Por Fim Mulher

Another enjoyable Maisie movie starring the delightful and lovely Ann Sothern. Maisie has just graduated from business school and wants to get a job as a secretary. However, everywhere she goes the men who interview her are only interested in her looks. So Maisie puts on some glasses, pins her hair up, and tries to dress like a woman with her mind on nothing but business. In the movie this is supposed to make her less appealing. But it's pretty hard to buy as Sothern is so adorable you could put her in a potato sack and she would still be attractive. Anyway, Maisie gets a job with Joe Morton (George Murphy). When Morton learns who she really is and that she used to work assembling airplanes, he invites her into his secret helicopter project. It's always fun to watch Ann Sothern in these Maisie films. They're cute, funny, lightweight entertainment. This isn't my favorite in the series, but it's a good one.

The Maisie series at its best found our heroine, a showgirl, stranded in some atmospheric spot, like a dude ranch out west, where she had to rely on her wits to find some kind of employment. In the course of the proceedings, she often united lovers, reconciled parents and children, told off snobs, and fell in love with some good-looking guy.

The Maisie pictures were always enjoyable due to Ann Sothern's great performance as a regular gal who could take care of herself, and the sharp writing that had a healthy dose of common sense and understanding of human nature. A good egg who often let her niceness get the better of her, until she woke up and told off some stupid or selfish individual who should have known better, Maisie was a terrific person whose adventures were very popular.

This one came late in the series. It starts out enjoyably, but gets bogged down in a lot of plot. It winds up with Maisie (who has no flying experience) piloting a helicopter that figures centrally in the story. She even manages to take a call from a land-line phone handed out a window to her while the craft is hovering in the middle of downtown Los Angeles!

Unfortunately the bad guy is obvious to the audience from his first appearance, but not to the characters. Which strains credibility to the breaking point. And it's hard to believe that George Murphy (no spring chicken, at this point) could portray a grown man who is so naïve in so many ways.

I guess I prefer the Maisie pictures where she stays on the ground and deals with more or less believable problems, though this one is pretty well done overall.

World War II is over and Maisie Ravier is now finished her Rosie the Riveteer thing and is looking for more traditional employment for women. She's even enrolled in a business school and got her diploma. But when she goes job hunting all the potential bosses see a former showgirl and a quick roll in the hay. In order to get a job and keep the wolves at bay Ann Sothern dresses down and gets a job working for George Murphy.

Where to her complete surprise she finds her past experience in a war plant a real asset. Murphy is designing a brand helicopter and it's a hush hush project. But he doesn't know that tycoon Paul Harvey and his daughter Hillary Brooke are looking to steal it for themselves. Murphy's even got a Quisling in his own ranks.

This is one of the best of the Maisie series with Sothern given some really good comic bits to work with. She gets slipped a Mickey Finn and does a great drunk act with tips no doubt from Red Skelton until she plunges into a swimming pool. The climax of the film is having Sothern fly Murphy's helicopter. It must be a good machine if a flying novice can handle it.

One of the problems of the Maisie series is that she's gotten involved with some man in each of the films. But this is the first one where Sothern actually got a formal marriage proposal. And you know it once again didn't take because there was one more in the series that was so popular at MGM.

But as Maisie Sothern is at the top of her game in Up Goes Maisie.

Maisie Ravier (Ann Sothern) has just graduated from business school. She has to constantly rebuff men's advances. She changes her looks and gets hired by Joseph Morton (George Murphy) who invented a new helicopter.

This starts with an interesting premise of sexual harassment. It's downright modern and possibly feminist. It does transition into the standard Maisie story where the bad guys trick her and she has to fix everything. I can see that part as becoming tired as this is Maisie's ninth movie. They really should modify the formula a bit to freshen up the franchise. The big evil trick isn't so great and it seems easier to steal the plans instead. The story is not the best and this formula is getting old.

It's after World War II, and Maisie has graduated from secretarial school. But, all the males she goes to see about jobs are wolves who can't keep their minds on their work. So, she decides to change her looks. Some glasses, change of hairdo, change of clothes and no makeup, and she looks more like a plain Jane whom the bosses will leave alone.

In "Up Goes Maisie," she gets a job with a former World War II pilot who's working on inventing a helicopter. Joseph Morton's design was a vast improvement over the first few years of choppers, which still were having problems. This film is worth it just to see the chopper in this movie, and how they use and film it.

Anyway, Morton is the first boss that Maisie didn't have to worry about being sidetracked from his work. With his partners, he is desperate to get his design accepted for production. But, there's skullduggery afoot as some insiders in the company that was fronting his development plan to steal the Morton machine. But this is Maisie Ravier, and they don't realize that she'll foul up the works for them so that the good guys win.

There's some good action in this, and scenes with the helicopter flying and landing in the Rose Bowl stadium in Pasadena, California. And, guess who's at the controls. Oh, yes, and when Morton suspects Maisie of spying on him for her disguise, it takes some doing before he's convinced otherwise. When she saves his chopper, Morton gets the message. And once again, romance blooms for Maisie.

Here are some favorite exchanges of dialog in this film.

Joseph Morton, "Now, see if I'm not right - you're loyal, capable, dependable?" Maisie Ravier, "You mean I'm not the type of girl that makes you think of soft lights and sweet music?" Morton, "Uh, huh, no." Maisie, "Mmm, and, Mr. Morton, sir, I'm not the type girl who switches your mind from business to monkey business?" Morton, "Why, certainly not, Miss Ravier. I'm amazed at a nice lady like you. What've you been reading?" Maisie, "Me? I beg your pardon, sir." Morton, "Now look, you just forget all those foolish ideas. As long as you're working with me, be assured you have nothing to fear." Maisie, 'Yes, sir."

Joseph Morton, "You're kinda fresh, too, aren't you?" Maisie Ravier, "Sometimes, when I feel good." Morton, "You feel good now?" Maisie, "Mmmm, I seem to, judging from the way I feel."

Maisie Ravier, "Now, just a minute. Don't tell me what I think. I know what I think and it's not what you think." Joseph Morton, "Well, you're on the wrong track, young lady."

Joseph Morton, "Oh, I know about those guys that think one manly smile and a girl should fall right on her knees. They're victims of a super-charged male ego." Maisie Ravier, "Ohhh, so that's what it is." Morton, "Yeah." Maisie, "Well, I never knew the cause but I certainly understood the symptoms."