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6,0/10
314
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Adicionar um enredo no seu idiomaConvict Johnny is forced to participate in a prison break by fellow inmate Matt. They escape and separate. Johnny falls for waitress Hope and hides in a roadhouse where he thwarts a hold-up.... Ler tudoConvict Johnny is forced to participate in a prison break by fellow inmate Matt. They escape and separate. Johnny falls for waitress Hope and hides in a roadhouse where he thwarts a hold-up. But soon Matt shows up - ready to use his gun.Convict Johnny is forced to participate in a prison break by fellow inmate Matt. They escape and separate. Johnny falls for waitress Hope and hides in a roadhouse where he thwarts a hold-up. But soon Matt shows up - ready to use his gun.
Don C. Harvey
- Mathew 'Matt' Gruber
- (as Don Harvey)
Don Brodie
- Motorist at Diner
- (não creditado)
Tommy Noonan
- Stick-Up Man
- (não creditado)
Avaliações em destaque
There is actually quite a lot going on in this crime-noir. Petty criminal "Johnny" (Paul Langton) is coming to the end of his sentence but before he makes it to the gates, he is coerced into taking part in a prison break that sees him on the run, alone, making for a remote diner where he is to meet "Hope" (Cathy Downs) and wait for his nemesis "Gruber" (Don Harvey). Now it turns out that she's not one of his biggest fans either, and together the two youngsters concoct a plan to alert the police and, meantime, they start to take a shine to each other. Perilous stuff for all concerned and the young, green, "Johnny" isn't best equipped for what's to come. The acting from Downs and Langton here is quite effective, delivering a degree of chemistry and with a strong supporting cast - including the usually reliable Mischa Auer, and Roman Bohnen as the dipso chef - makes for quite a competent, low-budget, thriller. I'm not sure about the ending, but it's certainly not what I was expecting. It's well paced and worth a watch.
This is one of those great B-features with only B-actors that achieve a better result than most A-features. The acting is perfectly natural and convincing, the story Is as fascinating and sustained as any noir, and this is yet another testimony of the fact, that the art of the film reached in the noir genre a higher level of sustained drama and quality than almost any other cinema genre. To this is added the very special quality of Mischa Auer, a great comedian with dark undertones, who here as usual shows off his musical abilities. The music of the film is surprisingly good, there is even an excellent performance by Cathy Downs with castanets, dancing to Schumann's "Aufschwung" played on a primitive gramophone but nevertheless conducted by Mischa Auer. This is a great minor thriller, and just the beginning promises in its very dramatic tension something of a classic. It is minor, but nevertheless outstanding.
Very classic film noir,but with interesting characters:Marian Kirby , as the matronly owner of an eating-house , who acts like a mom for two losers;ditto for Ronan Bohnen as Smitty , who left his family and whose solitude has become too hard to bear ; Cathy Downs is the next-door girl , the gentle but determined girl Teresa Wright style ; she too ,has a racy past ,and she winds up in Maggie's restaurant to forget it. Paul Langton is a convict forced to escape willy nilly because an inmate "stuck a gun in his guts" ; he soon considers Maggie -who calls him "son"- his mother ;both Hope (what a well-chosen first name) and johnny are losers and think that their love is already doomed ; they go out on a limb because Matt , the other convict ,is Hope's former evil genius and may return any day now to find back his girl .It all begins in a sewer ,where Paul and Matt hide from the police; the ending seems a little hurried and botched, but it's a low budget movie ,and it generally makes the best of it.
Its basically the old story of some prisoners on the run but manages to rise above what you would expect. The leads, little known Paul Langton and beautiful smoky-voiced Cathy Downs, are terrific together and deliver quality performances. All of the acting is generally good and as the film progresses you will get interested in the characters and what happens to them.
Much is said about the darkness of the film's available prints but it takes place mostly at night and to me the dark nature of the story is suitable for old faded dark film stock, but yes it does need a good restoration someday. The copy I bought was viewable and good enough.
Somehow this film, rather than the usual claustrophobic look of many studio-bound cheaply made films of the era, has managed to convert the closeness and night into an intimacy and immediateness that uses the "smallness" to its advantage. Very few small films are able to achieve this.
Taught and well-acted by an ensemble cast, "For You I Die" breaks out of the black and white cheapie mold and is far above being just another obscure second bill throwaway.
Much is said about the darkness of the film's available prints but it takes place mostly at night and to me the dark nature of the story is suitable for old faded dark film stock, but yes it does need a good restoration someday. The copy I bought was viewable and good enough.
Somehow this film, rather than the usual claustrophobic look of many studio-bound cheaply made films of the era, has managed to convert the closeness and night into an intimacy and immediateness that uses the "smallness" to its advantage. Very few small films are able to achieve this.
Taught and well-acted by an ensemble cast, "For You I Die" breaks out of the black and white cheapie mold and is far above being just another obscure second bill throwaway.
"For You I Die" is a very low budget movie with mostly lesser-known actors. Apart from Mischa Auer, the cast is filled with talented but anonymous looking actors and actresses. However, this does NOT mean the film is poor in any way. And, apart from a lull during the unnecessary castanet scene, it's a dynamite little film.
In an unusual break with conventional style, the film begins just after a prison break. All the things leading up to it you learn later in the film--such as how Johnny Coulter (Paul Langton) was forced into the escape even though he was nearing the time for his parole. And, with his 'pal' killing a guard in the process of their escape, Johnny is scared not only of being caught by the police but of his fellow ex-inmate, Gruber (Don Harvey). Johnny has been instructed to go to a certain small town and look up Hope Novak (Cathy Downs)--and to wait with her until Gruber returns. However, it turns out that Hope hates Gruber as much as Johnny--and both are scared to do anything. And, over the course of this week, they start to fall for each other--something that could easily get them killed.
The film works well because of the Langton's nice but tough performance. Additionally, the supporting characters really did a nice job--mostly because the writing and dialog worked so well. Not a great film but an exceptional film considering its humble pedigree.
In an unusual break with conventional style, the film begins just after a prison break. All the things leading up to it you learn later in the film--such as how Johnny Coulter (Paul Langton) was forced into the escape even though he was nearing the time for his parole. And, with his 'pal' killing a guard in the process of their escape, Johnny is scared not only of being caught by the police but of his fellow ex-inmate, Gruber (Don Harvey). Johnny has been instructed to go to a certain small town and look up Hope Novak (Cathy Downs)--and to wait with her until Gruber returns. However, it turns out that Hope hates Gruber as much as Johnny--and both are scared to do anything. And, over the course of this week, they start to fall for each other--something that could easily get them killed.
The film works well because of the Langton's nice but tough performance. Additionally, the supporting characters really did a nice job--mostly because the writing and dialog worked so well. Not a great film but an exceptional film considering its humble pedigree.
Você sabia?
- CuriosidadesThis film's first documented telecast took place in San Francisco Monday 13 August 1951 on Chevrolet Movie Time on KRON (Channel 4); it next aired in Los Angeles Sunday 30 September 1951 on KLAC (Channel 13) and in Philadelphia Tuesday 13 November 1951 on WFIL (Channel 6),
- ConexõesFeatured in Frances Farmer Presents: For You I Die (1958)
- Trilhas sonorasDown in the Valley
Traditional
Sung by Marian Kerby
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- For You I Die
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 16 min(76 min)
- Cor
- Proporção
- 1.37 : 1
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