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Um detetive particular escapa de seu passado para dirigir um posto de gasolina em uma pequena cidade, mas seu passado o alcança. Agora ele deve voltar ao mundo de perigo, corrupção, traição ... Ler tudoUm detetive particular escapa de seu passado para dirigir um posto de gasolina em uma pequena cidade, mas seu passado o alcança. Agora ele deve voltar ao mundo de perigo, corrupção, traição e mulheres enganosas.Um detetive particular escapa de seu passado para dirigir um posto de gasolina em uma pequena cidade, mas seu passado o alcança. Agora ele deve voltar ao mundo de perigo, corrupção, traição e mulheres enganosas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Brooks Benedict
- Kibitzer in Blue Sky Club
- (não creditado)
Oliver Blake
- Tillotson - Night Clerk
- (não creditado)
Eumenio Blanco
- Mexican Waiter
- (não creditado)
Wesley Bly
- Harlem Club Headwaiter
- (não creditado)
Mildred Boyd
- Woman at Harlem Club
- (não creditado)
Hubert Brill
- Car Manipulator
- (não creditado)
James Bush
- Doorman
- (não creditado)
Ted Collins
- Man at Harlem Club
- (não creditado)
Avaliações em destaque
This film established the Robert Mitchum screen persona. In it he established the easy going laconic style that was to become his trademark. His Jeff Bailey is the epitome of the 1940s tragic hero.
The story is told in flashback, a Film Noir tradition. Bailey owns a gas station in a small California town. But he is a man with a past, a past that comes back to haunt him(as in Hemingway's "The Killers")
Bailey tells us that he was a detective in his previous life. He was hired by a gambler to find a girl who had stolen $40,000 from him. Bailey found the girl and the money , but love got in the way.
To reveal anymore of this convoluted plot would ruin it for those who have not had the pleasure of not seeing this masterpiece.
In addition to Mitchum, the rest of the cast excels as well. Jane Greer is the perfect Femme Fatal. Kirk Douglas is mean and sadistic as the gambler. Rhonda Fleming, Virginia Huston, Steve Brodie and Paul Valentine provide excellent support.(Greer and Valentine were in the 1985 remake "Against the Odds".
Jacques Tourneur one of the great Noir directors does a fine job with Daniel Mainwaring's story and script(using the pseudonym Geoffery Homes) and the Roy Webb music is the perfect compliment.
A lot of young talent went into the making of this classic. Many of the people involved went on to bigger and better things. It is easy to understand why.
The story is told in flashback, a Film Noir tradition. Bailey owns a gas station in a small California town. But he is a man with a past, a past that comes back to haunt him(as in Hemingway's "The Killers")
Bailey tells us that he was a detective in his previous life. He was hired by a gambler to find a girl who had stolen $40,000 from him. Bailey found the girl and the money , but love got in the way.
To reveal anymore of this convoluted plot would ruin it for those who have not had the pleasure of not seeing this masterpiece.
In addition to Mitchum, the rest of the cast excels as well. Jane Greer is the perfect Femme Fatal. Kirk Douglas is mean and sadistic as the gambler. Rhonda Fleming, Virginia Huston, Steve Brodie and Paul Valentine provide excellent support.(Greer and Valentine were in the 1985 remake "Against the Odds".
Jacques Tourneur one of the great Noir directors does a fine job with Daniel Mainwaring's story and script(using the pseudonym Geoffery Homes) and the Roy Webb music is the perfect compliment.
A lot of young talent went into the making of this classic. Many of the people involved went on to bigger and better things. It is easy to understand why.
10jotix100
Jacques Tourneur will probably be remembered best for this film, even though he had an extensive career in Hollywood. Working with Daniel Mainwaring, the author of the novel in which this movie is based, he created one of the best pictures of this genre, one that will be a perennial favorite. Mr. Tourneur and his cinematographer, the brilliant Nicholas Musuraca, made a stunning looking film that looks as good today, as when it was originally released.
If you haven't seen the film, please stop reading now.
Jeff Bailey has reinvented himself as the owner of a gas station in California. His past comes to haunt him at the beginning of the movie. Jeff has found peace and love in the small town where he has taken refuge. He can change his identity, but he can't hide from the people that want to see him dead.
We watch in the beginning how Jeff is sent away by Whit Sterling to look for the disappearing Kathie Moffat, who has stolen forty thousand dollars and gone hiding. Jeff finds her in Acapulco. Kathie gives a bad name to any other dames in the movies of this genre. She is totally ruthless; she will do anything to double cross Whit as well as have Jeff do whatever she wants.
Comparisons have been made between "The Maltese Falcon" and "Out of the Past". Both have plots that are twisted; when we feel we know everything, there is a new twist to the story. We are constantly misled into thinking one way, when in reality, something else has happened.
This is a film that combines all the elements of the classic film noir and juxtaposes it against the serene surroundings of where Jeff is now living. Black and white photography was used to great advantage in the movie. It has a style that makes it one of a kind. The music by Roy Webb plays neatly in the background without interrupting the action.
The acting is first rate. Mr. Tourneur got a brilliant performance from Robert Mitchum. His Jeff, is the epitome of coolness. It's hard to understand the mentality of American cinema of the times not paying Mr. Mitchum his due. He was a much better actor than he was given credit for. His presence looms large in this movie and it's a tribute to him that he makes his character dominate the movie.
Jane Greer was also excellent in her take of Kathie Moffat. She is pure evil, a sensuous woman who will do anything to get her own way. When we see her in Acapulco she is a seductress that no man can resist. She leads Jeff on by the sheer power of the desire he feels for her. Ms. Greer was not a beauty, by Hollywood standard, but yet, she makes an incredible contribution to the movie. Her textured performance is exquisite in its economy. We all see right through her, yet, she takes us for an incredible ride, up to the end of the picture.
The others in the cast do an excellent job. A young and dashing Kirk Douglas is perfect as the dubious Whit. He shows such a magnetism, even then, at the start of his career in movies. Rhonda Fleming had a small role and she makes most of it. Also Virginia Huston, as Ann, makes a great contribution to the film.
The film, ultimately, is a tribute to the talent of the director. This is Mr. Tourneur's best movie.
If you haven't seen the film, please stop reading now.
Jeff Bailey has reinvented himself as the owner of a gas station in California. His past comes to haunt him at the beginning of the movie. Jeff has found peace and love in the small town where he has taken refuge. He can change his identity, but he can't hide from the people that want to see him dead.
We watch in the beginning how Jeff is sent away by Whit Sterling to look for the disappearing Kathie Moffat, who has stolen forty thousand dollars and gone hiding. Jeff finds her in Acapulco. Kathie gives a bad name to any other dames in the movies of this genre. She is totally ruthless; she will do anything to double cross Whit as well as have Jeff do whatever she wants.
Comparisons have been made between "The Maltese Falcon" and "Out of the Past". Both have plots that are twisted; when we feel we know everything, there is a new twist to the story. We are constantly misled into thinking one way, when in reality, something else has happened.
This is a film that combines all the elements of the classic film noir and juxtaposes it against the serene surroundings of where Jeff is now living. Black and white photography was used to great advantage in the movie. It has a style that makes it one of a kind. The music by Roy Webb plays neatly in the background without interrupting the action.
The acting is first rate. Mr. Tourneur got a brilliant performance from Robert Mitchum. His Jeff, is the epitome of coolness. It's hard to understand the mentality of American cinema of the times not paying Mr. Mitchum his due. He was a much better actor than he was given credit for. His presence looms large in this movie and it's a tribute to him that he makes his character dominate the movie.
Jane Greer was also excellent in her take of Kathie Moffat. She is pure evil, a sensuous woman who will do anything to get her own way. When we see her in Acapulco she is a seductress that no man can resist. She leads Jeff on by the sheer power of the desire he feels for her. Ms. Greer was not a beauty, by Hollywood standard, but yet, she makes an incredible contribution to the movie. Her textured performance is exquisite in its economy. We all see right through her, yet, she takes us for an incredible ride, up to the end of the picture.
The others in the cast do an excellent job. A young and dashing Kirk Douglas is perfect as the dubious Whit. He shows such a magnetism, even then, at the start of his career in movies. Rhonda Fleming had a small role and she makes most of it. Also Virginia Huston, as Ann, makes a great contribution to the film.
The film, ultimately, is a tribute to the talent of the director. This is Mr. Tourneur's best movie.
Out of the Past came at a time for Robert Mitchum after one of the worst films in his career, Desire Me which he did on a loan out to MGM. He must have been grateful to get back to RKO studios and to do one of the best noir films ever done.
Mitchum plays the luckless Jeff Bailey, private eye who has the ill fortune to fall under the feminine charms of Jane Greer after gambler/racketeer Kirk Douglas hires him to find her and $40,000.00 she stole from him after shooting him. Mitchum trails her to Mexico, but when he meets her, let's just say he easily sees why Kirk Douglas wants her back so bad. It's one piece of intrigue after another at this point until there's tragedy all around.
This was Kirk Douglas's second picture and he showed his range as a player after playing a weakling in his debut film, The Strange Loves of Martha Ivers. Douglas and Mitchum got good notices, but this film really belongs to Jane Greer. The sheer scope of this woman's evil will leave you gasping. Out of the Past gave Jane Greer her career role and she made the most of it. Two of post World War II Hollywood's biggest leading men and several others in tow. It's breathtaking when you think of it.
Out of the Past is a real downer of a film, but mesmerizing as a study of how a man can get hooked on feminine charms applied right.
Mitchum plays the luckless Jeff Bailey, private eye who has the ill fortune to fall under the feminine charms of Jane Greer after gambler/racketeer Kirk Douglas hires him to find her and $40,000.00 she stole from him after shooting him. Mitchum trails her to Mexico, but when he meets her, let's just say he easily sees why Kirk Douglas wants her back so bad. It's one piece of intrigue after another at this point until there's tragedy all around.
This was Kirk Douglas's second picture and he showed his range as a player after playing a weakling in his debut film, The Strange Loves of Martha Ivers. Douglas and Mitchum got good notices, but this film really belongs to Jane Greer. The sheer scope of this woman's evil will leave you gasping. Out of the Past gave Jane Greer her career role and she made the most of it. Two of post World War II Hollywood's biggest leading men and several others in tow. It's breathtaking when you think of it.
Out of the Past is a real downer of a film, but mesmerizing as a study of how a man can get hooked on feminine charms applied right.
Full of atmosphere and heat, "Out of the Past" is a classic film noir, directed by a master, Jacques Tourneur. Although considered only an above-average B movie at the time of release, it's doubtful anyone thinks of it that way today, as it is superior to many "A" films. With a top-notch cast and a deceptively easy pace that belies the tension and danger underneath, "Out of the Past" makes for an intriguing, absorbing film.
Robert Mitchum and Jane Greer make a great pair - both are sultry, sexy, hard to read, and gorgeous. I found Greer's performance quite interesting. In the beginning, she appears quite warm, frightened, and sincere, as opposed to, say, Lizabeth Scott in "Dead Reckoning." When she turns hardboiled, it's subtle, with only a change in her eyes and voice, when she comments that Fisher isn't going to say anything to anybody. I love the way Mitchum sizes up women. He absolutely smolders, and 40 years later, in "The Winds of War," he was still smoldering.
Kirk Douglas is appropriately edgy in his supporting role as Whit. Rhonda Fleming has a small role, but no one that incredibly beautiful was going to go unnoticed for long.
What a wonderful film, what a perfect example of a genre.
Robert Mitchum and Jane Greer make a great pair - both are sultry, sexy, hard to read, and gorgeous. I found Greer's performance quite interesting. In the beginning, she appears quite warm, frightened, and sincere, as opposed to, say, Lizabeth Scott in "Dead Reckoning." When she turns hardboiled, it's subtle, with only a change in her eyes and voice, when she comments that Fisher isn't going to say anything to anybody. I love the way Mitchum sizes up women. He absolutely smolders, and 40 years later, in "The Winds of War," he was still smoldering.
Kirk Douglas is appropriately edgy in his supporting role as Whit. Rhonda Fleming has a small role, but no one that incredibly beautiful was going to go unnoticed for long.
What a wonderful film, what a perfect example of a genre.
I have been a fan of Jacques Tourneur's horror movies ('Cat People', 'Night Of The Demon', 'I Walked With A Zombie',etc.) for many years, but for some reason I hadn't seen 'Out Of The Past' until very recently. Regarded by many noir buffs as one of the very best examples of the genre, if not THE best, it knocked my socks off! Some movies are so good that you almost can't believe they exist. 'Vertigo', 'Rashomon', 'Taxi Driver', 'Cool Hand Luke', 'The Wild Bunch', 'The Wages Of Fear', these are some titles that immediately spring to mind. Your jaw just drops in amazement, and repeated viewing reveal more layers and levels of enjoyment. 'Out Of The Past' now joins that group of very special movies for me. Tourneur's horror classics are brilliant works, but this movie surpasses them all to me. Everything about this movie is superb. The direction, photography, script (which crime legend James M. Cain of 'The Postman Always Rings Twice' and 'Double Indemnity' fame contributed to anonymously), and the actors. The cast are all good, but Robert Mitchum steals the show with a first rate performance, second only in my opinion to his unforgettable role in the extraordinary 'Night Of The Hunter'. The beautiful Jane Greer is also excellent, as is Kirk Douglas. If you want to get into film-noir and understand just how influential it was on subsequent movies, make 'Out Of The Past' your first stop. It is a masterpiece, pure and simple. I know this movie will be in my life for a very long time, and that gives me a lot of satisfaction. 'Out Of The Past' comes with my highest recommendation. I can't put into words just how great this movie is, so just watch it for yourself.
Você sabia?
- CuriosidadesRobert Mitchum told Roger Ebert he smoked so much that when the camera was rolling and Kirk Douglas offered him a pack and asked, "Cigarette?" Mitchum, realizing he'd carried a cigarette into the scene, held up his fingers and replied, "Smoking." His improvisation saved the take and they kept it in the movie.
- Erros de gravaçãoLeonard Eels' apartment at 114 Fulton Street would be part of the block then occupied by the main branch of the San Francisco Public Library (now the Asian Art Museum).
- Versões alternativasAlso available in a computer colorized version.
- ConexõesEdited into American Cinema: Film Noir (1995)
- Trilhas sonorasThe First Time I Saw You
(uncredited)
Music by Nathaniel Shilkret
From Ídolo de Nova York (1937)
Used as main theme in score
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Fuga ao Passado
- Locações de filme
- East side of Sonora Pass, Califórnia, EUA(Water fall and stream shot)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 37 min(97 min)
- Cor
- Proporção
- 1.37 : 1
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