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"Cry Wolf" came along when Errol Flynn's career was in slight decline. He hadn't had a successful film at the box office for the last few years but the above film is interesting and reasonably intriguing. His character in "Cry Wolf" displays almost nothing of the usual character traits. He is rather austere and emotionally detached. Flynn could quite easily have been cast as a villain. The film is a lot more low key in comparison with other Errol Flynn films. The story mainly revolves around a big house with many acres of land out in the sticks. There aren't the usual lavish production values. The plot doesn't allow for any of the usual camaraderie or any shenanigans that the fans had come to expect from Flynn. The tone of the film is a lot more serious, perhaps a bit grim but still very watchable. As the female lead, Barbara Stanwyck plays a character who attends the reading of a will after learning that her husband has died. Her husband was the nephew of Errol Flynn, who is quick to question if Stanwyck is the genuine article after the family has never heard of her. Whilst her background is being investigated, Stanwyck stays at the family estate where not all is what it seems..... There is a bit of mystery about "Cry Wolf" until about the last 15 minutes when all is explained. The two leads engage upon a series of verbal assaults upon each other and with both giving their all. Worth watching.

What could have been a great "old dark house" kind of thriller is instead a tepid melodrama hampered by a rambling script with a not-too- believable twist and a weak ending. On the plus side, it gives Barbara Stanwyck a chance to play the kind of feisty woman we like to root for--especially when she's climbing athletically over rooftops and down dumbwaiter chutes in order to get to the roots of a family mystery. Errol Flynn, still handsome in tweed jacket and smoking a pipe, lends distinction to a poorly written role. But in his confrontation scenes with Stanwyck she comes out the winner--full of fire and fury while he remains bland and aloof. Geraldine Brooks excels as Errol's tormented niece who believes her uncle is up to something sinister. A big help is Franz Waxman's strong background music that creates the right note of suspense. Richard Basehart is wasted in a small, poorly written role that gives him no substance at all. Despite all the flaws, an interesting and absorbing mystery to watch on a rainy day if only for the sheer pleasure of watching Stanwyck race around in pursuit of the truth. The solution, as noted before, is a letdown and the ending much too abrupt. Ah well, you can't have everything...

Just saw this last night for the first time. Must say that I loved Stanwyck running, leaping, jumping, being thrown by a horse, springing up again only to leap from an eight foot fence to the ground...This was clearly no stunt double. The gal was fleet of foot, and tenacious. She loved playing tough cookies, and that's what she served up here, a tough cookie who was really heroic and unafraid. She, as opposed to Flynn, does all the swashbuckling in this movie, and it's worth seeing just for that reason alone.

And it was suspenseful...I was really quite frightened of what she would find in the lab, in the lodge, in the dumb waiter...what's that about the cold cream??? I was so edgy after she scaled the fence into the lodge compound and got lost, that I had to turn off the volume so as not to hear the scary music. So the score really REALLY adds to the suspense.

I loved Errol Flynn in his early swashbucklers, and I really liked the character turns he took in Too Much Too Soon, and The Sun Also Rises and That Forsythe Woman. But here, he's just uneven..sometimes even blank, and then other times he's okay. Clearly the writers were trying to create a Max de Winter or Edward Rochester-type character ...is he good, or bad, sincere or lying? But the execution of the idea doesn't gel enough to satisfy.

So, the writing's choppy and shallow (especially the last 2 lines of dialogue and resolution), and there's not a TON of chemistry between Flynn and Stanwyck. And yes, the other roles are either over, or under written, so you end up with shadows or stereotypes. But still, I found it fun, and there's no reason why NOT to watch this movie, unless Rebecca or Jane Eyre or Pat & Mike is playing on another channel.

"Cry Wolf" isn't the greatest or the worst movie I've ever seen, but overall I enjoyed it. Despite what other viewers have said, I LIKED the ending. It was genuinely surprising, and when I thought it over, it all added up and was satisfying. I enjoyed Barbara Stanwyck's athletic performance -- especially when she pulled herself up and down a dumbwaiter! It was fun,too, to watch Errol Flynn play a sinister gentleman against type. In her debut film, Geraldine Brooks was awful but watchable doing a bad imitation of Ann Blyth in "Mildred Pierce." The talented Richard Basehart was awful, too -- but he later gave some classic performances, and it was fun to compare the difference. There are far worse ways to spend 83 minutes of your life, and I'm glad I watched this sleeper.

Barbara Stanwyck and Errol Flynn are two of the most dynamic screen personalities of their time, so I had to watch this one. And I wasn't disappointed, I was glued to the screen to see if Flynn was really up to no good. I found their chemistry intriguing to say the least. My only complaint about the film was the ending was too rushed. But all in all, I found this to be quite entertaining