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IMDbPro

Estranha Fascinação

Título original: I Walk Alone
  • 1947
  • Approved
  • 1 h 37 min
AVALIAÇÃO DA IMDb
7,0/10
3,8 mil
SUA AVALIAÇÃO
Burt Lancaster in Estranha Fascinação (1947)
Frankie Madison leaves prison expecting a share from his ex-partner. But Prohibition bootlegging didn't prepare Frankie for Big Business.
Reproduzir trailer2:26
1 vídeo
36 fotos
Film NoirCrimeDrama

Adicionar um enredo no seu idiomaFrankie Madison leaves prison expecting a share from his ex-partner. But Prohibition bootlegging didn't prepare Frankie for Big Business.Frankie Madison leaves prison expecting a share from his ex-partner. But Prohibition bootlegging didn't prepare Frankie for Big Business.Frankie Madison leaves prison expecting a share from his ex-partner. But Prohibition bootlegging didn't prepare Frankie for Big Business.

  • Direção
    • Byron Haskin
  • Roteiristas
    • Charles Schnee
    • Robert Smith
    • John Bright
  • Artistas
    • Burt Lancaster
    • Lizabeth Scott
    • Kirk Douglas
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    3,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Byron Haskin
    • Roteiristas
      • Charles Schnee
      • Robert Smith
      • John Bright
    • Artistas
      • Burt Lancaster
      • Lizabeth Scott
      • Kirk Douglas
    • 48Avaliações de usuários
    • 29Avaliações da crítica
    • 55Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 2:26
    Trailer

    Fotos36

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    Elenco principal37

    Editar
    Burt Lancaster
    Burt Lancaster
    • Frankie Madison
    Lizabeth Scott
    Lizabeth Scott
    • Kay Lawrence
    Kirk Douglas
    Kirk Douglas
    • Noll Turner
    Wendell Corey
    Wendell Corey
    • Dave
    Kristine Miller
    Kristine Miller
    • Alexis Richardson
    Jorge Rigaud
    Jorge Rigaud
    • Maurice
    • (as George Rigaud)
    Marc Lawrence
    Marc Lawrence
    • Nick Palestro
    Mike Mazurki
    Mike Mazurki
    • Dan
    Mickey Knox
    Mickey Knox
    • Skinner
    Roger Neury
    • Felix
    Bobby Barber
    Bobby Barber
    • Newsboy
    • (não creditado)
    Brooks Benedict
    Brooks Benedict
    • Nightclub Patron
    • (não creditado)
    John Bishop
    • Ben
    • (não creditado)
    Charles D. Brown
    • Police Lt. Hollaran
    • (não creditado)
    Gino Corrado
    Gino Corrado
    • George
    • (não creditado)
    James Davies
    • Masseur
    • (não creditado)
    Jean Del Val
    Jean Del Val
    • Henri--Chef
    • (não creditado)
    Jimmie Dundee
    Jimmie Dundee
    • Hijack Driver
    • (não creditado)
    • Direção
      • Byron Haskin
    • Roteiristas
      • Charles Schnee
      • Robert Smith
      • John Bright
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários48

    7,03.8K
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    Avaliações em destaque

    7blanche-2

    Douglas, Lancaster, and Scott - Noir written all over it

    Well, Hal Wallis sure could pick 'em. These are three of his finest stars.

    Frankie Madison (Burt Lancaster) has just been released from prison after 14 years as "I Walk Alone" from 1947 begins. The film also stars Lizabeth Scott, Kirk Douglas, Wendell Corey, Mike Mazurki, and Kristine Miller.

    Frankie is under the somewhat mistaken impression that he owns half the club that his old partner Noll (Douglas) now runs. When Frankie first shows up, Noll attempts to feel him out. He's friendly and sets Frankie up for a dinner with his girlfriend Kay (Lizabeth Scott).

    Noll realizes that Frankie is prepared to use force to take what he thinks is his, so the situation becomes violent.

    This is a tough noir with Noll playing dirty all the way. Douglas is great as a real slimeball. Kay tries to encourage Frankie to move forward, but Frankie soon finds himself with a murder rap over his head. He decides to fight Null with everything he's got.

    Lancaster and Douglas are major hunks in this and both do a good job. Scott is beautiful and, after all, noir was her genre. She was perfect for it.

    This movie was filmed on a studio city set and looks great. Really adds to the noir feel.

    The end of the film is exciting.
    dougdoepke

    Celebrity Noir

    No need to recap the plot. There's one key scene unlike anything in the rest of 40's noir. Frankie (Lancaster) invades Dink's (Douglas) office to muscle in on what he's owed of Dink's big operation. But Frankie's a gangster of the uncomplicated 1930's, while Dink's a white-collar criminal of the coming 1950's. So. By the time Dink's accountant Dave (Corey) is through answering each of Frankie's threats with another layer of corporate ownership that can't possibly be divided, Frankie's reduced to a bundle of quivering frustration. In short, Dave has beaten all Frankie's assembled thugs with what amounts to a maze of legalese. As a result, piles of paper prove ultimately more powerful than gangs of gunmen in what amounts to a great unexpected scene.

    All in all. The movie's decent 40's noir, long on atmosphere but too long on talk, at least to my liking. I suspect the screenplay was tailored to showcase producer Wallis's top 3 new stars, especially Scott who gets a lot of romantic dialog along with sultry screen time. The overall result is a movie composed of too many under-blended showcase scenes- - some quite good-- that nevertheless don't really gel into a compelling whole. It's the kind of movie where the stars are more memorable than the story.

    Scott and Douglas, for example, really shine. Scott does some of the best acting of her career as the conflicted glamour girl. But I especially like Douglas's slimy version of a smooth-talking mastermind who's so self-assured, you can't wait to see him get what he's got coming. Douglas's early career specialized in such compromised types, a revelation to those only familiar with his later, more heroic, career. For his part, Lancaster does well enough with his distinctive looks, but Frankie is a less showy role than the other two.

    Anyway, one thing for sure—producer Wallis certainly had an eagle eye for new talent, as this movie more than demonstrates.
    7hitchcockthelegend

    For a buck, you'd double-cross your own mother.

    I Walk Alone is directed by Byron Haskin and adapted to screenplay by Charles Schnee, Robert Smith and John Bright from the play written by Theodore Reeves. It stars Burt Lancaster, Kirk Douglas, Lizabeth Scott and Wendell Corey. Music is by Victor Young and cinematography by Leo Tover.

    Frankie Madison (Lancaster) returns to New York after 14 years in prison. Noll Turner (Douglas), Frankie's former partner in bootlegging, is now a wealthy nightclub manager, and Frankie is expecting him to honor a verbal '50:50' agreement they made when he was caught and Noll got away...

    This is perfect noir foil for the three main stars, Lancaster is all macho mismanagement and edgy, Douglas is suave, cunning and intense, while Scott smoulders and portrays her conflicted character with believable confusion and an earnest yearning for worth.

    The story intrigues mainly through Frankie being a man out of his time, after serving 14 years in prison, he comes out to find the underworld he once knew has changed considerably. Yet he wants what is his and will put himself through the mangler in the old day way to get what he thinks he rightly deserves. Kay Lawrence (Scott) isn't a femme fatale, she just borders the type by default until the truth will out and the story arc folds inwards (love the way Tover lights her scenes).

    Douglas revels in being a villain, and the Noll Turner character gives him the chance to smarm, charm and trample on anyone who could affect his monetary gains. And so it is left to Corey as Dave to round out the key affecting perfs. He's the man closest to Frankie, but as a milquetoast type of lawyer, he has, while Frankie was in prison, helped legally cover the financial angles for Noll Turner. All characters are entering noirville and it makes for a satisfying experience for fans of such. 7/10
    7prometheeus

    Clever Screenplay for Three Stars

    I just saw this film two nights ago at the San Francisco Film Noir Festival. This was a beautiful movie filled with subtle shades of noir. The underrated Lizbeth Scott has the best performance in this rarely seen drama. There's great snappy dialog. Kirk Douglas is the perfect villain of this clever movie. It is so easy to see his son Michael's face on him. Burt was fun to watch as usual in giving his best to this intriguing screenplay. What was interesting to see unfold (in this almost 60 year old film) was how challenging the crime corporations are in pinpointing the vastness of what exactly they own. How they get around the skimming of the profits. As well as stating that they only "get" a minimal amount of the percentages ~ by the books. There was a lot of thought that went into this film and the three stars gave it their best. Pure quality.
    6Bunuel1976

    I WALK ALONE (Byron Haskin, 1948) **1/2

    Three of the stars from DESERT FURY (1947) – Burt Lancaster, Lizabeth Scott and Wendell Corey – were reunited in another, marginally superior noir that is most notable today for marking the first of seven screen pairings between Lancaster and Kirk Douglas. Although it was still very early in their careers, they had already become typecast as, respectively, the jilted, ex-con hero and the suave, slimy villain and this film has them reprising those characterizations – albeit less effectively than their prototype seen earlier in THE KILLERS (1946) and OUT OF THE PAST (1947); the same goes for Scott and Corey who both share a divided loyalty towards the two male leads. I WALK ALONE can also be said to have kick-started the directorial career of former technician Byron Haskin which lasted for twenty versatile years; unfortunately, that fact is borne out by the surprising lack of pace (which makes the film seem longer than its 98-minute running-time) and a rather weak climactic confrontation. Even so, the film is most interesting in the way it depicts the change in crime syndication (from streetwise toughness in the bootlegging Depression days to business acumen in the capitalist post-WWII era) that occurred during the fourteen years Lancaster spent behind bars: this is highlighted in a sharply amusing sequence when accountant Corey wrecks Lancaster's dream of owning half of Douglas' business empire (as they had verbally agreed on all those years before) by disclosing in "double-talk" the complex legal relationship that exists between the various companies owned by Douglas!

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This was the first film in which Kirk Douglas and Burt Lancaster were teamed. In total, they made seven films together.
    • Erros de gravação
      (at around 1h 27 mins) The main characters are travelling back to the city. After they pay the toll-booth attendant to cross a bridge, the car they are travelling in is seen speeding along beneath some elevated railway tracks. However, it is seen driving on the left side of the road, rather than the right side, for the USA. Some signage in the background is also reversed.
    • Citações

      Nick Palestro: For a buck, you'd double-cross your own mother.

      Skinner: Why not? She'd do the same to me.

    • Conexões
      Edited into Cliente Morto Não Paga (1982)
    • Trilhas sonoras
      Don't Call It Love
      Lyrics by Ned Washington

      Music by Allie Wrubel

      Dubbed by Trudy Stevens (uncredited)

      [Kay (Lizabeth Scott) sings the song at the club]

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    Perguntas frequentes15

    • How long is I Walk Alone?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 16 de janeiro de 1948 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Francês
    • Também conhecido como
      • I Walk Alone
    • Locações de filme
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Califórnia, EUA(Studio)
    • Empresa de produção
      • Hal Wallis Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 122
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 37 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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