O Fantasma Apaixonado

Lucy Muir, a widow of one year, decides to start life anew, with daughter and faithful housekeeper, in a cottage by the sea, despite the warnings by the real estate salesman that the house is haunted by the ghost of its former owner, a seaman, Capt. Gregg. After Mrs. Muir encounters the ghost, the two strike an eerie, yet deep relationship, which grows even more when Lucy, forced to earn the money for payment of the cottage, writes a book about the captain's sea encounters. When Lucy sells the manuscript, she meets and falls for a fellow writer, a relationship, which does not sit well with the housekeeper, the daughter, and especially the captain. Will Capt. Gregg have to roam again to find eternal happiness? A beautiful film from all standpoints, with brilliant performances by Tierney and Harrison, who play extremely well off each other with tender, humorous, and bickering encounters, and Sanders, who is as usual, his charming self. A touching and romantic ending set this film off as one of the all time great cinematic love stories. Rating, 9 of 10.

If I may say so this film is one of the most haunting and lovely romances ever on screen - ghost and all. Once you step back in time into that prim, Victorian world it is hard to turn away. That's what makes for great movies.

Gene Tierney is perfect in her role as Lucy, a young widow, very strong-willed and with a mind of her own. She decides to leave the home and relatives of her late husband to find a new life of independence for herself and her daughter. She is shown "Gull Cottage" by an agent and is determined to rent the seaside cottage although it's known to be haunted by the ghost of a sea captain.

Eventually, once settled into her new surroundings, she is confronted by the apparition of Captain Daniel on a blustery stormy night. Their acquaintance does not get off to an easy start but he decides she can stay and won't trouble her with his houndings which would have ordinary people put to flight and making a hasty retreat. Her amusing exchanges with the captain, played by Rex Harrison, are a delight. I particularly liked her expressions which were corrected by him, such as: (she describes) sheets bellying in the wind, (he, correcting her) sails billowing; (she, in a flurry for him to be gone, asks him to) decompose, (he haughtily retorts) dematerialize, madam!

When she develops an interest in a certain outsider, Miles Fairley, suitably performed by that perennial ladies' man, George Sanders, well the captain becomes very annoyed and tells her, "I said you should see men, not perfumed parlor snakes," which I thought was amusing and a very apt description.

I think the overall tone of the story tends to confirm a universal belief in an afterlife form of existence, a conviction as old as mankind itself. However, in this story the emphasis gradually shifts to supplanting the experience of a ghostly dialogue exchange with that of a dream state as being the source of reality, in effect Lucy dreamed it all, even the writing of the book, which is something I would question but that's another matter.

The exquisite music throughout the film sets the mood beautifully in expressing the many changes varying from haunting, romantic atmosphere to frolicsome (when the captain is up to his pranks), as well as the churning turbulence of the majestic waves along the shore.

I've recently acquired the DVD and appreciate having the subtitles now which brings out more details of the dialogue. This is a very special movie one doesn't easily forget, and so well done, pure artistry on film.

I first saw this movie when I was very young - maybe 9 or so - when my mother rented it. I remember watching it over and over again. When I saw that the DVD had come out I didn't even hesitate; I bought it right away. I'm glad I did.

There are many themes that find their way into this movie: feminism, romance, the supernatural, etc. The one that struck me the most was a longing for something that could never be while maintaining the practical to survive. There is a constant tension between Gene Tierney (Mrs. Muir) and Rex Harrison (Captain Gregg) that is never really satisfied. Words of love are never spoken, not even in the passionate monologue from Rex Harrison. But they are unnecessary because the undercurrents are so strong. Through this tension they work and live normally because what else is there to do? Because of this there is a layer of sad acceptance in the actions of Mrs. Muir and Captain Gregg, which is understandable to all of the audience - this is an emotion that all people are forced to feel at one point or another.

From a technical standpoint, the film is obviously in black and white which does nothing to detract from the story. The cinematography was nominated for an Oscar, and should have won in my opinion. I also am one of many that want to rebuild the house and live there forever. The passage of time should definitely be noted, as it was masterfully portrayed.

On the whole, it is a wonderful movie which I would recommend to anyone.

Joseph L. Mankiewicz was the right choice for directing this film. He created a film that survived the passage of time. The R. A. Dick's novel was adapted by Philip Dunne. "The Ghost and Mrs. Muir" is blessed with one of Bernard Herrmann's best film scores. The music greatly enhances what one is watching on the screen. Charles Lang's cinematography gives the illusion we are somewhere on a remote spot of England, when in reality the film was shot in California!

"The Ghost and Mrs. Muir" gave its star, Gene Tierney, one of the best roles of her career, after "Laura". Ms. Tierney had the fragility to portray Lucy Muir, the plucky young widow that decides to move to the coast against her in-laws wishes. The idea of the film plays well as it unfolds because obviously, it's all in Mrs. Muir's mind all what she is experiencing.

Rex Harrison's Capt. Daniel Gregg was also one of his best opportunities as a leading man in the movies. Mr. Harrison is perfect as the crusty old seaman that refuses to abandon his beloved home overlooking a beautiful view of the sea. Mr. Harrison plays well opposite Ms. Tierney; their chemistry works well because it combines his rugged good looks and her beauty.

The supporting players are good under Mr. Mankiewicz' direction. George Sanders, Edna Best, Natalie Wood, Robert Coote, Vanessa Brown, all give good performances and enhance the film.

This film will always be a favorite for fans, young and old.

The Ghost and Mrs Muir reunited the Dragonwyck lead actress Gene Tierney, and its director Joseph L. Mankiewicz for an even better film. The Ghost and Mrs Muir, while a little pretentious at times, stands out as one of the finest romance films of Hollywood's golden period, and an interesting and entertaining fantasy film to boot. Over four decades before Demi Moore fell in love with a ghost in the sentimental, sappy trash flick 'Ghost'; Gene Tierney was doing it in far better style with this film. As you might expect from a film that features a woman falling in love with a spirit; there's more than a few plot holes on display. However, the film has this great ability to make the audience believe in it - and that is mostly down to the fabulous performances from all concerned. The plot follows a widow who moves into a house by the sea in order to escape her meddling in-laws. She knows that the house is haunted before she moves in, but the idea of living in a haunted house fascinates her; and she's fascinated further when she finds herself falling in love with the ghost of the previous owner.

It has to be said that, with the characters, what you see is pretty much what you get. Gene Tierney, whom I'm becoming a bigger fan of every time I see one of her movies, is the headstrong widow - while Rex Harrison is the cantankerous seaman. The characters mostly bathe in their own traits, but this helps the film immensely as it means that it's their relationship that always takes centre stage, and that is the biggest draw of the film. The film is very romantic, but it never gets dull or sappy. The ending brilliantly shows the film in its best light, as it's as heart-warming and tragic as the film deserves. Aside from romance, there's a strong comedy element in the film - and the best is often made of that, most notably in the hilarious sequence that sees the in-laws visit our heroine's new house. One thing I love about old films is the way that they show how different things are nowadays - this is best shown here by the fact that, in one scene, Rex Harrison is told off for swearing; after saying 'blast'. Overall, this is an excellent and criminally under seen movie that comes with high recommendations!