Adicionar um enredo no seu idiomaWith a $10,000 note Roy co-signed for the Pioneers due, Roy plans to get the money from the reward for the capture of the Gypsy. After he captures him he lets him go realizing he is innocent... Ler tudoWith a $10,000 note Roy co-signed for the Pioneers due, Roy plans to get the money from the reward for the capture of the Gypsy. After he captures him he lets him go realizing he is innocent and it's not long before the real outlaws show their hand.With a $10,000 note Roy co-signed for the Pioneers due, Roy plans to get the money from the reward for the capture of the Gypsy. After he captures him he lets him go realizing he is innocent and it's not long before the real outlaws show their hand.
- Bass Player Pat - Sons of the Pioneers
- (não creditado)
- Sheriff
- (não creditado)
- Fiddle Player - Sons of the Pioneers
- (não creditado)
- Guitar Player - Sons of the Pioneers
- (não creditado)
- Spectator
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
What little I saw convinced me it was a good film with both lots of music and a good plot if you could fill in the blanks.
There was a sequence missing, but alluded to in the film I saw about Andy Devine believing he dreamed he saw the villains trying to break Tito Guizar out of jail. If so it must have been a very funny sequence as only the befuddled Mr. Devine could make it.
Because we had not only Roy Rogers, but Tito Guizar and pinch hitting for Dale, Jane Frazee there was a lot more singing in this than normal. Great for those who like singing cowboys.
I believe Dale might have been on family leave from Republic. She and Roy had only one natural child from their marriage, they adopted two others, and she and Roy both had kids from their previous marriages. (Yes they were married to others, Roy's wife died and Dale was divorced from her first husband). Jane Frazee though is a fine musical performer and fills Dale's cowgirl outfits out just fine. Roy and Dale's child would have been born around the time this and a succeeding film came out.
Best song of the picture is the title tune. Both Rogers and Gene Autry recorded extensively from their films, though Gene had far better success as a recording artist than Roy did.
If you get to see On the Old Spanish Trail, try to see a full length version.
But Roy Rogers himself is endearing.
I think it was while watching "Dark Command," the John Wayne movie (though Claire Trevor gets first billing, for some reason), that I first realized Roy Rogers was really an excellent actor.
It is likely that he rose to such prominence mostly because of his winning personality and good looks, rather than the movie plots, but in studying Western movie history, I learned that when he was given his chance to be the star of his own series, he set out to be good at his job. For example, he took riding lessons, and in my opinion was one of the best riders, certainly among those who hadn't been riders since childhood (such as John Wayne and Gary Cooper).
And even late in life, he was still a good singer, having been a great one earlier.
This movie gave us Rogers in really good form: He got to do just about everything he was good at, singing, riding, and acting.
I was rather bored in the beginning, but by golly this movie takes off and becomes downright exciting.
Of course, there is a great cast, with the Sons of the Pioneers getting to stand out, and stunts and action by the great Fred Graham.
Each cast member is memorable, and I highly recommend this to everyone. Those who enjoy Hollywood history especially should watch and pay attention to the individuals performing. You'll find it fun and educational.
Você sabia?
- CuriosidadesThe print shown on Turner Classic Movies, from Peter Rodgers Organization, is undoubtedly an old 16mm print made for the home movie market before being sold to television in the early 1950s. The tip-off is on the Republic Pictures logo and the opening title card over which a black bar has been superimposed on the print covering what must have been the words "In Trucolor". In 1952 it was cut to 54 minutes for the television market and distributed by Hollywood Television Service, whose logo then replaced Republic Pictures' on the opening and closing of all its prints; if this were a print made for television it would have those earmarks. The commercially available VHS tapes are also B&W and possibly from the same source, if complete, or else from the television print source, if incomplete. Television prints were all both edited and in black and white. The version shown on the Western Channel is the shorter, television version.
- Erros de gravaçãoEarly in the picture, when Roy sits on Candy Martin's suitcase to help get it closed, there are pieces of clothing sticking out the side. However when the suitcase is finally closed and latched, no clothing is visible.
- Citações
[Roy reads from the paper he has picked up]
Roy Rogers: "Your eyes are like deep desert wells, with sparks from silver stars above. / Your voice is sweet as mission bells, your skin is like a marble dove." Don't ever fall in love, Trigger; that's what it does to you.
- Versões alternativasThe print shown on Turner Classic Movies is undoubtedly an old 16 print made especially for TV in the early decades of television. (TV was B&W for those decades and the machines used to broadcast them were 16 mm). The tip-off is on the opening title card a black bar has been superimposed on the print covering what must have been the words 'In Color' or 'In Trucolor'. The commercially available VHS tapes are also B&W and possibly from the same source.
- Trilhas sonorasI'll Never Love Again
based on "La borrachita"
Written by Ignacio Fernández Esperón
English Lyrics by Al Stewart
Performed by Tito Guízar
Principais escolhas
Detalhes
- Tempo de duração
- 1 h 15 min(75 min)
- Proporção
- 1.37 : 1