Três Idiotas de Elite

Taken at face value, without knowledge of the history behind it, this is a lot of fun. The dining table & reading scenes are among the funniest Stooge bits I've ever seen, and the latter includes what has to be the strangest Stooge quote ever: "Tar yetridy eeth say. Glug zap snorglotz ramitz. Ronissance kibbaertz..."

The problem is, this is hard to take at face value. Even if one didn't know about Curly's career-ending stroke while filming this, one has to wonder why his character never comes back after walking off to go sit down -- his absence from the rest of the film is obvious and makes no sense.

This was just the beginning of what was clearly a hard period for Larry & Moe. It's hard to imagine them having to be funny on film for the next several years while seeing Curly waste away, or during 1956 having to pretend the late Shemp was still filming with them. Knowing these parts of their history can really overshadow the humor of some of their films.

Two professors disagree on nature vs nurture and make a bet on it. When maintenance workers Larry, Curly, and Moe show up, Prof. Quackenbush offers $1000 to make them into gentlemen with help from his statuesque daughter Lulu.

This short fits well with The Three Stooges. It is most well known for Curly's devastating stroke during filming. It would mark the effective end of Curly with the Stooges. This one has as much joke telling as physical comedy. It does end in a pie fight and there is nothing as joyful as a pie fight. It's simple fun in a simple concept with a sad background.

Excluding a cameo appearance he has in "Hold That Lion", this is really the last 3 Stooges film ever to feature Curly. It is a satisfying swan song... if Curly had to end his acting career with a film, I'm glad it was this one. The premise is basically re-used from an earlier Stooges short "Hoi Polloi" (i.e. two professors bet whether environment or heredity determines social behavior and use the Stooges to settle their wager) but this film is, in my opinion at least, superior to "Hoi Polloi" thanks largely to Moe's acting contributions (he seems to be at his most vicious here; among other things, he dumps his cigar ashes down Curly's throat) and some new gags (the memorable dining table scene). Curly does not appear in the film's final moments (he suffered a stroke before those scenes were filmed) and the film suffers a little from that but this is still one of my very favorite Stooge flicks... historical aspects aside. RECOMMENDED

This short is indeed, like all the shorts, a classic. I couldn't help but see at the end, after watching, Moe was noticeably not himself. I've read many times about the stroke that poor Curly suffered during the making of this, and you can see in Moe's delivery of his lines that this event's eating away at his heart. I can't imagine how he must have felt when just minutes earlier his brother was being rushed away to the nearby emergency room. Moe did say in an interview,despite his inner heartbreak and not knowing if Curly was alive or dead, that "The show still must go on". And being the professionals they were, Larry and Moe finished the short without Curly. The Three Stooges were without a doubt the most amazing and groundbreaking actor/comedians of all time. And just like the old saying goes, "People like this come once every thousand years". God Bless Them, and may They Rest in Peace.

HALF-WITS' HOLIDAY was Curly Howard's sad swan song. Riding high from his amazing performance in the previous Stooge short, THREE LITTLE PIRATES, it is hard to believe that Curly suffered a major stroke during the final days of filming. Curly has already suffered a minor stroke ten films prior to this one, and his performances were up and down after that. In some films, he was more or less his old self. In others he was sickly.

The short is a story remake of the Stooges' 1935 film, HOI POLLOI, in which a professor (Vernon Dent) wagers a colleague (Ted Lorch) that he can transform the Stooges into refined gentleman. The short itself is paced slower and more gradually than HOI POLLOI, which moves at a very brisk pace. Some of the action has been shifted from Curly to Larry, as Curly was no longer able to caryy our full sequences anymore, due to his illness. In this film, Curly's voice (which had been strained for his last few films) is more high-pitched than usual, and his actions are more natural. One would think that filming was happening simultaneously with THREE LITTLE PIRATES. Contrary to what author Jeffrey Forrester wrote in his book "The Stooge Chronicles," Curly's overall performance is not that sluggish. The first scene where they boys are working on the fireplace is an example on Jules White giving Curly's lines to Larry, as Curly remains mute for most of this scene, and doesn't have a line until nearly three minutes into the film (`Our father would never forgive us'). However, his mock eating scenes with Moe and Vernon Dent are his last great moments on film. There is a spirited `woo woo woo' when the butler (played by new character actor Emil Sitka) announces `luncheon is served.' Instead of having Curly handle scenes with a few others, he is reduced to sharing the screen only with Moe. Larry and Moe then handle the plucking of the hand hair under the table routine. Curly even gets a few close-ups of applying lipstick. Which unfortunately, reveal how badly his 42-year old face had been ravaged from his illness. Maybe his body was giving him a break before finally falling apart altogether. It starts to show by the party scenes. Curly is already looking tired and his voice is starting to deepen again. As documented in The Columbia Comedy Shorts, Curly was having serious problems mastering brief dialogue when first talking to party guest. Larry starts with `delighted,' followed by Moe: `devastated;' and then Curly: `Dilapidated.' The final result may look OK, but Jules White later commented `I had a devil of a time. I should have realized then that (Curly) was deteriorating even further.' Then, when Curly bends over to pick up the silverware that falls out of his tuxedo jacket, he looks like as old man. Curly had a stroke on the set during the filming of the pie fight. This explains his absence during this scene. Moe had found poor Curly with his head slumped on his shoulder. Moe had Curly rushed to the local hospital, and then completed the pie fie shots with Larry. One must watch Moe and Larry, realizing that while throwing pies, their thoughts were preoccupied with images of Curly's head slumped on his chest, unable to speak. What makes HALF-WITS' HOLIDAY all the more fascinating is that even though the film was a remake of HOI POLLOI, only the storyline is reworked. This would become the standard practice when it came to remakes during the Shemp until 1952, when entire scene were lifted from older Shemp films due to tightening budgets. No older footage is used here, which is commendable. During Curly's tenure with the Stooges, only one remake was made, and not out of budgetary constraints. Had this been a post-1952 remake, then footage of HOI POLLOI may have been inserted to make up for Curly's absence. Curly's premature departure from the filming of HALF-WITS' HOLIDAY actually helped the Stooges in the future, as the pie fight footage would be reused several times in the future. Without Curly in the shots, the footage was generic and had great flexibility. Footage from the 1941 Stooge pie film IN THE SWEET PIE AND PIE could easily have been inserted here to remind us that Curly was in this short, but Jules White never quite resorted to this tactic. HALF-WITS' HOLIDAY is a final word on Curly Howard as a full time Stooge. Though Curly's older brother Shemp would step into the act to keep the Stooges going, the films lost a special charm. Shemp was a gifted comedian, and added a different flavor to the Stooge comedies that many fans and critics have criticized him for, but the youth of the Stooges left with Curly's departure, ending the career of one of the greatest comics of his time.