Adicionar um enredo no seu idiomaAn agent has his only client pose as both a French chanteuse and Brazilian bombshell to fool a nightclub owner.An agent has his only client pose as both a French chanteuse and Brazilian bombshell to fool a nightclub owner.An agent has his only client pose as both a French chanteuse and Brazilian bombshell to fool a nightclub owner.
- Direção
- Roteiristas
- Artistas
- Louis Sobol
- (as Louie Sobol)
- Cigarette Girl
- (as Kay Gorcey)
- …
Avaliações em destaque
He co-stars here with Carmen Miranda of the tutti-frutti hat. They are a duo act, but decide they'd be better as a solo with he her agent. Through a comedy of errors, inspired by Groucho's eagerness to show he has more than one client. He convinces Steve Cochran at the Copacabana to sign Carmen and one Madamoiselle Fifi. Fifi is French Moroccan and per her religion and nationality, keeps her face covered with a scarf. And Carmen in her Fifi incarnation speaks with a French accent that's a cheap imitation of Ann Codee.
Even though this is only one Marx Brother, it's still an exercise in the absurd. But I find it hard pressed to believe that no one realized that there was only one woman involved. Carmen Miranda is kind of distinctive even with a false accent. Well if everyone could get fooled by Clark Kent putting on a pair of glasses, who am I to question.
Groucho gets a comedy number himself, written by Harry Ruby and Bert Kalmar called Go West Young Man. It's strictly comedy patter for Groucho, but Bing Crosby and the Andrews Sisters made a record of it in 1947 as a straighter version. Groucho guested on Crosby's show several times over the years and I'd be willing to bet Crosby recorded it as a favor to Groucho to plug the film.
Carmen Miranda is nothing less than Carmen Miranda. With the way she mangles the English language, Groucho must have thought she was Chico with breasts. But Carmen is always entertaining in any situation.
Crooner Andy Russell and a grown up Gloria Jean also contribute musically and to lend authenticity to the proceedings, Louis Sobol and Earl Wilson columnists, and Abel Green of Variety make appearances.
Copacabana is dated simply because the era of the nightclub is just a memory. But at least the Copa got immortalized by Barry Manilow and they still have them in the tinsel world of Las Vegas.
It's a dumb, silly story. But Groucho delivers enough funny one-liners and clever quips to make his part interesting. And lively, breezy Carmen Miranda, with that unique style of dancing and singing, entertains with style and panache. The silly storyline alternates with staged floor shows, which overflow with music and Latin atmosphere. The costumes are interesting, but the B&W cinematography does not do them justice.
The film quickly becomes dull, especially in the middle Act, when Groucho and Carmen go off-screen. Too much time is wasted on a romantic subplot between Cochran's character and his secretary Anne, played without feeling by Gloria Jean. We also have to endure, and I do mean endure, the "talent" of someone named Andy Russell. That smarmy smile of his makes me want to jump off the nearest cliff.
This film will probably disappoint most Groucho fans, as he is but one of several that get major screen time. Steve Cochran, Gloria Jean, Andy Russell, and a few others just are not in Groucho's league. Carmen Miranda is, and whenever she is singing or dancing, the film is entertaining.
If you can ignore all the extraneous characters and focus on Groucho and Carmen, "Copacabana" can be worth a one-time visit.
I had never seen Carmen Miranda in action, though I had long known of her being a performer with kooky hats. Now that I've seen her on screen, I think she comes across as a cross between Marlene Dietrich and Charo - a surprisingly fun mix. She's actually a good foil for Groucho, so I think it's the screenplay that doesn't play to their full potentials. It's still a fairly charming movie, with Carmen taking on the role of two different stage performers and Groucho providing zingers.
Você sabia?
- CuriosidadesThe first film in which Groucho Marx appears with a real mustache as opposed to a painted-on one.
- Erros de gravaçãoOn the marquee, Mademoiselle is abbreviated MMLE. Later, in the newspapers and on Mademoiselle Fifi's dressing room door, it is correctly abbreviated MLLE.
- Citações
Lionel Q. Devereaux: Well, Steve Hunt, my life-long pal. You haven't changed a bit.
Steve Hunt: Do I know you?
Lionel Q. Devereaux: Do you know me? Lionel Q. Devereaux, your old roommate at Yale?
Steve Hunt: I never went to Yale.
Lionel Q. Devereaux: Remember those good old days at Erasmus High?
Steve Hunt: I never went to Erasmus High.
Lionel Q. Devereaux: At least you do remember when we graduated from Public School 27?
Steve Hunt: No.
Lionel Q. Devereaux: Say, for a man with no education, you've done alright.
- Cenas durante ou pós-créditosSteve Cochran's main title credit includes the following acknowledgment: "By Arrangement with Samuel Goldwyn."
- ConexõesEdited into The Groucho Marx Collector's Classic (1985)
Principais escolhas
- How long is Copacabana?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Adeus, Meu Amor
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Proporção
- 1.37 : 1