Inverno D'Alma

This movie, wonderfully performed, touches some deep aspect of human life under stress. The combination of war and love affairs is not new. Neither it is the attraction between a mature man and a young girl. However, the spectators must be mislead if they follow that path. Why the movie is about trusting, at different levels: husband and wife, lovers, mature and young, at home, at work, at the pub. There is also a political involvement: the voice of the people, which has two sides. Love can be lost, honor will not. This motto is crucial.The war is an ominous backstage, never shown. Walter Pidgeon makes an extraordinary performance, the rest of the cast does not lag behind. The final scene is simply convincing: as it has to be. Appreciating it requires some insight, undoubtedly.

Good deeds better be their own reward since they can easily backfire as the movie shows. Poor Mark Sabre (Pidgeon) undergoes something of a mid-life dedication to doing good for others above everything else. Maybe it's a reaction to his cold-hearted wife (Lansbury) or renewed affection for now married former flame Nona (Kerr). Whatever the reason, circumstances are conspiring to ruin him because of his kindness. So how will things finally sort out.

It's the kind of production MGM specialized in—classy players in classy surroundings (British). Nonetheless, the topic of unwed motherhood was rather daring for its time, figuring quietly but importantly in the plot here. It's Britain 1939 and civil society is responding to WWII mobilization, including the small town of Pennygreen, whose sons are suddenly marching off to war. While on the homefront, volunteers are flocking to boost civil defense.

The movie's first part meanders some, appearing to head in one direction— namely, straightening out Sabre's love life. But then his lady-love Kerr largely disappears from screen, gone into civil defense. At the same time, the second part changes direction, picking up in suspense, when the unlucky Effie enters the picture. Because of Sabre's selfless attitude, we can't be sure how the movie will end. Still, I wonder if there isn't a backstory to Kerr's abrupt absence and the resulting shift of direction.

Anyway, in my book, a youthful Leigh steals the film with a highly sensitive turn as the star-crossed Effie. It's easy to see why she climbed the Hollywood ladder so quickly. At the same time, the unknowns playing High Jinx and Low Jinx manage to spark proceedings with their imaginative character concepts. Of course, vets like Pigeon and Kerr come through on cue, while Lansbury's stony wife would send any guy packing.

All in all, it's well done soap opera with a few surprises that should please fans of tangled relationships.

This was sort of two movies in one. It started out with Angela Lansbury as a self-centered woman who was fearful that her husband (Walter Pidgeon) would be drawn back to his old flame. Lansbury was quite good as the wife who had an interesting approach to this situation. But later, the movie turned into a story about a young woman (Janet Leigh, doing a good British accent), who turns to Pidgeon for help and inadvertently causes a host of problems for him. Deborah Kerr is also good as Pidgeon's old girlfriend, but even with the good cast, the movie overall is little more than a confused soap opera, and the ending doesn't make much sense. Not one I'd recommend, unless you're a particular fan of anybody in the cast.

This film begins in England...just a few months before World War II begins in Europe. Mark (Walter Pigeon) and Mabel Sabre (Angela Lansbury) have been married three years--and it turns out he married her on the rebound. His old fiancée, Nona (Deborah Kerr) has just returned to her home town....the first time since she broke Mark's heart. Mark and Nona are foolish, as the start spending time together alone 'as old friends'. Not surprisingly, however, it stirs up feelings within them--dangerous feelings for both their marriages. Soon, however, Mark pushes Nona away and remains true to his wife.

Over time, it becomes painfully obvious that Mark is a very nice guy. While his wife is easy to dislike since she's so unpleasant, he wants to fulfill his obligations to her and the marriage. He also is very kind to a young neighbor, Effie (Janet Leigh)--as she lives with a puritanical and tyrannical father. When Effie becomes pregnant and is thrown out of her home, Mark invites her to live with them. This throws Mabel into a nastier than usual mood. She verbally abuses her servants and so they quit, then she lets Mark know that Mark must do nothing to help Effie. Mark chooses, instead, to tell his wife to get out...she's gone too far.

After young Effie moves in, Mark's boss uses this as an excuse to break his contract by firing him. They claim he's violated a morals clause. Can things get worse in this very soapy film....oh, yeah! The moralistic town begins to boil like a cauldron...why and what happens is something you'll need to see for yourself. Be aware, however, that it is a bit racy for a 1940s film.

While you do feel sorry for Mark because he's such a decent guy, as you watch you might also feel that he's incredibly foolish and makes many dumb choices. Clearly he's backed himself into a corner and now it looks like everyone is ready to tear him to pieces.

Despite Mark being a bit dumb (and by the end he seems like a TOTAL idio), the film is pretty good. As I mentioned above, it is very soapy--like a traditional soap opera with LOTS of salacious elements. But it works because the acting is so good--otherwise the film might have come off as too over the top and perhaps even silly. Worth seeing but blunted a bit because Mark was just too nice--almost a putz in the film. Otherwise I might have scored it a bit higher.

This MGM film from 1947 was based on a fine book from the 1920s set in the World War One era. That book, and the silent film originally made from it (which I think is lost) were extremely popular in their day, though largely forgotten now.

The story, with spiritual-religious overtones, is about Mark Sabre, a man who is truly doing his best to live according to his principles.

It's set in a small English village, where, despite being misunderstood and even persecuted for his humanitarian actions, Sabre carries on according to his values. In the course of events, he loses his job, marriage, even his health, but refuses to surrender or lose his soul, as it were.

The updating of the story from one war to another (World War Two) seems rather arbitrary. It should work, but the whole thing had more validity in the earlier period. I'm not sure why.

There's also something slightly off about the tone of the production. There's not enough subtlety, especially in the rather heavy-handed direction (Victor Saville). Some of the supporting characters aren't very well rounded - especially when they're the less likable ones. Angela Lansbury as Sabre's wife and Reginald Owen as his boss fall into this category. They're almost hissable villains, at times.

Deborah Kerr and Janet Leigh, on the other hand, come across better as more likeable and principled people in Sabre's life.

Walter Pidgeon is meant to carry the film, more or less (Kerr, the leading lady - though excellent - has less screen time). As an actor, Pidgeon is, as always, good, but still not in the category of a Ronald Colman or a Robert Donat. He's also too old for the part, and (though it's not that important), not actually English.

Nonetheless, it's a compelling story, and, while the film is no masterpiece, the basic plot and premise of the original novel carry it along and hold the interest.