Os Sinos de San Angelo

Did I see the movie correctly, or did Roy shoot Dale twice with a loaded gun! At least her white blouse showed no blood. After seeing that, I'm really glad that the famous cowboy couple got permanently hitched at the end of '47. In fact, there're a number of unexpected touches in this well-produced Rogers oater, including a baddie who actually grieves over his dead pet bird - how's that for humanizing a bad guy. Then too, looks like Republic popped a hefty budget for this Rogers programmer. The scenic Nevada buttes are a dramatic and eye-catching plus. And get a load of that strung-out silver mine clinging to the mountainside like a giant caterpillar.

So, can Roy, Devine, and Dale stop the smugglers from tunneling silver ore from the Mexico side of the border to the US side where it brings in a lot more dough. Those underground scenes in the cross-border tunnel are grimly well-staged. Meanwhile a really paunchy Sheriff Devine gets to throw his weight around in more than just comedic style -- so watch out bad guys. Meanwhile, the lovely Dale has a more meaningful plot role than usual, as a writer, no less. Then too, there's plenty of hard riding and fast shooting, along with flying fists that may surprise you (it did me). On the brief downside is a loose narrative, and maybe too few songs from the delightful Sons of the Pioneers.

All in all, its a nifty Rogers oater with a number of unusual touches. Also, it looks like Republic was maybe looking for a series uplft. So Front-Row guys and geezers, don't pass it up.

Bells Of San Angelo finds Roy Rogers working as a border 'investigator' on the USA/Mexico border. Assisting him is sheriff Andy Devine of the county. There have been some murders of some Mexican nationals on the American side in and around a mine that John McGuire and David Sharpe run.

This is far from the Mexican border today where we are preoccupied with illegal immigration. At this time in the Hollywood modern west, people just seem to be coming back and forth across the border at will with no one really asking questions. Roy's very good friends with Catholic Padre on the other side, Fritz Lieber. In fact it is Lieber who comes to Roy asking him and Devine to look into the murders.

We've got two more complicating factors in the plot. A western writer is coming to town with the highly androgynous name of Lee Madison and Roy and the Sons of the Pioneers think its some tenderfoot who just wants to stick his nose in for material. They don't need no tenderfeet tagging along on a serious investigation and resolve to do something about it.

Of course Lee Madison is the pen name for Helen Clifford who is played by Dale Evans and she keeps her identity a secret to play along with the gags Roy and the boys are cooking up. I said in another review of one of their films that Roy and Dale play like a pair of red state Tracy and Hepburn. The dialog ain't classic, but all in all it's not too bad either. It was part of their appeal on the screen.

The other complication is Olaf Hytten arriving from Great Britain looking to locate some missing person who turns out to be Andy Devine. Not knowing exactly what he wants, Devine is scared about revealing himself, but Roy guesses right away something's afoot.

All this plot is packaged rather nicely into a 78 minute running time for Bells Of San Angelo. Of course Roy finds out exactly what the story is and the culprits are brought to justice. But as for what the racket was and what happens with Dale and Andy you have to see Bells Of San Angelo.

You'll love the fox hunt the gang arranges for Hytten.

The usual, routine, singing cowboy stuff from Roy Rogers as he is sent to investigate some shenanigans at a ranch on the US/Mexican border. The film really belongs to Andy Devine as "Sheriff Cookie"; the enthusiastic, if not desperately competent local sheriff who alongside trashy-journalist "Lee Madison" (Dale Evans) has to help Rogers get to the bottom of it all. Fritz Lieber adds a wee bit of weight to the proceedings, and if you like songs with your westerns then this is no better or worse than the norm. The story is far, far too thin for 80 minutes though, an hour would have easily sufficed.

Roy Rogers and sheriff/sidekick Andy Devine investigate the death of an alleged thief, who was supposedly shot in the act of ripping off a villain's silver-mine. Meanwhile, western-fiction writer Dale Evans comes to town under an assumed name and has to deal with Roy's patronizing of her work.

A mildly entertaining, loosely plotted Roy Rodgers picture, Bells Of San Angelo is good fun, with high production values (at least for a Republic Pictures Saturday matinée western).

The well photographed desert landscapes look nice in exaggerated Technicolor, as do Dale and Roy's spiffy outfits and good songs are the perfect antidote for slow spots, with Roy, Dale, and Bob Nolan taking turns singing with The Sons Of The Pioneers.

Here, a feistier than usual Dale Evans gives one of her best performances, stealing nearly every scene she's in! Playing the local priest is character actor Fritz Leiber, who's lookalike, also-named son was one of the great sci-fi writers of the twentieth-century!

This is one of the last good Roy Rogers films, before they started recycling stories and churning them out a mile a minute. The plot is interesting and keeps you interested. The film isn't too long (about 1h20) and doesn't drag at all. The songs aren't too bad, and the absolutely *adorable* Dale Evans has lots of screen time;) Andy Devine was amusing as the sheriff, much more amusing than many of the later comic relief sidekicks, and Roy Rogers was at his best, in voice and in character.

Overall: One of the few colour Rogers films worth seeing; not the best of them, but most certainly nowhere near the worst (though I'm not much of a fan of the genre;). Entertaining, and worth seeing at least once. And, of course, Andy might be Devine , but Dale Evans is *divine*!!;) 7/10.