Reconciliação

Another reviewer claims this is a romantic musical comedy, not a drama--I beg to differ. There are songs, to illustrate the folksy ways of the Missourians, and there are a few laughs, and there is a romance, but it's difficult to class anything that includes montages of barn-burnings committed by hooded men on horseback as a musical comedy.

It's a film worth watching, though, as a post-WW2 look at the post-Civil War era, and how difficult it can be to cool off the high-burning passions of wartime. Johnson plays a vet who wanders into a small Missouri town still smarting with North-South divisions. It's an interesting story, incorporating unusually pointed comments about racial equality; the screenwriter, Lester Cole, was later blacklisted as a member of the Hollywood Ten.

The cast is incredibly engaging, from the dewy new starlet Janet Leigh (who got this part after just three weeks in Hollywood!), to the indescribably adorable young Dean Stockwell, to the complex Thomas Mitchell, to the wonderful character actress Selena Royle, playing Leigh's mother with beautiful emotional range.

This definitely falls into the category of the sort of social-issue picture (like Gentleman's Agreement or Paths of Glory) that led to the blacklisting of so many screenwriters. That alone makes it worth the viewing; the cast will just ice the cake.

I found this movie very uplifting and I believe quite true. My grandmother married my grandfather in almost the same situation. He had come to TX and found her while attending a political rally. They fell in love and married almost right away. Her father, a confederate, disowned her an never saw her again, as my grandfather's dad had fought for the Union. As I was watching it was so well done I felt I was there. Van Johnson and Janet Leigh (even though very young and quite new) was real as it gets. Unfortunately the quality of the film is quite poor, but maybe it will be restored and offered for DVD sale. Dean Stockwell did a fantastic job and should have won an award. Also, Missouri being the state seemed almost real.

I loved the emphasis on community values in this film. The ideas that the main character pulls for are not a whit outdated and can certainly be applied to today's society. It seems that in life, as in this film, there is always an element who tries to pull apart the community spirit for their own ends. These ideas are presented here in a completely engaging manner and are there for all to see as simple common sense. Kudos to Thomas Mitchell for another grand performance. Too bad this is another forgotten film which should be resurrected for its ideas which are strangely hip and contemporary. And Janet Leigh does a wonderful job, as does the actress who plays her mother.

Discovered this Classic Film from 1947 playing on TCM and was very curious about just what this story would present and who was starring in this picture. It was surprising to see Van Johnson in the starring role as Henry Carson and veteran character actor Thomas Mitchell,(Gill MacBean. Janet Leigh was so young looking I hardly recognized her playing the role as a daughter to Gill MacBean, named Lessy Anne MacBean. This was the very first picture that Janet Leigh appeared in and she was very polished and professional even in her first important role of her career. The story deals with the ending of the Civil-War between the North and South and there were strong feelings still among the people in the South and Northerner's who traveled in their communities. Gill MacBean was not very thrilled about having Henry Carson getting too close to his daughter in a romantic way of speaking. Henry Carson wanted to establish a school in the local community and finding acceptance was very difficult for him to establish. There was a very deep secret that Henry Carson kept to himself about their son who was killed in the Civil War. There is Comedy, Drama and Romance and plenty of outstanding acting in this great Classic Film, Enjoy.

This film, based on a story by the author MacKinlay Kantor (who was very popular in the 1930s-1950s period), is a delightful change from the urban tales usually emanating from Hollywood. It is possible that the film's title matches that of the original story, but I must point out that Rosy Ridge is never mentioned in the film itself, not that it matters (it is presumably the name of the location of the story). This film is set in the edge of the Ozarks in Missouri in 1865, amidst the seething tensions and hatreds of the locals who fought on the northern side of the Civil War and those who fought for the south. For those who don't know, there were two American states which were forced by the awkwardness of their geographical positions to remain officially neutral in the Civil War, and they were known as 'Border States'. One was Kentucky, whose sympathies were with the South but which did not dare declare for the South, and the other was Missouri, where sympathies were more evenly divided. This film was largely shot on location somewhere like Missouri, and it might even have been Missouri, who knows. There is a singular amount of authenticity to this film, especially in the flowery old-fashioned dialect used by the supporting actors. The script by Lester Cole (1904-1985, his last script being BORN FREE in 1966) therefore deserves a lot of praise, although that dialogue may have been lifted from Kantor's original. This was Janet Leigh's first film, and as the heroine, she makes a fresh-faced, smiling ingénue with doe eyes who leapt into everyone's hearts, and it made her a star. She would eventually appear in 86 films, the last one being released the year after her death in 2004. She was one of America's best-loved film actresses. Janet Leigh's father, somewhat too gruff and over-acted by Thomas Mitchell, is a fanatical Southern sympathiser who hates all Yankees. He and his wife and daughter and young son wait forlornly for the return of the older son, Ben, who may never be coming back from the War, and whose fate is unknown. They are poor arable farmers who live in a log cabin. Their next door neighbours supported the northern side, and they don't speak to one another. There is a lot of barn-burning going on, attributed whether rightly or wrongly to vicious Yankees, since all the barns which are burnt belong to Southern sympathisers. A different complexion is put on this towards the latter part of the film. A lot of Southern supporters are thus driven out and leave Missouri for good, going out West to what are called 'the Territories', which have not yet become the Western and Middle Western states. One evening a mysterious man, played by the ever-cheerful Van Johnson, walks down the lane near the log cabin playing the harmonica to himself and carrying a few belongings over his shoulder. He is clearly a former soldier, though of which army cannot be determined. He strikes up a conversation with Leigh's family the MacBeans and is given supper, then invited to stay the night, and he stays on and helps with the harvest. He and Leigh fall in love. But there are many complications and twists to the story, such as how and why did he happen to turn up at the MacBeans. I don't wish to spoil any of the mystery of this fine country tale, so I say no more. But this is a very wholesome and refreshing story of real country folk which is very ably directed by Roy Rowland (1910-1995), a New Yorker by origin and no countryman, who directed Margaret O'Brien the next year in TENTH AVENUE ANGEL (1948), directed Van Johnson the year after that in the film noir THE SCENE OF THE CRIME (1949), and is best known as the director of the later film noir WITNESS TO MURDER (1954) with Barbara Stanwyck.