Cidade Encantada

I have to admit the premise behind Magic Town was a really good and original one. The fact that small time pollster James Stewart discovers a town that is a microcosm of American thinking. What a shortcut, just move in there and poll the citizens on any question. But you have to do it with subterfuge and the town can never have any marked growth of any kind or the goose that's laying Stewart's golden egg is cooked.

Enter Jane Wyman, acting editor of the small town paper who has some ideas about getting the town to grow. That sets up the conflict with Stewart and then the romantic complications set in. Their romance and their differing agendas set the tone for the rest of the film.

I think with a lighter touch this could have been a classic film. It's not a bad film, it's moving in spots, but the subject matter doesn't lend itself to Frank Capra type populism. I'm sure this is a property that Capra himself must have rejected.

Stewart and Wyman are ably supported by the usual group of great character performers that usually populate a Capra film. William Wellman directed this and I think he was out of his element. He's so much better in action films.

It's also so old fashioned in its view of small town America. I can't believe that such a place like Grandview could possibly exist. Think about it, a cross section of America would have its bad people too among the population. Not a bad person in the whole town.

And they even list a U.S. Senator in their population. That would in and of itself make it atypical by his mere presence. In fact when this film was made Harry Truman was president and certainly Independence, Missouri has never been "typical" since he came to political prominence.

My favorite scene is the dance where the whole crowd except the outsider Stewart sing the high school song. It's sung to the tune of I'll Take You Home Again, Kathleen. It's a nice moment and it demonstrates just how alien big city slicker Jimmy Stewart is in this environment. It's good, but it does tip over into the saccharine.

Both Stewart and Wyman have certainly done better, but fans of both these performers will like it. But can you imagine what someone like Preston Sturges would have done with this material?

Stewart's previous movie was "It's a Wonderful Life", and this one drinks from the same well.

It has a strong underlying moral about being true to yourself, and extols the virtues of honesty, pride in your small-town community. The town appears to be a microcosm of America, but it can only be that while it still has its innocence: once it tries to cash in on its status, disaster strikes.

It's a gentle, heartwarming little movie. Jimmy Stewart and the then Mrs Reagan do the romantic lead bits, and lots of people with "interesting" faces play "typical small town characters", the children manage to avoid being ridiculously cute, and it's all quite charming.

Watch out for the Senator's wife and the ancient employees of the newspaper, who are the most obviously funny characters. This may be billed as a comedy, but it's one to be amused by, and brings smiles to you face rather than guffaws and belly-laughs.

If you liked James Stewart in "It's a Wonderful Life" and "The Philadelphia Story", this one's for you.

James Stewart stars as Rip Smith, a leading pioneer in the new sciences of public polling and demography. He discovers a small town that serves as a microcosm of the US, with the same percentages of men to women, farmers to shop-keepers, Democrats to Republicans, etc. Etc. This means that Rip and his two associates Ike (Ned Sparks) and Mr. Twiddle (Donald Meek) can survey this one town and get the same results as if they's polled the whole nation, saving companies vast amounts of time and money. However, to keep the townsfolk's answers honest, the trio of newcomers pose as insurance salesmen. Rip also falls for local gal Mary (Jane Wyman), but how will she and the others react when they learn the truth of why Rip's in town?

This was made during a time when the new advances in sociology, group psychology, and by extension Madison Avenue's advertising firms, were thought be on the pulse of the future of the nation. This kind of thinking could make for a thoughtful movie with the right script, but this isn't it. This is a traditional rom-com mixed with lukewarm social commentary and square citizenship lessons. Stewart and Wyman are both fine, as usual, and I liked seeing Ned Sparks, one of the busier character actors of the 1930's, acting wry and cynical again. This would be Sparks last film, as it would be for Harry Holman and Donald Meek, too. Director William Wellman keeps things moving quickly enough, but no one would consider this one of the better films by anyone involved.

Written and produced by frequent Frank Capra collaborator Robert Riskin and starring the director's three-time leading man James Stewart, one would be excused for mistaking this for a film by the celebrated purveyor of socially-conscious comedies.

However, while the plot is typically original and engaging, somehow it lacks Capra's unique cinematic expertise in putting over Riskin's ideas: the tone is too often syrupy and sentimental, while the hero isn't made to face formidable villains such as one finds in Capra's work. Even if director Wellman was more at home in outdoor actioners, he often displayed a social side and, for the record, had previously triumphed in two classic films set in contemporary times – namely the original version of A STAR IS BORN and the screwball comedy NOTHING SACRED (1937).

Stewart is a poll expert who believes that one city in the U.S. could be deemed the reference point as to how the whole nation thinks and feels about all aspects of life – its aspirations, trends, political views, etc. His report leads him to settle on the small Midwestern town of Grandview which, however, is on the point of modernizing itself (via a project bequeathed to local reporter Jane Wyman by her father). This would, doubtless, affect the idealized image being promoted by Stewart of Grandview as the prototypical American town with its simple way of life, so he manipulates the populace (without letting them on to his line of work) into opposing Wyman's scheme! This doesn't prevent the two from falling in love – a romance which ends, though, when she overhears him speaking to his superior in New York; distraught, she exposes his racket – but, in so doing, brings a whole circus of 'prospectors' and newshounds upon Grandview…so that the next poll turns out to be a disaster, and the town is disgraced!

Stewart is dismayed by all of this; however, he keeps in touch with the people of Grandview (the kids especially had learned to look up to him in view of his basketball prowess!) and, of course, Wyman. Eventually, he hits upon the idea that a pompous statement made earlier (but which remained unpublished) by the highest authorities in Grandview that, if necessary, they'll erect the proposed civic centre with their own hands could be used now to symbolize the town's determination to re-emerge… An RKO production, the film also features such reliable performers as Ned Sparks and Donald Meek as Stewart's associates, Kent Smith as a Grandview professor and ex-school chum of Stewart's, and Wallace Ford as one of the eminent townspeople.

Certainly not one of the great comedies, but charming and rather whimsical in its own way. In this day and age of raucous and crude humour (if you can call it that), a movie like "Magic Town" will probably seem hopelessly old-fashioned and dated, but for those who prefer a quieter and more gentle humour, "Magic Town" will fill the bill very nicely. Very Frank Capra-like (not surprisingly since screenwriter Robert Riskin collaborated with Capra numerous times), "Magic Town" reminds us of a by-gone era, a time when living in a small town meant knowing your neighbours, pride in your community, and the moral values of common decency and humility were still part of everyday life. James Stewart as the pollster who discovers a town full of people whose opinions exactly mirror the national thinking gives his customary good performance, as does Jane Wyman as the newspaper publisher who wants to see change in the town. Many well-known character actors (Kent Smith, Wallace Ford, Ann Shoemaker and particularly Ned Sparks) provide capable support. A slight offering, perhaps, but quite worthwhile.