O Anjo e o Malvado

A man on horseback races across the arid landscape. His horse faulters and throws the man. This is how The Angel and The Badman begins.

Wayne is Quirt Evans, a man with a past. He is rescued by beautiful Gail Russell, a Quaker girl with a strong, silent father and a marvelous, generous mother who makes donuts and cakes that melt in your mouth, but according to her are, "not very good, the flour you know...".

Poor Quirt never has a chance. He is healed body and soul by this devoted family. But not before he must taste his old way of life one more time, which leads to a dramatic conclusion.

John Wayne never looked better on film then in The Angel and The Badman. In one scene, he wakes from a coma, hears a noise, gropes for his gun, which is under the pillow and rises, gun in hand to face a startled and stunning Russell. The sight of John Wayne, shirtless, his hair un-combed and his gorgeous, almost purple eyes taking in the lovely lady in front of him, is something no woman from 6 to 106 should miss. If you are a fan already and have seen this delightful film, you know what I mean. If you are new to John Wayne, check to one out and fall in love.

Harry Carey plays the Marshal of the territory who keeps track of Quirt, not completely convinced of his conversion, until the surprising climax. Carey's quiet authority is wonderful to watch, and his sly humor a tonic.

The Dr. here over-plays his role, but he can be forgiven. The neighbor who has denied water to the Quaker settlement but is convinced by Quirt(without the force of his famous gun), to "be a good neighbor" and remove the top two boards holding back the water that used to flow into flums and irrigation ditches, is a real old west character. Films today just don't use actors with faces like his any longer. Too bad.

Yes indeed, The Angel and The Badman is a wonderful, old fashioned film. The kind they don't make any longer, but should.

ANGEL AND THE BADMAN is a film that many John wayne fans may not have seen; nonetheless it's one of his best that shows a very different side.

Wayne as Quirt Evans is wounded and taken in by a gentle Quaker family. After he recuperates he notices their daughter--the absolutely drop dead gorgeous Gail Russell.

The plot of AATBM is remarkably similar to Harrison Ford's WITNESS (probably a remake).

But what ultimately makes this movie work is Wayne's performance, and Russell's natural "Angelic" qualities. The camera really loves her. There's one scene where she confesses' her love for Wayne, and is surprised he doesn't feel quite the same: "I never thought it could happen to one and not another." Her outright innocence in this scene is incredibly touching, and endearing, and you see how this affects Wayne in the same way.

Very different John Wayne film. A romantic western, if you will. Wayne plays notorious gunslinger Quirt Evans, who is wounded and nursed back to health by a Quaker family. The sweet and innocent daughter, Penelope (Gail Russell), falls in love with Quirt. But the gunfighter's got some bad guys to deal with, chiefly an hombre named Laredo (Bruce Cabot). Quirt will have to choose between his way and the Quaker way, which means choosing Penelope or the gun.

John Wayne is really good in this one. He's a very underrated actor that is often slighted by people that don't like the man, usually because they don't like his politics or something along those lines. But he was actually a very good actor who brought depth to most of the characters he played. Here he gets to show his softer side and it's one of his best performances from the '40s. Gail Russell is young and very pretty here. She does a great job in one of her two best-known films (the other being The Uninvited). Russell and Wayne have terrific chemistry. It's sad how her life turned out as she had the potential to be one of the greats. Harry Carey, Sr. plays a grizzled old marshal dubious of whether Quirt can change. As was often the case, he stands out above the pack. An excellent actor who could say more with a smile or a look than most could with a page of dialogue.

Amusingly there are characters in this movie named Hondo and McClintock, both names for future Wayne characters. It's a charming and enjoyable western that fans of the Duke will love but also I think people who don't normally like westerns can enjoy.

A famous gunfighter (John Wayne) is wounded in crossfire and a quaker family cares him and heals . During recuperation the daughter named Penelope Worth (Gail Russell) has a romance and falls in love for him . She eventually humanizing the gunslinger . And he has to choose between his violent world or the pacifist existence in which Penelope Worth lives . Meanwhile , he'll have to confront a malicious ringleader (Bruce Cabot) and his henchmen .

This well-handled production is a thoughtful Western but with average budget . By time this western was popular with the public . The film has rider pursuits , stampedes , shootouts , struggles and an agreeable love story . John Wayne gives one of the best interpretations of his long career . Bruce Cabot as Wayne's friend has an important and well featured role , he's habitual in his films . Gail Russell shined in the role as Penelope and provided a great acting . Rare and enjoyable beauty , she was to be groomed one of Paramout's top stars , but the alcohol took her and she was found dead and it attributed to the drinking . Gail was only 36 years old . Had it not been for the alcohol , Gail's career could have been one of the biggest . Besides , there appears Harry Carey Sr. as a tough sheriff , Carey was a veteran actor who played numerous Western . The motion picture is finely directed by the Wayne's usual screenwriter named James Edward Grant . There's also a lousy version in computer-colored . The flick will appeal to John Wayne fans and Western moviegoers . Rating : Nice and well worth watching .

John Wayne's performance in this film is one of my favorites from his long (if not exceptionally versatile) career. As an embittered gunslinger groping his way toward love and redemption, he makes the character's inner growth apparent by not allowing it to come to the surface except in neatly timed glance, frowns and smiles. The cool detachment of his character reminds us that he is really more dangerous than the young Penny (Gail Russell) perceives, and more thoughtful than those who know him as a gunfighter understand.

As dramatic action film, the film is well paced, and glows with considerable polish throughout. The production team is that of John Ford's of the time, and they are in top form here. Writer-director Grant (another Ford insider) has given us an excellent script and able direction.

The film was produced by John Wayne himself, who knew a good story, and who here allows us an odd insight into his personal politics - which were far more complicated than his right-wing fans or left-wing detractors ever understood. In the wake of the Second World War (and we all remember Wayne's war films), Wayne here produced one of the best defenses of religion-based pacifism on film. It should be remembered that during the First World War, Woodrow Wilson had pacifists jailed; in a little known incident in Wyoming Army recruiters dragged several Amish into jail and beat them brutally - several died. If I had to choose between Woodrow Wilson and John Wayne for president, I'd vote for Wayne.

Angel and the Badman speaks well of Wayne's conscience, and reminds us that, in his own rough way, he could respect the honest consciences of others. Whatever else we think of him, let us remember that he was a man who deserved - and gave - respect. This is, over all, the most respectful film he ever made, giving us his most respectable performance.