Phillip Terry shows up in glasses and wearing a bow tie, and the fine cast of supporting actors lets us know we're in for a good time.
Terry is a writer who has bet Jason Robards Sr. That he can write a novel in 24 hours at a closed hotel. Robards send his secretary, Jacqueline White, to gum up the works, but she and Terry are distracted by the assortment of thieves and madmen who come wandering through the doors.
The handling of the subject runs more clearly towards laughs than earlier versions, and it looks to me like the pacing and camera work by Jack MacKenzie was influenced by Frank Capra's version of ARSENIC AND OLD LACE. If you get a chance to see the beautiful copy that Turner Classic Movies ran this morning, take it.
Terry is a writer who has bet Jason Robards Sr. That he can write a novel in 24 hours at a closed hotel. Robards send his secretary, Jacqueline White, to gum up the works, but she and Terry are distracted by the assortment of thieves and madmen who come wandering through the doors.
The handling of the subject runs more clearly towards laughs than earlier versions, and it looks to me like the pacing and camera work by Jack MacKenzie was influenced by Frank Capra's version of ARSENIC AND OLD LACE. If you get a chance to see the beautiful copy that Turner Classic Movies ran this morning, take it.
If you enjoy creepy old house movies, you'll like this one.
If you like stereotypical mystery films that are amusing at various levels, than this B movie is for you. Philip Terry, a lifelong B actor stars in the film as a mystery writer. He does a decent job in the role. Various other B actors flesh out the roles as red herrings, villains, and heroes.
Although the film is pretty much predictable, it is highly atmospheric, and captures the film noir aura of the late 1940s. It is a harmless way to pass an evening of ordering out pizza and watching a film that does not require a great deal of our attention. The plot is a bit convoluted and hard to swallow, and would not be possible to be sold today in the modern mystery market.
Although the film is pretty much predictable, it is highly atmospheric, and captures the film noir aura of the late 1940s. It is a harmless way to pass an evening of ordering out pizza and watching a film that does not require a great deal of our attention. The plot is a bit convoluted and hard to swallow, and would not be possible to be sold today in the modern mystery market.
It was about 2AM in the morning and I was watching late night TV, flicking aimlessly. Then I stumbled across the 1947 mystery/thriller Seven Keys to Baldpate. I was dead tired and expected to lose interest within a minute and doze off, but there was something about the setup to this film that was simply absorbing cinema, waking me up as if it was 2 pm in the afternoon. Granted it loses momentum half way through, tailing off considerably towards the end, perhaps due to not fleshing out the premise, which essentially is seven strangers mysteriously brought together in a dark, creaky old Mansion one stormy night. But the mood it creates in it's first half hour is 30 minutes of mystery/thriller cinema I rank as high as any in the genre. Perhaps it was the films ambiance, the darkness, the balance on interior and exterior, the set, the storm, the random characters appearing from no where, the less is more mentality which is so essential in setting up a mystery/thriller film. All those elements created mood that was so cinematic it took me from the depressing late night channel flicking into the mysterious happenings of the Baldpate mansion. I was mesmerized at one point, moving in close to the TV, hanging off each characters every word, wanting to know why. The why you find out later, and it doesn't live up, but I give the film 6/10, because the feeling of wanting to know more in the first 30 minutes was so engaging, they could've faded to black and never fade back in...still I would give it 6/10.
Yes this is the fourth version of the film and I am quite sure that the theatrical live play version of this mystery/story would have been quite entertaining as well. Having watched this 1947 film for the first time some seventy six (76) years subsequent to its initial release date I was pleasantly surprised how much I enjoyed this quirky mystery/crime/romance/comedy film.
Of course the on screen chemistry between two of the main characters author Kenneth Magee (Phillip Terry) and office secretary Mary Jordan (Jacqueline White) was very natural and amusing. The hectic pace between the other five (5) key holders residing at Baldplate only added to the mystery and comedy of the film. I only wish I could have seen them play their respective roles in a live theatre version performance of Seven keys To Baldplate. I am very fond of Ms. White's natural atlent in all of her films as well as with her natural beauty. An added bonus is Ms. White's acting career was fulfilled without any on screen or off screen scandals, not so typical of todays social media crazies.
I enjoyed the film considerably and as such I have rated it a deserving 7 out of 10 IMDb rating.
Of course the on screen chemistry between two of the main characters author Kenneth Magee (Phillip Terry) and office secretary Mary Jordan (Jacqueline White) was very natural and amusing. The hectic pace between the other five (5) key holders residing at Baldplate only added to the mystery and comedy of the film. I only wish I could have seen them play their respective roles in a live theatre version performance of Seven keys To Baldplate. I am very fond of Ms. White's natural atlent in all of her films as well as with her natural beauty. An added bonus is Ms. White's acting career was fulfilled without any on screen or off screen scandals, not so typical of todays social media crazies.
I enjoyed the film considerably and as such I have rated it a deserving 7 out of 10 IMDb rating.
Você sabia?
- CuriosidadesBoris Karloff was originally to star in this film as part of a three picture deal with RKO. He was released from his obligation to appear in the film in an agreement dated 11/5/46. The agreement gave no specific reason, stating only that he did "not desire to appear in" the film.
- Erros de gravaçãoWhen Magee and Jordan discover the body in the secret passageway, the shadows on the wall are not right for the light source they are using.
- Citações
Kenneth Magee: Do you believe in love at first sight?
- ConexõesReferences Snowed Under (1936)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- De 7 nycklarnas gåta
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 4 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Seven Keys to Baldpate (1947) officially released in India in English?
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