O Ardil do Médico

The crime doctor, Dr. Ordway (Warner Baxter) gets involved in an art scam and murder in Paris in "Crime Doctor's Gamble." Because he's friendly with the prefecture of police, Ordway, in France to give lectures, is taken into his confidence about a troubling murder case, which may just involve a knife thrower appearing at a local club. The man is accused of killing his own father, and his attorney wants to go for an insanity plea. When two other murders occur, Ordway sets a trap to expose the true murderer.

I guess people take these Crime Doctor movies a little more seriously than I do. I found this entertaining, and I loved the wild dancing that took place at the nightclub. This is supposed to be Paris after the war, but we know it's a set at Columbia studios. There are some French actors to give it a little authenticity. In the nightclub, when the next act is announced, it's done in English, however! Baxter is his usual tired, relaxed self. I imagine, having suffered a nervous breakdown, that he was on medication; nevertheless, he gives a warm, kindly performance. Quite different from his manic portrayal in "42nd Street." As far as the psychological jargon being incorrect, it's incorrect in nearly every film from this era, including "The Greatest Show on Earth." Don't let it bother you.

When an old man is stabbed in Paris, the visiting "Dr. Ordway" (Warner Baxter) is called upon by his policeman friend to investigate. It soon turns out that the man's son looks like he is the prime suspect. Thing is, he has a limited grasp on reality and isn't at all sure what could have happened. He just knows that he was furious with his father who disapproved of his new bride - the daughter of a cabaret performer. As "Ordway" uses his unique methods of detection, he begins to think that the killing is just the tip of an iceberg that will lead to a cunning plan to counterfeit famous and valuable works of art. This is a rather run-of-the-mill and predictable thriller that's let down by way too much dialogue and some seriously ropey French accents - all delivered by an ensemble (including Baxter) who didn't look particularly interested in the proceedings. This one also takes us into the realms of schoolboy psychology a little more clumsily than in some of the other "Crime Doctor" outings and some of the conclusions being drawn do stretch the imagination somewhat. It does try to up the ante for the genre, but there's not enough action and mystery to compensate for the drawbacks.

This entry in the "Crime Doctor" series (based on the radio program of the same name) finds our protagonist in Paris giving a lecture on crime prevention. After the lecture, Dr. Ordway meets a Parisian colleague who takes him out for a night on the town "with no interruptions" (i.e., cases to solve). After visiting about half a dozen famous night clubs (identified by a series of neon logos), they arrive (apparently cold sober) at one where a knife thrower is performing, and where they actually engage in some dialog which sets the stage for the future "interruption".

The next day, Dr. Ordway is introduced by his colleague to an apparent manic-depressive who allegedly killed his father with a letter opener during an argument. While investigating the murder (the "interruption" we of course knew was coming), Dr. Ordway discovers that the case also involves the mysterious theft of art copies.

Like many another movie mystery, explanations that tie up loose ends are offered after the crime is solved, just in case the audience couldn't (or in this case, wasn't given the opportunity) to figure them out as it went along.

Connoisseurs of American film will recognize among a cast of generally unfamiliar French actors, Emory Parnell in a small but pivotal part as art dealer O'Reilly, and Steven Geray as the family attorney of the deceased.

I have just now had another look at this to clear my mind on some points about it. That was no hardship as all films in the Crime Doctor series are re-watchable anyway. I suppose it may have been all the French names of the characters in this that threw my Anglo-Saxon sleuthing off-kilter the first time round. The characters and their motives are presented to us in a tantalizing way. The only complaint I would make is that this film kills off the most interesting of those characters too soon.

The Crime Doctor is in Paris for two weeks to give a couple of lectures and then spend the rest of the time vacationing. But as with all his vacations he soon finds himself entangled in a case. He is called upon to give his opinion on the sanity of a man who is convinced he has killed his father on a night shrouded under an alcoholic blur. Also this man has been in a concentration camp in the war so there is a question on whether some sort of neurosis in him has been caused by that.

Ordway is drawn further into the case when his old friend Inspector Morrell takes him on a tour of Parisian nightlife. The sleazy little cafe is the best of all the settings. Ordway wonders why Morrell has brought him to such a place after they have tasted the highlights of Parisian cabaret earlier in the night. Morrell wants Ordway to look at a knife-throwing act that he has his suspicions about. The knife-throwing is good as well as the Apache dancing we get to see at the cafe.

While visiting an old friend in Paris, the Prefect of Police, the Crime Doctor gets involved with the complex stabbing murder of an old man supposedly by his son. The suspect is described as a worthless idler who suffers from some war-induced psychological problems. But is he capable of murder? The beautiful Micheline Cheirel (in her last film role) plays the love interest – married and loyal to the suspect but also the daughter of a knife-thrower who is an old friend of the murdered man.

The Crime Doctor always seems to know who is lying and telling the truth in the absence of any evidence to support his theories. The defendant's lawyer does not practice criminal law and the defendant does not appear to care whether he lives or dies. Is the only defense insanity? If he gets off the murder charge due to insanity, who inherits? What about a fourteen year-old contract between the murdered man and the knife-thrower? How many more murders? Intrigue in the art world leads the Crime Doctor to the solution.

Interesting dance apache sequences. Directed by future horror-meister William Castle. Fair.