AVALIAÇÃO DA IMDb
7,0/10
5,5 mil
SUA AVALIAÇÃO
A polícia britânica persegue um serial killer que atrai suas vítimas através de anúncios em jornais pessoais e envia pistas de poemas à polícia.A polícia britânica persegue um serial killer que atrai suas vítimas através de anúncios em jornais pessoais e envia pistas de poemas à polícia.A polícia britânica persegue um serial killer que atrai suas vítimas através de anúncios em jornais pessoais e envia pistas de poemas à polícia.
- Direção
- Roteiristas
- Artistas
Cedric Hardwicke
- Julian Wilde
- (as Sir Cedric Hardwicke)
John Alban
- Concertgoer
- (não creditado)
Jimmy Aubrey
- Nelson
- (não creditado)
Brooks Benedict
- Concertgoer
- (não creditado)
Wilson Benge
- Police Criminologist
- (não creditado)
Paul Bradley
- Concertgoer
- (não creditado)
Colin Campbell
- Wilberforce
- (não creditado)
Jack Chefe
- Pierre the Headwaiter
- (não creditado)
Avaliações em destaque
The show closed after four days in London. Stranded Lucille Ball is working as a taxi dancer, hoping something will turn up. She's envious when the girl next to her tells her it's her last day; her tall, dark and handsome man is taking her away from all of this. The next day the newspapers announce it: she's the latest victim claimed by the Poet Killer, a serial killer who likes to send the police Baudelaire-inspired notes. Miss Ball goes to talk to Inspector Charles Coburn, who promptly hires her as bait.
Hunt Stromberg pulled out all the stops on his production: director Dirk Sirk, cameraman William Daniels, script credited to Leo Rosten, and a cast that includes George Sanders, Boris Karloff, Cedric Hardwicke, Alan Mowbray, Robert Coote... well, it was primed for success.
Mostly it's pretty good, with Miss Ball giving a varied and layered performance, and Sanders at his most charming. There are some issues with the show. As soon as he showed up on screen, I tagged the murderer. Miss Ball's engagement by the police as a decoy has too many details handwaved away, and she never gives the impression she feels herself at risk. That's what spike heels are for.
Still, the studio-bound movie shows its glitter on the screen, and in a theater in the dark, it should look like a fine couple of hours.
Hunt Stromberg pulled out all the stops on his production: director Dirk Sirk, cameraman William Daniels, script credited to Leo Rosten, and a cast that includes George Sanders, Boris Karloff, Cedric Hardwicke, Alan Mowbray, Robert Coote... well, it was primed for success.
Mostly it's pretty good, with Miss Ball giving a varied and layered performance, and Sanders at his most charming. There are some issues with the show. As soon as he showed up on screen, I tagged the murderer. Miss Ball's engagement by the police as a decoy has too many details handwaved away, and she never gives the impression she feels herself at risk. That's what spike heels are for.
Still, the studio-bound movie shows its glitter on the screen, and in a theater in the dark, it should look like a fine couple of hours.
For those of you who only know Ms. Ball as the "dizzy redhead" in the 50's sitcoms, you're in for a TREAT!
Before making the above, she was in many films -- Marx Brothers, The "Annabel" series, and this great film.
Backed by a solid cast (Zucco, Sanders, Karloff, Napier, Coburn), she acts as the "bait" to lure a London killer out of hiding.
Even tho (at least to ME) it was obvious who the killer is, it is fascinating watching her in a non-comedy role! And, she certainly was lovely!
If you get a chance to see this, DO SO! You won't be disappointed! It's a shame that she didn't make more films in this genre.
Before making the above, she was in many films -- Marx Brothers, The "Annabel" series, and this great film.
Backed by a solid cast (Zucco, Sanders, Karloff, Napier, Coburn), she acts as the "bait" to lure a London killer out of hiding.
Even tho (at least to ME) it was obvious who the killer is, it is fascinating watching her in a non-comedy role! And, she certainly was lovely!
If you get a chance to see this, DO SO! You won't be disappointed! It's a shame that she didn't make more films in this genre.
In a way, it's easy to see why Lucille Ball did not achieve mega movie stardom. By the time she was getting decent roles, she was in her thirties, and back in those days, that was getting long in the tooth. Though she was beautiful, she had the delivery of a character woman -- great comic timing and dry wit. I suspect Hollywood wasn't sure what to do with her -- too pretty for the Eve Arden roles, and not ingenue enough for the leading lady ones.
In "Lured," Ball plays Sandra Carpenter, an American dancer living in London whose good friend and fellow dancer disappears after answering a personal ad. The police, led by Inspector Temple (Charles Coburn) have been frustrated by a series of poems they have been receiving before a murder of a young woman takes place. They feel helpless. When it turns out that Sandra's friend is a victim of the mad poet, the Harley asks Sandra to act as bait and answer suspect ads. They will be watching her at all times.
Sandra has some strange adventures -- one with a whack job (Boris Karloff) who wants to paint her in costume, and then she is invited to a concert where her date does not show up. There, she meets wealthy Robert Fleming (George Sanders) who sweeps her off her feet. Could he be the killer? Could it be the strange doctor she meets? There are a few suspects.
Well directed by Douglas Sirk, known later for his big glossy soap opera type films, "Lured" has suspense and atmosphere, though it moves from a mystery to a love story mid-script. However, the performances are very good - Lucy looks stunning in her gowns and she plays the down to earth, savvy young woman very well; George Sanders is smooth as silk, and the two have good chemistry. Sir Cedric Hardwicke gives a standout performance, and Coburn is excellent. "Alfred the Butler" from the Batman series, Alan Napier, is also in the film, as is George Zucco.
Recommended. Very enjoyable. Just wish the emphasis had been more on the mystery.
In "Lured," Ball plays Sandra Carpenter, an American dancer living in London whose good friend and fellow dancer disappears after answering a personal ad. The police, led by Inspector Temple (Charles Coburn) have been frustrated by a series of poems they have been receiving before a murder of a young woman takes place. They feel helpless. When it turns out that Sandra's friend is a victim of the mad poet, the Harley asks Sandra to act as bait and answer suspect ads. They will be watching her at all times.
Sandra has some strange adventures -- one with a whack job (Boris Karloff) who wants to paint her in costume, and then she is invited to a concert where her date does not show up. There, she meets wealthy Robert Fleming (George Sanders) who sweeps her off her feet. Could he be the killer? Could it be the strange doctor she meets? There are a few suspects.
Well directed by Douglas Sirk, known later for his big glossy soap opera type films, "Lured" has suspense and atmosphere, though it moves from a mystery to a love story mid-script. However, the performances are very good - Lucy looks stunning in her gowns and she plays the down to earth, savvy young woman very well; George Sanders is smooth as silk, and the two have good chemistry. Sir Cedric Hardwicke gives a standout performance, and Coburn is excellent. "Alfred the Butler" from the Batman series, Alan Napier, is also in the film, as is George Zucco.
Recommended. Very enjoyable. Just wish the emphasis had been more on the mystery.
An interesting curio for Lucille Ball fans as well as those who enjoy old horror and mystery films. This one is worth seeing for its cast alone, featuring (in addition to Ms. Ball): Boris Karloff, Sir Cecric Hardwicke, Alan Napier, George Zucco and George Sanders! This solid mystery/thriller stars Lucille Ball in a dramatic part before she became Lucy Ricardo. She plays a feisty American gal in England who is hired by Scotland Yard to go undercover to trap a serial killer who claimed one of her friends. Boris Karloff's role is a small one but it's absolutely wonderful, and it's an essential watch for the actors' legion of fans. George Zucco is a cop who keeps an eye out for Ball to make sure she doesn't get into too much trouble. *** out of ****
Director Douglas Sirk, later best-known for sappy Hollywood melodramas, makes this early Lucille Ball vehicle about a killer that writes poetry to the police about the victim he is going to kill. Ball plays a dance hall girl that loses a friend and decides to help by joining the Scotland Yard force. She begins to answer personal ads by men looking for attractive young women. Along the way she comes in contact with a slaving-like operation and a bizarre eccentric fashion designer played with incredible gusto by Boris Karloff. Karloff has roughly 5 minutes of screen time, but boy does he know how to use it. This is a very enjoyable film. If you are looking for a lot of action - look somewhere else. What you get here is a lot of talk and character studies. The cast is one of the most complete I have seen in some time. George Sanders, Cedric Hardwicke, Charles Coburn, Robert Coote, Alan Napier, George Zucco and Alan Mowbray round out this incredibly talented cast. Zucco really stands out as a plain-clothes policeman. Ball is beautiful, and she does a very credible job in the lead. Sometimes I forget that she was a gorgeous woman with a lot of talent other than making you laugh. But that was certainly her greatest gift. Lured is a good, old-fashioned mystery yarn. The killer is painfully obvious about halfway through, but the actors go through the motions with obvious relish. Unfortunately the DVD release I had by KINO had nothing on it all all in terms of extras...didn't even separate chapters from main feature!
Você sabia?
- CuriosidadesThe title was changed to "Personal Column" midway through the original U.S. theatrical release because staff at the Production Code Administration thought the word "lured" sounded too much like "lurid". Director Douglas Sirk felt the title change confused potential audiences and led to the film's box-office failure.
- Erros de gravaçãoSandra's British Scotland Yard ID describes her eye and hair colors. They are referenced as "color", which is the American spelling, instead of the British spelling, "colour".
- Citações
Sandra Carpenter: What is it tonight? A sweepstakes for zombies? I hope you two will be very happy.
- Cenas durante ou pós-créditosOpening credits: a flashlight pans along the side of a building, and the credits are written on the side of the wall.
- ConexõesFeatured in Vampira: Lured 1947 (1956)
Principais escolhas
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- How long is Lured?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Poesia en el crimen
- Locações de filme
- Piccadilly Circus, Piccadilly, Londres, Inglaterra, Reino Unido(opening establishing shots - archive footage)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 700.000
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Proporção
- 1.37 : 1
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