Dick Tracy Contra o Monstro

"Dick Tracy Meets Gruesome" was the last of the Dick Tracy films, but the series ends on a high note, with Boris Karloff as Gruesome, and he's true to his name. It's not clear why this series didn't continue.

The premise is a funny one - bank robbers use this freezing spray to stop people mid-sentence and mid-movement. Tess Truheart (Anne Gwynne) is in a phone booth when the robbers spray, so she's able to crawl to a telephone and call Dick. Gruesome is the head honcho, but he's not going to be easy to catch.

The characters in the film all have the grotesque look of the comic strip characters and the same crazy names, I. M. Learned, A. Tomic (physicist) etc.

Gwynne is more like Anne Jeffreys was - beautiful and street smart, more of a leading woman than the ingénue cast in another of the films.

I think that characterization of Tess as good-looking and sharp works better for the character than a sweet girl next door type.

This Dick Tracy was more expensive the others and stars the preferred Tracy, Ralph Byrd, who also did the Dick Tracy TV series.

Enjoyable.

While none of the four Dick Tracy films made by RKO in the 1940's are particularly extraordinary they're fun, the actors are charming, and the atmosphere of the films is nice and seedy. Plus, they often mixed in a little sci-fi and some comic strip style humor (such as characters named Dr. A. Tomic and I. M. Learned) in with the bargain basement film noir that manages to set the films somewhat apart from other crime-themed B-films of the time.

The final film in the series, Dick Tracy Meets Gruesome, is probably the best of the four, mostly due to the absolutely wonderful cast. Boris Karloff is dependably creepy and charismatic as the main villain. Minor 1940's B-movie icon, Ann Gwynne is the sexiest Tess Trueheart of the early films. The incomparably menacing, ghostly Skelton Knaggs plays X-Ray and, like he always did, steals every scene he's in. Everyone is great.

The story, concerning Karloff using a gas that puts people into temporary suspended animation to rob a bank, moves at a gallop and is delivered with humor and style. There's not a dull moment in the film and it's more than worth the vintage B-movie enthusiast's time.

Ralph Byrd is well-suited to the role of Dick Tracy, and this is a solid B-feature overall. But it is Boris Karloff, in the role of "Gruesome", who lifts the movie above the norm for its genre. He makes his character come vividly to life, and makes him into a believable and formidable foe for Tracy.

The story is enjoyable, if a bit on the wacky side, with a gang of criminals taking advantage of a gas that is supposed to cause temporary paralysis in anyone who breathes it. Tess and Pat also get their moments as they help Tracy track down the gang.

Karloff was an impressive and unusual talent, using his appearance, voice, and mannerisms in all kinds of ways, generally relying on the little things and on understated actions to create his character. He was certainly in a number of movies of far greater stature than this one, but in this, as in almost all of his roles, he is very interesting to watch, and he adds a great deal to the movie.

This was my first look at one of these old Dick Tracy movies. I believe most of them were very short, like those, a little over an hour long, and pretty fast-moving. Apparently, this is the fourth and last one of the films. I read where many people think it's the best, so I started here....and wasn't disappointed. It was entertaining.

What I found, at least in this movie, was a mixture of crime and some humor. Here, too, was a little sci-fi thrown in as someone invented a gas that would freeze anyone near it for about 15 minutes. The crooks, of course, freeze everyone at the First National Bank, and then go in and rob it. (These were the days before video cameras.)

Early on, one of the characters mentions something about a creepy-looking guy, "someone like Boris Karloff." The guy WAS Boris Karloff. Later, a doctor who could help the police figure out this mystery gas goes by the name of "Dr. A. Tomic," physicist. Still later, there is a dramatic scene in a room with a big sign that reads, "Y. Stuffem, taxidermist." The film is full of these little corny things making it a crime-comedy type of story.

Yet, the bad guys are tough guys. Karloff is convincing as a big thug who would kill without remorse. To me, he really makes this movie and elevates the crime angle of it beautifully. He was one-of-a-kind: had the perfect look and voice for scary roles on film. Skelton Knaggs, as "X-ray," as a frightening face.

If we sometimes pay lip service to the notion that Boris Karloff was a fine actor, we are hard-pressed to offer examples - unless we mean his memorable gallery of monsters, mummies, mad scientists and assorted grotesques. In this unlikely film can be found one of the best performances of his career: that of a criminal, to be sure, but an ominous character who projects menace rather than horror. Karloff underplays the ruthless, single-minded social misfit whose manner is close enough to the norm to enable him to move among commonplace types without attracting undue attention, but is at the same time sufficiently glowering to intimidate even his henchmen. Among the latter is a perfectly contrasted ally in the person of Skelton Knaggs.

About the rest (apart from the tantalizing opening shot)...the less said, the better. But here is a B picture raised to the level of B+ by the solid work of a genuine professional.