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In a way, it's easy to see why Lucille Ball did not achieve mega movie stardom. By the time she was getting decent roles, she was in her thirties, and back in those days, that was getting long in the tooth. Though she was beautiful, she had the delivery of a character woman -- great comic timing and dry wit. I suspect Hollywood wasn't sure what to do with her -- too pretty for the Eve Arden roles, and not ingenue enough for the leading lady ones.

In "Lured," Ball plays Sandra Carpenter, an American dancer living in London whose good friend and fellow dancer disappears after answering a personal ad. The police, led by Inspector Temple (Charles Coburn) have been frustrated by a series of poems they have been receiving before a murder of a young woman takes place. They feel helpless. When it turns out that Sandra's friend is a victim of the mad poet, the Harley asks Sandra to act as bait and answer suspect ads. They will be watching her at all times.

Sandra has some strange adventures -- one with a whack job (Boris Karloff) who wants to paint her in costume, and then she is invited to a concert where her date does not show up. There, she meets wealthy Robert Fleming (George Sanders) who sweeps her off her feet. Could he be the killer? Could it be the strange doctor she meets? There are a few suspects.

Well directed by Douglas Sirk, known later for his big glossy soap opera type films, "Lured" has suspense and atmosphere, though it moves from a mystery to a love story mid-script. However, the performances are very good - Lucy looks stunning in her gowns and she plays the down to earth, savvy young woman very well; George Sanders is smooth as silk, and the two have good chemistry. Sir Cedric Hardwicke gives a standout performance, and Coburn is excellent. "Alfred the Butler" from the Batman series, Alan Napier, is also in the film, as is George Zucco.

Recommended. Very enjoyable. Just wish the emphasis had been more on the mystery.

Great, atmospheric tale of a struggling chorus girl (Lucille Ball)who is used as bait by London police to catch a serial killer who preys on women through newspaper personal advertisements.

Douglas Sirk is the Director of the Moment due to the release of the superb Far from Heaven -a remake of Sirk's All That Heaven Allows- and his films are now being rented and talked about as if they never existed. This film is a beautiful showcase for the almost larger-than-life characters, incredibly detailed sets, and use of lighting that would become trademarks for his later films.

Lucille Ball makes a great 'dame' and her dramatic abilities were sensational. Boris Karloff takes his one scene and plays it to the creepy hilt while George Sanders was a rather cool and sexy guy before he sealed his film fate as Addison DeWitt in All About Eve.

Lured maybe hard to find in most video stores but give it a chance if you come across it.

Lured (AKA: Personal Column) is directed by Douglas Sirk and collectively written by Leo Rosten, Jacques Companéez, Simon Gantillon and Ernst Neubach. It stars Lucille Ball, George Sanders, Charles Coburn, Cedric Hardwicke, Joseph Calleia and Boris Karloff. Music is by Michel Michelet and cinematography by William H. Daniels.

A serial killer in London is murdering young women whom he meets through the personal columns section of the newspaper. Taunting the police with cryptic poems, the killer is proving most illusive, so much so that when a friend of dancer Sandra Carpenter (Ball) disappears, the police enlist her to act as bait to lure the killer in.

There's a lot to like about Lured, on proviso you have your expectation level correctly set as to what sort of film it is. It's a very uneven movie in tone, which when one sees that there were four writing contributors involved in bringing it to the screen, perhaps comes as no surprise. A remake of Robert Siodmak's 1939 film Pièges (set in Paris), it is never sure if it wants to be a comedy mystery or a dark brooding thriller. A shame because in spite of it being a set bound production, Sirk and Daniels create a sinister visual mood when the story lurks around the constructed London sets.

The cast are ever watchable, though you can see Ball struggling to rein in her natural comedic bent during the more dramatic sequences, but she leads off from the front and looks positively lovely and radiant. Karloff fans get a fun extended cameo, with the great Uncle Boris playing up to a caricature of unstable characters he could do in his sleep, Sanders is suitably stand-offish, Coburn ebullient, while Hardwicke and Calleia add a touch of class to the support ranks.

Michelet's musical score is in keeping with the mixed tonal flow of the picture, in fact sometimes sounding like it should be in a screwball movie from decades previously, but with competent professionalism coming elsewhere from Sirk, Daniels and the lead cast members, it's an enjoyable movie. Even if it's all a bit too jolly and nonchalant for its own good at times. 6.5/10

As an user has pointed out,"lured" is the remake of Robert Siodmak's movie "Pièges" (1939) starring Marie Dea (Lucille Ball's part),Maurice Chevalier (Sanders' part) ,Erich Von Stroheim (Karloff's) and Pierre Renoir (Cedric Hardwicke's) Both versions are good.If ,like me,you've seen Siodmak's version first ,you'll probably find Sirk's work less interesting and vice versa . The differences between the treatments are minimal.

-George Sanders is a better choice than Maurice Chevalier ,cause we do believe he might be a serial killer,which is difficult with the French chanteur.

-On the other hand the scene featuring Boris Karloff is weaker than its French equivalent where Stroheim was more disturbing.

-In both movies,the weakest link is the part of the story where the heroine is a servant in a shady house.

Another noir film starring of all people Lucille Ball. A serial killer is on the loose in England who uses the personals column to lure his victims. Ball, who is an ex-pat in Blighty working as a dancehall companion, has a friend who goes missing so while giving her account to the local constabulary, the chief investigator strikes upon an idea to have Ball go undercover to see if the killer can be caught. Directed by the future king of the 50's melodramas Douglas Sirk, he manages to make a light noir feel fun & engaging w/o the prerequisite baggage which usually comes w/this sort of material. Aiding Ball admirably are the supporting cast of actors which includes George Sanders, Charles Coburn, Cedric Hardwicke & a scene stealer from Frankenstein himself, Boris Karloff.